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Lord Byron as a romantic poet
Short note for a literary romantic era
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Lord George Gordon Byron’s Reaction to the Spirit of the Age in Childe Harold’s Pilgrimage as a Character of His Own Work
George Gordon Byron, as known as Lord Byron, has been one of the most influential poets in the Romantic Period of English Literature in the eighteenth century. In the Norton Anthology of English Literature, he is introduced as “the greatest and most English of these artists; he is so great and so English that from him alone we learn more truths of this country and of his age than from all the rest together. This comment reflects the fact that Byron had achieved an immense European reputation during his own lifetime, while admirers of his English contemporaries were much more limited in number. Through much of the nineteenth century the continued to be rated as one of the greatest of English poets and very prototype of literary Romanticism. His influence was manifested everywhere, among the major poets and novelists (Balzac and Stendhal in France, Pushkin and Dostoyevsky in Russia, and Melville in America), painters (especially Delacroix), and composers including Beethoven and Berlioz)”. Childe Harold’s Pilgrimage is one of Byron’s major works and even though as he claims the opposite in the prologue of his work it has traces of his own life, therefore autobiographical aspects. Hence, it provides a deep insight into the spirit of the age. He mingles his own personality and opinions into his protagonist. The poem focuses on a nobleman disillusioned with sensory pleasures, like Byron himself, who searches for fame and virtue, just like Byron’s journey to Greece. Even though how unchivalrous Byron and Byronic hero are they inherit characteristics of the spirit of the British Empire of the era.
Byron starts his wor...
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...ge as well as the politics. Thus, Lord Byron’s epic poetry Childe Harold’s Pilgrimage, through the reactions of Harold during his journey and the autobiographical elements poem has, provides a deep insight into the spirit of the society, wars, politics longing for Greek classicism through Romanticism and the struggle dominating Europe of the age.
Work Cited
1. Byron, George Gordon. Childe Harold’s Pilgramage. The Norton Anthology of English Literature Vol 2, New York; London: W.W. Norton & Co., 2012
2. Caminita, M. Cristina. Explaining the Explanation: Byron’s Notes to Childe Harold’s Pildgrimage. Louisiana State University and Agricultural and Mechanical College, August 2002
3. Guðmundsdótti, Sólrún Helga. The Byronic Hero Origins and legacy. Sigillum Universitatis Islandiae, May 2012
4. Thorslev, Peter L. The Byronic Hero. Minneapolis: U of Minnesota P, 1962
Everett, Nicholas From The Oxford Companion to Twentieth-century Poetry in English. Ed. Ian Hamiltong. Oxford: Oxford University Press, 1994. Copyright 1994 by Oxford University Press.
The Norton Anthology of English Literature, Volume 1c. New York: W.W. Norton & Co, 2006. Print. The.
Holbrook, David. Llareggub Revisted: Dylan Thomas and the State of Modern Poetry. Cambridge: Bowes and Bowes, 1965. 100-101.
...ourneys, these men go in as an average man of the time, face a challenge that the Church thought a man of the day might experience, and come out purified and learned, as a man of those periods should behave. These stories are examples of how a life should be lived and the challenges that one may encounter. While the frames of these narratives change from fictitious to realistic according to the flow of Christianity-based, Northeastern literature, they each are pictures of the mentality of their times. As time progressed, so did the mentalities, which were heavily influenced by Christianity. This is evident in the slow removal of pagan beliefs in the supernatural monsters like dragons and giants into the more realistic literary frames. While all have their differences due to changing times, the hero's journey as a model for the everyday man is clear in these poems.
Greenblatt, Stephen, and M. H. Abrams. The Norton Anthology of English Literature. 9th ed. Vol. A. New York: W.W. Norton, 2012. Print
You must analyse at least six poems, ensuring you include at least one pre-1914 poem.
The essays used in this book have been chosen by Harold Bloom, being that they are still by different essayists than the last two sources mentioned and considering Bloom is not one of them, it is still not bias. This source shed some light on the context of the two poems that were analyzed, but minimal observations on the poem itself and its correlation to the themes. Given this, there was only bare to little use of this secondary source.
Lord Byron had a variety of achievements during his time. Among these various achievements, he had a very significant and profound impact on the nineteenth century and it’s “conception of archetypal Romantic Sensibility. (Snyder 40). “What fascinates nineteenth century audiences about Byron was not simply the larger than life character of the man transmuted into...
113- The Norton Anthology of English Literature. 6th ed. of the book. Vol.
Wilputte, Earla "Fielding, Henry." Continuum Encyclopedia of British Literature. London: Continuum, 2006. Credo Reference. Web. 9 May 2014.
Thorslev, Peter L., Jr. The Byronic Hero: Types and Prototypes. Minneapolis: University of Minnesota Press. 1962. Print.
The protagonist, David Lurie, a university professor, is particularly interested in Lord Byron, a poet known for his licentious lifestyle, and an inspiration to the literary concept of 'Byronic heroes'. A Byronic hero is arrogant, intelligent, emotional, morally and characteristically flawed and often sexually irresistible to women. Lurie possesses many of these qualities, visible already on the
Living in a period of important religious and cultural flux, John Milton's poetry reflects the many influences he found both in history and in the contemporary world. With a vast knowledge of literature from the classical world of Greek and Roman culture, Milton often looked back to more ancient times as a means of enriching his works. At other times, however, he relies on his strong Christian beliefs for creating spiritually compelling themes and deeply religious imagery. Despite the seemingly conflicting nature of these two polarized sources of inspiration, Milton somehow found a way of bridging the gap between a pagan and a Christian world, often weaving them together into one overpowering story. The pastoral elegy Lycidas, written after the death of a fellow student at Cambridge, exemplifies this mastery over ancient and contemporary traditions in its transition from a pagan to a Christian context. Opening the poem in a setting rich with mythological figures and scenery, then deliberately moving into a distinctly Christian setting, Milton touches upon two personally relevant issues: poetry and Christian redemption. In this way, Lycidas both addresses the subject of being a poet in a life doomed by death and at the same time shows the triumphant glory of a Christian life, one in which even the demise of the poet himself holds brighter promises of eternal heavenly joy.
The Norton Anthology: English Literature. Ninth Edition. Stephen Greenblatt, eds. New York: W.W. Norton & Company, 2012. 460. Print.
George Herbert’s struggle to be humble enough to fully accept God’s undying love can be located within each of his poems. The way in which Herbert conveys this conflict is by utilizing structure as well as metaphysical techniques. This combination of literary devices creates a physical reality that allows Herbert, or the poetic speaker, to “make his feelings immediately present” (245). These devices, at first, appear to be artificial and contradictory to the poet’s goal of making God’s word visible. Instead, literary techniques, for Herbert, help to emphasize how God controls everything from daily life to literature. Therefore, Herbert believes he is not the sole author of his writing; rather, he is an instrument of God chosen to write down poetry praising Him. Herbert battles with this idea as he must refuse the pride that comes with being the author of such beautiful devotional and metaphysical poetry. If Herbert were to give into this “temptation of success” (243), he would be giving himself up to sin and thus rejecting God’s love. This process of rejecting and accepting, or of “conflict and resolution” (243), is done throughout “The Temple,” which leads Herbert to an ultimate acceptance of God and to an “achieved character of humility, tenderness, moral sensitiveness” (249).