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Chastity in The Rape of Lucrece and A Woman Killed with Kindness
Renaissance England has been labeled a culture of shame - a society in which an individual's identity was primarily constructed by the way in which his or her "reputation" or "honor" was perceived by others. A woman's public reputation was always based on her virginity or chastity. Just as women were considered the property of their fathers or husbands, a woman's chastity was an asset owned by and exchanged between the men who possessed her. (Gutierrez, 272) A man's public reputation was therefore determined not only by his own qualities, but also by his wife's reputation for chastity. Conversely, a woman's unchastity was a liability to her husband. Rape and adultery were seen as equally compromising the chastity of the female body and equally blighting to a husband's reputation. The fact that a man's identity - his socially constructed honor - was so dependent upon the chastity of his wife was a source of anxiety because he could not control his wife's sexuality, protect it, or even detect its transgressions. (Breitenberg, ch.4) Several works of Renaissance literature address this masculine anxiety and attempt to assuage it by proposing the death (frequently self-inflicted) of the unchaste woman as a means of restoring male honor. In The Rape of Lucrece, although Lucrece's mind remains chaste, her unchaste body must die as a testament to the purity of her mind. In A Woman Killed with Kindness, the adulteress is unchaste in both body and mind. After her husband spares her life, Anne is able to restore the chastity of her mind through repentance. However, she still must die to publicly restore her husband's honor.
The commodification of Lucrece's cha...
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...w that, regardless of the degree of a woman's innocence or complicity, once her physical chastity has been lost, she must kill herself in order to restore her honor and her husband's reputation. Works Cited
1. Breitenberg, Mark. Anxious Masculinity in Early Modern England. Cambridge University Press: Cambridge, 1996.
2. Gutierrez, Nancy A. "The Irresolution of Melodrama: the Meaning of Adultery in A Woman Killed with Kindness." Exemplaria, Vol.1, No. 2. Fall, 1989. Pg.265-285.
3. Heywood, Thomas. "A Woman Killed with Kindness." Harvard University Press: Cambridge, MA, 1961.
4. Panek, Jennifer. "Punishing Adultery in A Woman Killed with Kindness." Studies in English Literature, Vol. 34, No.2. Spring, 1994. Pg. 357-375.
5. Shakespeare, William. "The Rape of Lucrece." The Riverside Shakespeare. Houghton Mifflin Company: Boston, 1974.
In The Murder of Helen Jewett, Patricia Cohen uses one of the most trivial murders during the 1800’s to illustrate the sexiest society accommodations to the privileged, hypocritical tunneled views toward sexual behavior, and the exploitation of legal codes, use of tabloid journalism, and politics. Taking the fact that woman was made from taking a rib from man was more than biblical knowledge, but incorporated into the male belief that a woman’s place is determined by the man. Helen had the proper rearing a maid servant, but how did she fall so far from grace. Judge Weston properly takes credit for rearing her with the proper strictness and education. Was Helen seduced at an early age and introduced to sexual perversions that were more persuasive that the bible belt life that the Weston’s tried to live? Was Helen simply a woman who knew how to use what she had to get what she wanted? Through personal correspondence, legal documentation, census reports, paintings, and newspapers we are able to make our own determinations. Cohen provides more than enough background and history to allow any one to make their own opinion how the murder of a woman could be turned into a side show at a circus.
Shakespeare, William. “The Tragedy of Julius Caesar.” Elements of Literature: Kylene Beers. Austin: Holt, 2009. 842-963. Print.
Dubus, Andre. "Killings." Meyer, Michael. In The Bedford Introduction to Literature. Ed. 8th ed. Boston: Bedford/St. Martin's, 2008. 107 - 120.
Taylor, Edward. “Upon Wedlock, and Death of Children.” The Norton Anthology of American Literature. Ed. Nina Baym. 8th ed. Vol. A. New York: W.W. Norton & Company, 2012. 303-304. Print.
In most cases today rape gets you sentenced to prison and sometimes death. Back in Chaucer’s day, in the text The Wife of Bath’s Tale, Chaucer wrote about a knight in the text The Wife of Bath’s Tale. This knight was arrested for his deed of raping a woman. His punishment is not as suffice as it would be in the modern world. The life of the knight was spared because of his beauty that the Queen had seen. Instead, the Queen insisted that the knight go on a trip; a trip that would last a year and a day. When the knight’s time was up, he would return to the Queen and explain what she had asked him before he left on his journey. The question that was asked was, “’yet you shall live if you can answer me: what is the thing that women most desire?’” says the queen ([Prentice Hall Literature] page 140 lines 50-51).As for the knight, what final choice does the old woman offer the knight? In what way does his response show that he has finally learned his lesson about the nature of women? And finally, Has the knight experienced sufficient punishment and redemption for his crime.
Shenon, Philip. “A Cruel And Shocking Act”. Henry & Holt Co. 28 Oct. 2013. Print
"Romanticism." A Guide to the Study of Literature: A Companion Text for Core Studies 6,
Romanticism first came about in the 18th century and it was mostly used for art and literature. The actual word “romanticism” was created in Britain in the 1840s. People like Victor Hugo, William Wordsworth, and Percy Bysshe Shelley had big impacts on this style of art. Romanticism is an art in which people express their emotion. Whatever they believed is put into a picture, painting, poem, or book. Romanticism goes deep into a mind. It is very deep thinking and it’s expressing yourself through that deep thinking. Romanticism is the reaction to the Enlightenment and the enlightenment aka the “Age of Reason” took place during the 1700s to 1800s. The enlightenment emphasized being rational and using your mind; on the other hand, romanticism focuses on emotion and imagination. It says don’t just focus on rationality and reason.
An in-depth discussion of same-sex female desire is essential to a well-rounded understanding of historical sexuality as well as for representation in historical study for queer-identifying students. Accounts of lesbianism exist throughout history, however, historians have only recently begun studying the evidence of these relationships due to social taboos and fewer available sources than exist as examples of male homosexuality. The field of study on lesbianism in medieval Europe is scant but nevertheless present. Primary sources include laws, court cases, and letters from the period which support the widely held social constructionist view that sapphic relationships existed despite the lack of a unified lesbian social identity; these, in
Shakespeare, William. Hamlet. The Norton Anthology of World Literature. 2nd ed. Vol. C. Ed. Sarah Lawall. New York: Norton, 2005. Print.
The speaker rues over a terminated "love" affair. She (although arguable, this critic finds the speaker’s notion of and adherence to gender roles distinctly "female") supplicates for a "sign" of his (again, heterosexuality is an assumption made for the sake of discussion) persevering proclivity. This sign is to come in the form of a "hit." References to the speaker’s death ("killing me") are frequent, as are other indications of mistreatment.
The Romantic period at its height extended over just a bit more than a century, from the latter half of the eighteenth century through to nearly the end of the nineteenth century. During this period, a new school of poetry was forged, and with it, a new moral philosophy. But, as the nineteenth century wound down, the Romantic movement seemed to be proving itself far more dependent on the specific cultural events it spanned than many believed; that is, the movement was beginning to wind down in time with the ebbing of the industrial and urban boom in much the same way that the movement grew out of the initial period of industrial and urban growth. Thus, it would be easy to classify the Romantic movement as inherently tied to its cultural context. The difficulty, then, comes when poets and authors outside of this time period-and indeed in contexts quite different then those of the original Romantic poets-begin to label themselves as Romantics.
The dawning of the nineteen century brought with it a change in the political and social climate, the world was ready to usher in a new era of artistic thought. This new awareness was called “Romanticism” and saw its height during the Industrial Revolution. At this time, the Romantic era centered on the ideas of emotion, fantasy and hope. The end of the French Revolution became an important force in propelling a new train of thought. For the first time people were now regarded as individuals, oppression was sympathized and the banner of equality was flying high.
She seems to believe that manhood is the ability to perform acts of “direst cruelty” without remorse. Throughout the play we see that she worries her husband will not be man enough to do what she and him deem necessary to attain the throne. “Yet do I fear thy nature; / It is too full o' th' milk of human kindness . . .” She says. Constantly we see her telling her husband to “man up” - to stop feeling remorse or guilt or fear and to start behaving like she believes a man should; like a being with no guilt or remorse. However, it is this wish for her to lose all “passage to remorse” that eventuates in her death - her corruption - from the madness that comes upon her i...
Abrams, M.H., ed. The Norton Anthology of English Literature. 6th ed. Vol. 2. New York: Norton, 1993.