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Literary theme in the yellow wallpaper
The symbolism in the yellow wallpaper
Women's role in american society
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The Yellow Wallpaper, written by Charlotte Perkins Gilman, is a feminist style short story that examines the role of women in nineteenth century America. This story is told through a female narrator that suffers with psychosomatic issues. This unnamed narrator is fully conscious of her ailments, but is unfortunately heavily mistreated resulting in an increase in her mental disorder. The Yellow Wallpaper examines the life of many domesticated women through accurate setting, complex character, and extensive symbolism. The setting in The Yellow Wallpaper serves a significant role in adding substance to the narrative. Most of the narrator’s time was spent in a defaced bedroom that appeared to be a children's room prior to her arrival. This small …show more content…
Moreover, this story takes place in the late nineteenth century, an era marked by significant cultural, political, and technological change. Although American life was greatly improving, the role of women was expected to remain primarily unchanged. According to Ganong and Coleman, the popular term “Cult of Domesticity” was coined during this time and “brought forth a new ideal of womanhood that focused on domesticity, that is, family and home life” (300). Almost all women were forced to live a domestic life with little to no personal growth or self-expression. Women were expected to serve their wifely and motherly duties with no opposition. Many times, any objections made by women were misunderstood and mistreated by society. For example, the narrator in this …show more content…
The narrator is never identified or given a name, making her a symbol for any woman who is capable of fitting the characteristics of a depressed subject. This anonymous woman is developed into a round and dynamic character whose psychosis grows throughout the story. Her physical description is never revealed, however her persona is one of a mentally ill patient. She is viewed by her husband, brother, and sister in law as a sickly woman who needs care and rest. The narrator suffered from two main conflicts throughout this short story. The first major issue she dealt with pertained to her husband/doctor, John. At the beginning of the story, the narrator understood John’s intentions, but she also felt as if he was restricting her from far too much (writing, working, etc.) Her resentment grew towards her husband because of his refusal to renovate the walls and his disregard to the woman in the wallpaper. The second conflict the main character experienced was with herself. She possessed many contradicting qualities that lead her to the brink of insanity. For example, she enjoyed writing as a channel for her emotions, but also felt fearful that she would be caught. She was also unable to decipher her imagination from reality. For instance, the main character developed an obsession with an unrealistic vision living in the walls of her room. In addition, the narrator suffered from postpartum
However, it introduces the nineteenth century idea of “the cult of domesticity”. Historian Barbara Welter wrote an article on the idea in 1966 that explains this early nineteenth century ideology that a woman 's role at home should focus on: piety, purity, submissiveness, and domesticity (Welter 151). The cult of domesticity roughly breaks down to it being a woman 's duty to be respectfully religious, sexually pure before marriage, accepting of male dominance over women, and the overpowering idea that domesticity will preserve a woman from her own wandering
Many times people tend to allow their thoughts to have an overtake in which it clouds what is actually happening. Some can revoke their right state of mind and make their own make-believe world with these thoughts. Authors, Charlotte Perkins Gilman and Edgar Allan Poe both demonstrate this perception in their short stories, “The Tell-Tale Heart,” and “The Yellow Wallpaper.” In The Tell-Tale Heart, the narrator murders the old man he lives with because he is disturbed by the man’s eyes. Similarly, in The Yellow Wallpaper, the narrator is dealing with depression, and feels that she is being watched by the wallpaper and starts to study it and decoding the meaning.
...f the bad that is going on in her real life, so she would have a happy place to live. With the collapse of her happy place her defense was gone and she had no protection from her insanity anymore. This caused all of her blocked out thoughts to swarm her mind and turn her completely insane. When the doctor found her, he tried to go in and help her. When the doctor finally got in he fainted because he had made so many positive changes with her and was utterly distressed when he found out that it was all for naught. This woman had made a safety net within her mind so that she would not have to deal with the reality of being in an insane asylum, but in the end everything failed and it seems that what she had been protecting herself from finally conquered her. She was then forced to succumb to her breakdown and realize that she was in the insane asylum for the long run.
To initiate on the theme of control I will proceed to speak about the narrators husband, who has complete control over her. Her husband John has told her time and time again that she is sick; this can be viewed as control for she cannot tell him otherwise for he is a physician and he knows better, as does the narrator’s brother who is also a physician. At the beginning of the story she can be viewed as an obedient child taking orders from a professor, and whatever these male doctors say is true. The narrator goes on to say, “personally, I disagree with their ideas” (557), that goes without saying that she is not very accepting of their diagnosis yet has no option to overturn her “treatment” the bed rest and isolation. Another example of her husband’s control would be the choice in room in which she must stay in. Her opinion is about the room she stays in is of no value. She is forced to stay in a room she feels uneasy about, but John has trapped her in this particular room, where the windows have bars and the bed is bolted to the floor, and of course the dreadful wall paper, “I never worse paper in my life.” (558) she says. Although she wishes to switch rooms and be in one of the downstairs rooms one that, “opened on the piazza and had roses all over the window. ...” (558). However, she knows that, “John would not hear of it.”(558) to change the rooms.
Here the reader sees how the narrator feels as if she is getting better when her doctor and husband are there to comfort her and give her a social interaction and really something to look forward to. Through the narrator, the reader also sees how she does not agree with one of the treatments given to her of no writing; as a matter of fact, she believes this treatment would not be prescribed by a good doctor. Throughout the story the reader continues to write because she feels like it is helping her and not hindering her like John said it would. The narrator begins to obsess over the yellow wallpaper in her room since she is isolated there. If the narrator could write or just interact with more people she would not have to be driven crazy by the pattern in the
The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression. " In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
So, for one she had a type of mental illness in this case it was very obviously depression. The narrator was very depressed and see things that weren't really there and feel like she was trapped. She would look at the windows and imagine bars there and have that sense of being contained. In a way John didn't really help that fact I feel because he wouldn't let her write anything down or express things really making her also feel more trapped then she really was. Eventually she got an obsession with the wallpaper thinking there might be some type of meaning with it and the more she looked at it seemed the more crazy she had got.
He says that with my imaginative power and habit of story-making a nervous weakness like mine is sure to lead to all manner of excited fancies” (Gilman 5). This is one of the first hint that the narrator gives us about her condition and how it affects her. John, who is her husband, says that she has an illness that makes her nervous and very imaginative. This pretty much sums up any previous questions about her and why she was going to this “colonial mansion” (Gilman 1). After reading the story, the first part of the story can be cleared up fairly easily.
Signs of the depth of the narrator's mental illness are presented early in the story. The woman starts innocently enough with studying the patterns of the paper but soon starts to see grotesque images in it, "There is a recurrent spot where the pattern lolls like a...
Before the 19th century, women in literature were depicted as unthinking characters. They did not have much of a role and were treated inferior to male characters. However, one lady determined to change that, was Charlotte Perkins Gilman, who wrote “The Yellow Wallpaper.” This story expresses the challenges that women face that had never been noticed before. Gilman explains women’s troubles through strong symbolism with deep meanings.
She then goes on to reveal that she is ill, but neither John nor her brother, who are both esteemed physicians, believe her to have a serious sickness. The narrator's husband, John, acts as her doctor and diagnoses her with “temporary nervous depression- a slight hysterical tendency” and forbids her to work, which includes writing and thinking too much, until she gets better (Gilman 2). Immediately it is recognizable that the narrator seems more concerned with her illness than the men in her life. Also, she does not agree with her husband’s course of treatment, yet she keeps quiet and is forced to trust her husband/doctor. John ignores his wife’s experiences and dismisses her symptoms by attributing her issues essentially to being a woman and having a “fanciful mind.”
Charlotte Perkins Gilman has already expressed her strong feelings about women and the way they’re viewed. Gilman’s outlook on the fact that believes there is no real difference, related to, the mental state between men or women is strongly made clear through “The Yellow Wallpaper”. “The Yellow Wallpaper” is a short story about a female who has a mental illness but is not capable of healing because of her spouse’s lack of belief. The story feels to have a setting during a time in life where women were treated harshly. Women were handled as inferior citizens in society during this period of time.
But she quickly figures out that the treatment and seclusion is not helping so she brings it upon herself to keep a secret journal. Though she is expressing herself through her journal, she is not able to maintain personal relationships with others because she is locked away from the rest of the
The first example of an element of fiction used in The Yellow Wallpaper is symbolism. One symbol is the room. There is are bars on the windows to make the reader feel that the narrator is more than likely staying in psychiatric holding room than a room where she can get over her anxious condition. In most sanitariums, there are bars on the windows. The narrator’s husband went against her wishes to stay in the room downstairs with open windows and a view of the garden and put her in a barred prison cell contributing to the theme freedom and confinement. The second symbol is the bed. The bed is big, chained, and nailed to the floor. The reader could say the bed symbolizes sexual repression because a bed is where it happened during the 1900s and with a bed of such large size being nailed and chained down can represent sexual repression.
The narrator’s condition worsens due to the fact that she is cooped up in the house all day and is not able to see anyone except her husband, her baby, and the people working in the house. John, her husband who doubles as her physician, prescribes rest, medicines, and no work. Whenever she asks to see family, her request is immediately turned down. This is illustrated in her recording of his comment, “he says he would as soon put fireworks in my pillow-case as to let me have those stimulating people about now.” Without having change in her life, she continues to live and do the same monotonous activities during the day which contribute to her lack of mental activity and stimulation.