Chekhov's Vanka - The Pathos of Vanka
Immediately following Chekhov's death, the Russian philosopher Shestov (1866-1938) wrote an essay entitled "Creation from the Void," in which he stated, "Chekhov was a singer of hopelessness . . . Chekhov did only one thing: In one way or another he smashed human hopes." Anton Chekhov's "Vanka" accomplishes that quite thoroughly. Vanka, the only active character, believes himself beset on all sides by his bleak world and relies on his own innocence and naiveté to shield him. The basic premise of the story centers around the boy, including his futile epistolary plea for release to his questionable grandfather, while the author stresses the dangers of the boy's reliance on his innocence. The author's exploitation of Vanka's innocence and naiveté challenges the sentimentality of Chekhov's "Vanka."
Vanka assumes his grandfather, the lively Konstantin Makaritch, will lovingly bear him from his bleak existence upon receiving the letter, but upon closer inspection his grandfather is an unfit and unlikely savior. There are two separate aspects to "Vanka." The boy either concentrates on the drafting of his letter or loses himself in the memory of his grandfather. However, the boy's fond recollections contain evidence of his grandfather's disturbing character traits. In one instance, Vanka recalls his "laughing face and drunken eyes" (47). This fond remembrance alludes to a perpetual state of alcohol-induced befuddlement. His grandfather, a probable drinker, was also probably a womanizer, as Vanka imagines him "pinching first the housemaid, then the cook" (47). Thus, the author establishes the grandfather as unfit to care for Vanka. To discredit the grandfather further, the author uses rel...
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...easing the pathos of the story, this final joke acts as a heart-hardener, transforming dejected despondency into caustic hilarity.
The degree of exploitation of Vanka's innocence in Chekhov's tale alters the tone of the story. The growing sentimentality for Vanka and his grandfather extinguishes itself, replaced by empty mirth. Though first a tale of mawkish sentimentality, the author utilizes Vanka's naiveté to debunk the grandfather, then ends "Vanka" with an ironic, twisting joke, similar to that of Maupassant's "The Necklace."
Works Cited
Chekhov, Anton. "Vanka" Understanding Fiction. 3rd ed. Eds. Cleanth Brooks and Robert Penn Warren, Englewood Cliffs, NJ: Prentice-Hall, 1979. 46-50
de Maupassant, Guy. "The Necklace" Understanding Fiction. 3rd ed. Eds. Cleanth Brooks and Robert Penn Warren, Englewood Cliffs, NJ: Prentice-Hall, 1979. 66-72
Booth, Alison, and Kelly Mays, eds. The Norton Introduction to Literature. 10th ed. New York: Norton, 2010.
The Norton Introduction to Literature. Ed. Kelly J. Mays. New York: Norton, 2013. 1471 - 1534 -.
Boris Pasternak creates a tone for a life turned upside down and filled with instability in Doctor Zhivago analogous to the tone felt by Russian people during the revolution. Yuri, a main char...
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Kennedy, X J., and Dana Gioia. Literature: An Introduction to Fiction, Poetry, and Drama. Sixth ed. New York: Harper Collins College Publishers, 1995. Print.
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Kennedy, X. J., and Dana Gioia. Literature: an Introduction to Fiction, Poetry, Drama, and Writing. New York: Pearson Longman, 2007. Print.
While the idea of the word utopia is universal, the actual stories that derive from that idea can be very different in nature. The outcome, or even the basis of the story, relies completely upon the authors, or readers view of a prefect society. This is how progress is made, through ideas and thoughts of revolutionary writers in stories we have come to call "utopian."
Each person has their own vision of utopia. Utopia means an ideal state, a paradise, a land of enchantment. It has been a central part of the history of ideas in Western Civilization. Philosophers and writers continue to imagine and conceive plans for an ideal state even today. They use models of ideal government to express their ideas on contemporary issues and political conditions. Man has never of comparing the real and ideal, actuality and dream, and the stark facts of human condition and hypothetical versions of optimum life and government.
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"The Bear," which is a classic one-act play written 1900, is one of the great works of Anton Chekhov, which is very much about a widowed woman. The Bear can be regarded as a comedy since it is to give the audience entertainment and amusement. This comedy reveals the fine line between anger and passion. The theme is about a strange beginning of love between Mrs. Popov and Smirnov. It demonstrated that love changes all things it touches. Dialogue of the characters, the action of the characters, and the characters themselves shape the theme. Unbelievable actions and change in mood on the part of the characters show that love can sometimes come from an odd turn of events.
In the second part of this essay expanding upon my reading of nineteenth century Russian authors, the short stories of Anton Chekhov, “The Lady with the White Dog” and the “Medical Case” will be compared. These two great authors’ whose stylistic qualities often create problems in interpretation for non-Russian speaking readers like me that I’ve thoroughly enjoyed.
The story “The Darling” by Anton Chekhov, illustrates a woman that is lonely, insecure, and lacking wholeness of oneself without a man in her life. This woman, Olenka, nicknamed “Darling” is compassionate, gentle and sentimental. Olenka is portrayed for being conventional, a woman who is reliant, diligent, and idea less. Although, this story portrays that this woman, known as the Darling needs some sort of male to be emotionally dependant upon, it is as if she is a black widow, she is able to win affection, but without respect. Only able to find happiness through the refection of the beliefs of her lovers, she never evolves within the story.
Matlaw, Ralph E. Anton Chekhov¡¦s Short Stories: Texts of the Stories Bachgrounds Criticism. New York: W.W. Norton & Company Inc., 1979.