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The use of symbolism in the novel
Importance of Symbolism in literature
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Chrétien de Troyes may be the most influential romances author who introduces a new literacy genre, Arthurian Romances. Romances is really a special genre, which cannot be more different than the previously popular genre, the epic. The epic mainly concreates on strength, valor, courage, and military prowess. One of the best examples of epic is Beowulf. Meanwhile, epics also describe how a person become a good solider or a powerful warrior and finally accomplish personal heroic. In contrast, the romances written by Chrétien de Troyes focused on a different aspect which manly about people’s emotions. The protagonists’ emotions are described as well as their actions in his works.
The first crucial theme of Chrétien de Troyes works is that
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Chrétien de Troyes do describe characters’ emotions and thoughts specifically. In the previous works like epic, emotions just plays a limited role in the whole work, such as the epic Beowulf. The epics mainly focus on the process that people become a great warrior, how they defeat their enemies and how they save other people, especially the weakness. Obviously, personal heroic is the main theme of such epics and characters’ own emotions are well ignored. However, Chrétien de Troyes showed the readers an emotional world in his works. To take Lancelot as an example, the conflict that when he has to decide whether or not he should go into the cart so that he can get closer to the queen exemplified this well. Emotions and actions of characters usually effect each other and make the audience feel like that it’s like themselves. In epics, the characters are far away from the readers because they’re heroes. But in the Arthurian Romance, the characters is much more similar to the audience because of their emotions, the emotions of them make characters like a real human rather than a legend. This theme is prominent and
In Beowulf, the protagonist Beowulf is shown as a hero with extrodinary strength. This is not what makes him a hero. By definition, a hero is a man of exceptional quality. However this term does not do Beowulf justice. His self-imposed purpose in life is to help others, and eventually sacrifices his own life in doing so. Beowulf’s battle with the dragon serves as a critique of the notion that Beowulf is a hero. The Dragon section displays many of Beowulf’s heoric characteristics. Beowulf establishes himself as a hero by fighting the dragon, exemplifing strength and courage when fighting the dragon, and sacrificing himself so that others can live.
“Cyrano de Bergerac” is a play about a man named Cyrano de Bergerac, a poet and a superb swordsman who contains a terribly giant nose. He’s in love with his cousin, Roxanne. Cyrano never tells Roxanne how he feels concerning her therefore she has no idea of his love for her. Within the play Cyrano is a tragic hero. A tragic hero is a great, noble, heroic character. The dictionary.com definition of a tragic hero states, “All tragic heroes have a tragic flaw and since of that flaw the hero is destined for a downfall, suffering, or defeat: the tragic hero is the character that the majority readers will sympathize or empathize with.” Cyrano is different from the contemporary anti-hero however his death was foreshadowed by his actions. Cyrano has all of these traits. Heroic principles and values are necessary of a tragic hero. Whether its showing honor in battle, by charging at enemy lines to redeem his fallen friend Christian, or his loyalty to Roxanne by visiting her each week and comforting her at the church until his death, displays why he was the hero. Cyrano's admirable traits may be seen as the cause of his downfall. His low self-esteem is why he's too afraid to inform Roxanne how he feels about her. He’s terrified of rejection. Not only is He to proud to ever except defeat in battle by never backing down from a fight but also he is too proud to tell Roxanne how he feels for he believes he will be defeated. This is often the reason why he has gained such a large amount of enemies throughout his life. His pride, along with his low self-esteem, is a burden that weighs him down throughout the play.
From the beginning of fiction, authors have constantly exploited the one topic that is sure to secure an audience: love. From the tragic romance of Tristan and Isolde to the satirical misadventures in A Midsummer Night’s Dream, literature seems obsessed with deciphering the mysteries of affection. The concept most debated is the question of where the line falls between lust and love and what occurs when the two are combined, and few portray it more clearly than Edmund Rostand in his French drama Cyrano de Bergerac. The influence of fickle physical attraction and deep romantic love on each other are explored by the interactions of the four main characters: De Guiche, Christian, Roxane, and Cyrano.
The clear definition of a hero is often open to interpretation and has never been clearly defined. In the translation of the epic poem Beowulf by Seamus Heaney, it is often debated whether the main character Beowulf is actually a hero or not. Beowulf displays hero-like characteristics through his bravery, loyalty, brute strength, confidence and protective nature. He is a crystal clear example of an Anglo-Saxon hero in his time period. In the present day he should be considered a hero as well. He displays heroism through his fights with Grendel, Grendel’s mother and the dragon while managing to protect his people and eventually sacrifice himself.
He may even have been the first to sing the tragic love of Tristan and Isolde. One of Chretein de Troyes’ works, Chevalier de la Charette (The Knight of the Cart) expresses the doctrines of courtly love in its most developed form. The plot of this story is believed to have been given to him by Marie of Champagne and has been called “the perfect romance” for its portrayal of Queen Guinevere’s affair with Lancelot of the Lake.1
There are many things to take into consideration when characterizing a person as a hero. Heros are typically seen as people who accomplish brave deeds and fulfill noble tasks for the greater good of things. In the epic poem Beowulf by an anonymous Anglo-Saxon poet a hero is revealed. What makes Beowulf a hero is his unbelievable strength and power. He does not get discouraged or let anything stear him away from what he feels needs to be done for the safety of others. In his battles with the monster Grendel, Grendel’s mother and the dragon Beowulf exhibits his strength and will to fight. Beowulf, is loyal to his people and his king. What I feel is the most important quality of Beowulf, though, is his willingness to risk his life for the good
An epic is a long narrative poem on a serious subject. It usually is about
A hero is someone who is admired for their courage and bravery, as well as their noble accomplishments. They are respected by almost everyone, due to their kindness and charitable mindset, that drives them to fight for the good of others. Beowulf is the perfect representation of a hero, based on multiple characteristics that he displays throughout the novel. Along with his characteristics, Beowulf also takes on many “hero like” challenges and tasks. In the novel, Beowulf is praised and admired throughout the kingdom for his bravery, humility, and selflessness.
In every epic story, the center of attention will be on the epic hero. Usually all the epic heroes have some kind of special power, which keep them different from other characters. Later on, their epic journey these powers, help them to win the glory, which make them epic heroes. In Beowulf, Beowulf is truly an epic hero, because of his wisdom, strength and bravery.
Beowulf, written between the 8th and 10th centuries, is an epic poem set in southern Sweden. The poem illustrates the Anglo-Saxon’s strong belief in the heroic code. The loyalty between the warrior and his king bound the culture together. The warrior was the ultimate hero who represented strength and courage. Beowulf, the hero in the poem, illustrates the Germanic principles of the heroic code. Through the battles and character interactions, Beowulf converges loyalty, strength, courage and forgiveness into the hero archetype.
An epic is an extended narrative poem in elevated or dignified language, celebrating the feats of a legendary or traditional hero. The main characteristics of an epic as a literary genre is that it is a long poem that tells a story, it contains an epic hero, its hero searches for immortality (but doesn't find it physically, only through fame), gods or other supernatural beings are interested and involved, and it delivers an historical message. The Epic of Gilgamesh is classified as an epic because it fits all the characteristics of an epic as a literary genre.
The characters confine themselves to their internal emotion and barrier of desperation as seen through the soliloquy by Gonzalo in Act 1 Scene 1. Moreover, this is the excerpt happens when all the Nobles exit the scene and Gonzalo is left on stage. Through this,
Courageous and admirable with noble qualities defines a heroine. In Aristotle’s Poetics he describes a tragic hero as a character who is larger than life and through fate and a flaw they destroy themselves. Additionally, Aristotle states excessive pride is the hubris of a tragic hero. The hero is very self-involved; they are blind to their surroundings and commit a tragic action. A tragedy describes a story that evokes sadness and awe, something larger than life. Furthermore, a tragedy of a play results in the destruction of a hero, evoking catharsis and feelings of pity and fear among the audience. Aristotle states, "It should, moreover, imitate actions which excite pity and fear, this being the distinctive mark of tragic imitation." (18) For a tragedy to arouse fear, the audience believes similar fate might happen to them and the sight of the suffering of others arouses pity. A tragedy's plot includes peripeteia, anagnorisis, hamartia and catharsis. Using Aristotle’s criteria, both characters in Oedipus The King and The Medea share similar qualities that define a tragic hero such as being of noble birth, having excessive pride, and making poor choices. They both gain recognition through their downfall and the audience feels pity and fear.
Sophocles introduced a new kind of drama that evoked strong emotions out of an audience, catharsis. Sophocles’ tragedies are essentially “moral and religious dramas that pit the tragic hero against unalterable fate and the divine will of the gods” (Burt 5). In Oedipus Rex, Oedipus is a respected king who neither purely good nor purely evil, making him likeable to the audience but also relatable. However, Oedipus has a fatal flaw that proves to be the cause of his downfall. His pride is revealed to be the root of his tragic fate.
The origin of the legend, Beowulf, is as mystical as the story itself. Found in a single manuscript, with its edges burnt from a fire, the actual author remains unknown. The first telling of Beowulf is presumed to be before the Anglo-Saxon era, and the time period of the legend is believed to be even before that. Consequently, the Anglo-Saxon rendition of the tale of Beowulf is a rendition. For the Anglo-Saxon’s, Beowulf was not just a tale of legend, but a tale of lust for what has passed.