Chinatown Film Noir

624 Words2 Pages

Chinatown is a 1974 American neo-noir mystery film, directed by Roman Polanski from a screenplay by Robert Town, starring Jack Nicholson and Dunaway-Fi. The film is inspired by the California water wars, a series of conflicts over water of Southern California at the beginning of the 20th century, whose interests Los Angeles securing water rights in the Owens Valley. And Robert Evans production, Paramount Pictures and was released, another film director in the United States, and includes many of the elements of film noir, in particular, multi-layered mystery which is part psychological drama, part of the story
In this film they show how impossible it is for the common people to overcome or even escape the corruption that is so pervasive in the world of the film and the world itself.Many of the people in Chinatown claim ignorance of the corruption that surrounds them, often with tragic results …show more content…

The clues are presented to the audience as Gittes is discovering them. This gives the audience the feeling that they are (like Gittes) a private investigator working with him to help solve the crime. We feel as though Gittes is bringing us along for the ride so to speak as a master craftsman would do for his apprentice. As he enters the still room, the camera follows close behind mimicking the point of view of Gittess’ phantom partner (the audience). Gittes opens the bedroom door and leans forward to peer in. The camera copies his leaning motion and it too surveys the room from behind him as a partner would. Gittes then walks into the hallway and discovers a head of lettuce lying motionless on the

Political Corruption In Chinatown Film
636 Words | 2 Pages
On the surface, Chinatown is a film about the political corruption surrounding the conflict over water rights in Southern California in the early 20th century. But really, it is a film that gives the audience a bleak and pessimistic view of humanity as it sheds light on the deep moral bankruptcy of which humans are capable. The opening scene of Chinatown gives the audience a taste of the human immorality to come and also hints at some key themes that continue throughout the film.
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Paint It Black: The Evolution of Film Noir
1564 Words | 4 Pages
It’s a dark and rainy night. Our hero is hiding behind a wall with a revolver in hand. A crack of light, illuminates half of his face. He’s shaking nervously because he only has one bullet left. He turns the corner, and a sudden gunshot hits our hero. Who shot him? None other than his partner, who’s secretly in love with the very same dame that our hero fell for. You can consider this an example of a classic film noir ending. Film noir is a term used in cinema to describe a visually styled crime drama. Where did it come from? What are the key elements in a film noir? Why did this kind of cinema emerge when it did? What affect did it have in the film world? And finally, where is film noir now?
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American Graffiti
622 Words | 2 Pages
This classic move focuses on a single night in the early Sixties, the hopeful future of the main characters is followed by the events which occur. Steve (Ron Howard), and Curt (Richard Dreyfuss) will be leaving for college the very next day, the build up of years of hard work. Finally they'll be able to leave their small hometown and "spread their wings", experiencing life in ways they never have. Curt is unattached to anyone, but Steve will be leaving behind his longtime girlfriend Laurie (Cindy Williams), who happens to be Curt's sister. Also remaining at home are Terry (Charles Martin Smith), a fumbling nerd, and John (Paul Le Mat), an older kid with "the fastest car in the valley". The two main things that kid's focused on in 1962, it was cars and music. Everyone who's anyone cruises the strip in their shiny automobiles and while they're doing that they're listening to Wolfman Jack on the radio. Music is an integral part of this group, defining its moods, fears, desires and feeding from the same emotions.
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Chinatown Film Noir
613 Words | 2 Pages
The genre film noir has some classical elements that make these films easily identifiable. These elements are displayed in the prototypical film noir, Billy Wilder’s Double Indemnity. These elements include being filmed in black and white, a morally ambiguous protagonist, and a prominent darkness. However, the most striking part of a film noir is the femme fatale, a woman who craves independence through sexual and economic liberation. In his film, Chinatown, Roman Polanski uses many of the classic elements of a film noir, however he twists many of them to reflect the time period. This is particularly evident in his depiction of his “femme fatale,” Evelyn Mulwray.
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Chinatown: Above The Film Noir Genre
1601 Words | 4 Pages
Chinatown builds upon the film noir tradition of exploiting expanding social taboos. Polanski added an entirely new dimension to classic film noir by linking up its darkness with the paranoid and depressed mood of post-Vietnam, post-Watergate America, thereby extending the noir sense of corruption beyond the mean urban streets and to high governmental and privileged economic places. Chinatown may be set in 1930’s L.A., but it embodies the 1970’s. The film stands as an indictment of both capitalism and patriarchy going out of control. It implies that we are powerless in the face of this evil corruption and abusive power that is capable of anything, including incest: one of the most horrible breaches of human decency and social morality imaginable.
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Hong Kong Post-colonial Cinema
4677 Words | 10 Pages
The quest for identity quickly finds its place in the construction of the notion of ‘Hong Kong-ness’ in films. The local cinema has remained as a powerful cultural institution, both reflecting and intervening in the discourses of alterities and selfhood. It is therefore not surprising that in local films, the cinematic representations of Hong Kong have been seen as inextricably interwoven with the triangular relationship between the British coloniser, the Chinese motherland, and Hong Kong itself. Since its inception in the 1910s, the Hong Kong film industry has enjoyed much independence from colonial control, yet simultaneously much association with Western culture. Many films openly deal with the theme of ‘East meets West’ in which ‘Hong Kongese’ identity is often expressed in "transnational settings" against the existence of a Western Other, in particular through the portrayal of Westerners visiting Asia, and vice versa. After the handover, "Hong Kong" as a geopolitical en...
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Sunset Boulevard
1938 Words | 4 Pages
Sunset Boulevard (Wilder 1950) explores the intermingling of public and private realms, puncturing the illusion of the former and unveiling the grim and often disturbing reality of the latter. By delving into the personal delusions of its characters and showing the devastation caused by disrupting those fantasies, the film provides not only a commentary on the industry of which it is a product but also a shared anxiety about the corrupting influence of external perception. Narrated by a dead man, centering on a recluse tortured by her own former stardom, and concerning a once-promising director who refuses to believe his greatest star could ever be forgotten, the work dissects a multitude of illusory folds to reveal an ultimately undesirable truth. Its fundamental conflict lies in the compartmentalization that allows the downtrodden to hope and carry on. Sunset Boulevard carefully considers the intricate honeycombs of dishonesty and deception that constitute a human life, then dissolves the barriers and watches the emotions, lies, and self-contradictions slurry together and react in often volatile and destructive ways.
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Sunset Boulevard, directed by Billy Wilder
1018 Words | 3 Pages
It has always been a quest for individuals to achieve fame and success. In this day and age a community exists where many people have this intent to achieve this desire for attention and wealth. Hollywood can be interpreted as this mindset and life style. For those who succeed in this community of publicity seekers, include the usual benefits of success, wealth, power, influence and fame. But for the majority of people in Hollywood their quest for the luxuries of fame go awry. Hollywood to put plainly is a vulgar cut throat business, it is a dog eat dog world out there in Hollywood. For those who do not achieve their quest to be in the lime light, they often used, stabbed in the back and theoretically cast away in a dark rainy alley, like bag of garbage or a typical film-noire hero. Sunset Boulevard is a satisfyingly humorous film-noire film about the inner workings of the vicious “jungle”, that one would know of as Hollywood. It was perhaps the purposely over acted antics of antagonist Norma Desmond (Gloria Swanson), that makes Billy Wilder’s black comedy so memorable. Sunset Boulevard fits the definition of film-noire thanks to Wilder’s use of the typical film-noire style characters, the all too familiar storyline and Wilder’s visual style of the film itself.
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West Side Movie Analysis
1080 Words | 3 Pages
The film West Side takes place in New York City where a Polish- American gang, referred to as the Jets, competes against a Puerto Rican gang, the Sharks, to own the neighborhood streets. The central theme of this film is passionate love that defies friendships, family and other factors. To add to that, the dominating genre of the film is a musical involving drama and romance.
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Comparing ChinaTown and the Big Sleep
1275 Words | 3 Pages
...ttis point of view, the first person point view. This gives us the impression that we are watching the mystery unfold at the same time he is. The narrative form is exemplified in the scene where Gettis is on bridge, watching Hollis Mulwray talk to the little boy on the horse in the flood plain. We start with an establishing shot of Hollis's car driving down the riverbed. Then it cuts in tighter on Hollis. The next cut is of Gettis watching the scene through binoculars. In use of the film noir this narrative form we are left with no clue as to why Hollis is in the riverbed, what was said in the discourse with the boy on the horse or what Hollis is looking at on the hood of his car. At the same time neither does Gittes.
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Chinatown as Film Noir
853 Words | 2 Pages
Films that are classified as being in the film noir genre all share some basic characteristics. There is generally a voice-over throughout the film in order to guide the audience's perceptions. These movies also involve a crime and a detective who is trying to figure out the truth in the situation. This detective usually encounters a femme fatale who seduces him. However, the most distinctive feature of the film noir genre is the abundance of darkness.
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The Adventure Of The Speckled Band Analysis
1342 Words | 3 Pages
The suspense is created by the different characters and many mysterious setting. In this story suspense is presented in a way to keep the reader engaged in the story. The main suspense begins with Helen Stoner telling her story to Sherlock Holmes. Helen told Holmes about the mysterious and strange events that occurred. The events such as, whistling in the middle of the night, as well as her sister’s mysterious death. Doyle describing the dark bedroom that Watson spend the night in, made the reader feel the suspense as if they were in the same room. He uses descriptions such as “...This is very interesting. You can see now that it is fastened to a hook just above where the little opening for the ventilator is” as well as “Holmes as we sat together in the gathering darkness” (Conan Doyle) made the reader more engaged into the story. Foreshadowing is also created in the story to give clues that suggest events that will occur later in the story. Foreshadowing is seemed to be seen when the pole rope was connected to a ventilator and the ventilator went to the next room. The poisonous snake was the weapon used to kill the daughter, by traveling through the
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Thematic and Stylistic Devices in Neo-noir Film
763 Words | 2 Pages
While there are many different ways to classify a Neo-noir film, Roman Polanski’s, Chinatown captures many. The 1974 movie consists of many of these elements, including both thematic and stylistic devices. One of the main themes of neo-noir film that is constant throughout the film is the deceptive plot that questions the viewers’ ideas and perceptions of what is actually happening in the film. Every scene of Chinatown leads to a twist or another turn that challenges the practicability of the film’s reality. All of the never-ending surprises and revelations lead up to the significant themes the movie is trying to convey in the conclusion of the film.
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Film Noir: The Maltese falcon
973 Words | 2 Pages
Film Noir was extremely trendy during the 1940’s. People were captivated by the way it expresses a mood of disillusionment and indistinctness between good and evil. Film Noir have key elements; crime, mystery, an anti-hero, femme fatale, and chiaroscuro lighting and camera angles. The Maltese Falcon is an example of film noir because of the usage of camera angles, lighting and ominous settings, as well as sinister characters as Samuel Spade, the anti-hero on a quest for meaning, who encounters the death of his partner but does not show any signs of remorse but instead for his greed for riches.
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American History X
2187 Words | 5 Pages
American History X (1998) illustrates how segregation is aggravated by missing father figures as well as the herd mentality of the characters in the film. German philosopher Friedrich Nietzsche’s concept of the herd mentality states that people need a concept or a worldview to adopt in order to give meaning to their lives. This herding of people who choose to adopt this certain ideal or ideals in effect causes the stifling of individual thoughts or creativity because everyone chooses to think a certain way (Floyd). This mindset that people are attracted to is not always chosen or forced but is rather seen as an obligation because of loyalties certain people have to others.
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Chinatown Film Noir

Political Corruption In Chinatown Film

Paint It Black: The Evolution of Film Noir

American Graffiti