Upon first glance, Children of the Sea, the first short story in Edwidge Danticat’s book Krik? Krak!, appears innocent in its premise. After all, who doesn’t enjoy a story about two young lovers? But upon further examination, we learn the Ms. Danticat is giving us a glimpse of the Haitian experience. In Children of the Sea, we meet two lovers. One is a young man fleeing Haiti on a sinking boat. After speaking out against the Duvalier regime, he is forced to leave his paramour and escape to what he hopes is a better life in Miami. The story alternates between the two characters as they write letters to each other in their respective journals. From the onset, the journal entries reveal that the two lovers hope to overcome the tragic realities
As a native Hawaiian, Kristiana Kahakauwila has extensive knowledge on Hawaiian customs and culture. Though she was not raised in Hawaii, Kristiana is still connected to the culture. Her upbringing in California did not separate her from the customs of Hawaii. Kristiana has a master’s in fine arts and a degree in comparative literature. Her degrees and background with Hawaiian culture led her to write the book “This is Paradise,” which is composed of multiple short stories. Each short story unveils a new layer of Hawaiian culture that many people tend to overlook. Before the first short story begins, Kristiana sets the tone for the novel with the cover of the book.
Ayiti, by Roxane Gay, is a collection of fifteen short narratives about Haiti and its people, which gives the readers insights into the complex Haitian diaspora experience. The novel seeks to offer a deeper view into Haitian society and covers an array of themes such as the politics of survival, resiliency, and feminist culture in Haiti. Throughout the novel, Gay is highly critical of mainstream media because of how they depict and silo Haiti as a poor and helpless country. Haiti’s historical stance on censorship is well documented, and as a Haitian writer living in America, Gay is successful in giving agency to the voiceless by chronicling the stories of the Haitian diaspora. Ayiti explores stories that explain what it is like to be a Haitian
The. “Sirens and snakes.” African Arts 29.2 (1996): 30+. Leyburn, James. A. Graham. The Haitian People.
In Danticat’s first story “The Children Of The Sea,” she explains how the main character, a teenage girl begins to lose her innocence after being exposed to the amount of war and death in Haiti. The readers begin to see
Mark Twain once stated, “You can’t depend on your eyes when your imagination is out of focus” (Brainy Quote). Despite the imaginative challenges children are faced with in reality, they are able to cope with the advantage of time and mental resilience. Stephen King in his essay, "My Creature from the Black Lagoon" from the Wake Tech English 111 Reader, compared the idea of imaginative strength in children and in that of adults to see who would better fit the horror genre audience. Stephen King recalls one particular time from his past that sends shivers down even the hardest of spines.
As shown, Danticat provides the feelings of Haitian suffering in the short stories in Krik? Krak! through characterization and symbolism. In the article “Haiti”, Hal Wylie states, “These stories are necessary in finding the essential values of life--the foundation for a character able to resist life's traumas” (Wylie). The harsh realities that the people of Haiti face are life changing but are all managed to be kept under control. Every story demonstrates a new struggle and how the different families react in their own way. In the post-colonial time of Haiti, every citizen faced problems economically and also socially. Edwidge Danticat interprets the issues and solutions the Haitians lived with in the novel Krik? Krak!
Danticat's Krik? Krak!, are a collection of short stories about Haiti and Haitian-Americans before democracy and the horrible conditions that they lived in. Although it is a mistake to call the stories autobiographical, Krik? Krak! embodies some of Danticat's experiences as a child. While the collection of stories draw on the oral tradition in Haitian society, it is also part of the literature of diaspora, the great, involuntary migration of Africans from their homeland to other parts of the world; thus, the work speaks of loss and assimilation and resistance. The stories all seem to share similar themes, that one story could be in some way linked to the others. Each story had to deal with relationships, either with a person or a possession, and in these relationships something is either lost or regained. Another point that was shared throughout the short stories was the focus on the struggles of the women in Haiti. Lastly they all seem to weave together the overarching theme of memory. It's through memory and the retelling of old stories and legends that the Haitians in Danticat's tales achieve immortality, and extension to lives that were too often short and brutal.
Love is a powerful force of nature. It is a feeling of passionate and deep affection. It is patient, kind, and honest. It has the ability to consume someone’s thoughts, feelings, and emotions. It serves as the foundation for numerous songs, poems, shows, and novels. However, the attributes of love in The Brief Wondrous Life of Oscar Wao are depicted as a curse preying on the insecurities of relationships and a blessing embodying its beauty. Fukú, a curse, strikes the Dominican Republic and its inhabitants through violent acts of revenge, rage, and jealousy. The source of fukú’s power, nonetheless, is derived from the infamous dictator of the Dominican Republic, Trujillo. The dictator not only presided over all political, economic, and social
... story are just a vehicle that makes the process that turns the feelings of these women into actions whether they were intellectual actions or a physical action such as those taken by Mrs. Mallard and Calixta respectively. When we think realistically we can see that both Mrs. Mallard and Calixta both love their husbands. Mrs. Mallard nearly fainted after hearing the news of her husband premature demise, and Calixta certainly did welcome and was quite pleased with the safe return of her husband and child bearing the shrimps after the storm. These women were thinking and feeling like individuals. One was acting it out as in Calixta's case and our Mrs. Mallard was starting to think about it. It is people like these two, that are hidden in the throngs of humanity to start a ripple in the water and it is the Kate Chopin's that write about these ripples that make the waves.
...d issues of post-colonialism in Crossing the Mangrove. It is clear that Conde favors multiplicity when it comes to ideas of language, narrative, culture, and identity. The notion that anything can be understood through one, objective lens is destroyed through her practice of intertextuality, her crafting of one character's story through multiple perspectives, and her use of the motif of trees and roots. In the end, everything – the literary canon, Creole identity, narrative – is jumbled, chaotic, and rhizomic; in general, any attempts at decryption require the employment of multiple (aforementioned) methodologies.
“Like a river flows so surely to the sea darling, so it goes some things are meant to be.” In literature there have been a copious amount of works that can be attributed to the theme of love and marriage. These works convey the thoughts and actions in which we as people handle every day, and are meant to depict how both love and marriage can effect one’s life. This theme is evident in both “The Storm” by Kate Chopin and “The Yellow Wallpaper” by Charlotte Gilman; both stories have the underlying theme of love and marriage, but are interpreted in different ways. Both in “The Storm” and in “The Yellow Wallpaper,” the women are the main focus of the story. In “The Storm” you have Calixta, a seemingly happy married woman who cheats on her husband with an “old-time infatuation” during a storm, and then proceeds to go about the rest of her day as if nothing has happened when her husband and son return. Then you have “The Yellow Wallpaper” where the narrator—who remains nameless—is basically kept prisoner in her own house by her husband and eventually is driven to the point of insanity.
The Lais of Marie de France is a compilation of short stories that delineate situations where love is just. Love is presented as a complex emotion and is portrayed as positive, while at other times, it is portrayed as negative. The author varies on whether or not love is favorable as is expressed by the outcomes of the characters in the story, such as lovers dying or being banished from the city. To demonstrate, the author weaves stories that exhibit binaries of love. Two distinct types of love are described: selfish and selfless. Love is selfish when a person leaves their current partner for another due to covetous reasons. Contrarily, selfless love occurs when a lover leaves to be in a superior relationship. The stark contrast between the types of love can be analyzed to derive a universal truth about love.
Judith Ortiz Cofer and Ernest Hemingway also wrote about love; they wrote stories of lovers in certain situations. Cofer describes her fascination with a boy in "I Fell In Love, Or My Hormones Awakened". Hemingway describes a couple’s vacation in "Cat In the Rain". These stories actually connect with the essay on the topic of love. Characters in these two stories are good models for the lovers
Within his writing, Nam Le achieves autonomy by expressing authentic traits through the presence of the novel’s characters. In Le’s novel The Boat, the author introduces key behaviors and personas within the first story of the narrative. Though he could approach culture from a Vietnamese perspective, the writer offers a transnational impression throughout the story. By including various characters in numerous roles, Nam Le appropriately applies and articulates the title of his first story, “Love and Honor and Pity and Pride and Compassion and Sacrifice,” which focuses on the ideas of lineage, identity, and inspiration.
In a symbolic reading, the opening paragraph describes the crisis that exists in the marriage of the couple. In other words, the description of the bad weather, of the "empty square"[1](l.10) and of their isolation, reflects this conflict and also sets the negative mood. In fact, since the beginning, Ernest Hemingway insists on the isolation of the couple that "does not know any of the people they passed" (ll.1-2) and are "only two Americans"(l.1). Here it is interesting to notice that they are isolated from the outside world but also from each other. There is no communication and they have no contact, they are distant from each other.