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The depression many women faced when failing to meet society’s expectations was exemplified by Charlotte Perkins Gilman’s character in “The Yellow Wallpaper.” The woman in Gilman’s story exemplifies how “hysterical” mothers were treated during the 19th century. The woman speaks of her love for her child: “Such a dear baby!” Since the daunting expectations of motherhood left the mother scared and vulnerable, she did not feel comfortable to be alone with the baby: “Yet I cannot be with him, it makes me so nervous” (The Yellow Wallpaper, 257). Her “nervous weakness” (The Yellow Wallpaper, 258) and inability to be the traditional mother created a depression within her. She explains, “I cry at nothing and cry most of the time” (The Yellow Wallpaper, …show more content…
Understanding the inequalities within their marriage, the woman knows she cannot change her husbands mind: “If a physician of high standing, and one’s own husband, assures friends and relatives that there is really nothing the matter with one…what is one to do?” The woman’s husband diagnosed her with a “temporary nervous depression-a slight hysterical tendency” (The Yellow Wallpaper, 255). The woman desires to write, walk around the garden, and to socialize with her friends and family. However, her husband keeps her inside of a small bedroom with “barred windows” (The Yellow Wallpaper, 258). He forbids her to write and socialize; afraid she will tire herself out. Throughout her journey through depression, the woman realizes she cannot speak about her true feelings with her husband: “He knows there is no reason to suffer, and that satisfies him” (The Yellow Wallpaper, 257). The husband places pressure upon the woman to heal in order to become the wife and mother she is expected to be. Knowing she cannot speak to her husband about her true condition without inciting anger, the woman feels alone and
Previously, the narrator has intimated, “She had all her life long been accustomed to harbor thoughts and emotions which never voiced themselves. They had never taken the form of struggles. They belonged to her and were her own.” Her thoughts and emotions engulf her, but she does not “struggle” with them. They “belonged to her and were her own.” She does not have to share them with anyone; conversely, she must share her life and her money with her husband and children and with the many social organizations and functions her role demands.
In everyday day life we go through changes and sometimes we even break down to the point we do not know what to do with ourselves, but in Charlotte Perkins Gilman’s short story” The Yellow Wallpaper” the narrator is an obsessive person. The story focuses on a woman who is going through postpartum depression and has had a nervous breakdown. Her husband John moves her into a home where he wants her to rest in isolation to recover from her disorder. Throughout her time in the room the narrator discovers new things and finally understands life.
The stories “Shouldn't I Feel Pretty?” and “The Yellow Wallpaper” feature a dynamic protagonist who undergoes a character development which reveals the consequences of oppression caused by societal standards. Gilman crafted the narrator in “The Yellow Wallpaper” with the purpose of exposing the tyrannical role of gender roles to women. In the story, the narrator suffers a slight postpartum depression in the beginning, but her condition gets progressively worse because her husband John believes “that there is nothing the matter with [her] but temporary nervous depression-- a slight hysterical tendency” (331). He concludes that the best treatment for his wife is for her to be “absolutely forbidden to ‘work’ until [she is] well again” (332).
Susan B. Anthony, a woman’s rights pioneer, once said, “Oh, if I could but live another century and see the fruition of all the work for women! There is so much yet to be done” (“Women’s Voices Magazine”). Women’s rights is a hot button issue in the United States today, and it has been debated for years. In the late 1800’s an individual named Charlotte Perkins Gilman wrote literature to try and paint a picture in the audience’s mind that gender inferiority is both unjust and horrific. In her short story, “The Yellow Wallpaper” Gilman makes the ultimate argument that women should not be seen as subordinate to men, but as equal.
Have you at any point been secured a dim wardrobe? You grab about attempting to feel the doorknob, stressing to see a thin light emission originating from underneath the entryway. As the obscurity expends you, you feel as though you will choke. There is a vibe of powerlessness and misery. Forlornness, caused by persecution, resembles a similar haziness that surpasses its casualty. Charlotte Perkins Gilman, in "The Yellow Wallpaper," describes the account of a youthful mother who goes to a mid-year home to "rest" from her apprehensive condition. Her room is an old nursery secured with terrible, yellow backdrop. The additional time she burns through alone, the more she winds up plainly fixated on the backdrop's examples. She starts to envision a lady in jail in the paper. At last, she loses her rational soundness and trusts that she is the lady in the backdrop, attempting to get away. In "The Yellow Wallpaper," the author utilizes setting and imagery to recommend that detaining persecution causes a kind of depression (in ladies) that can prompt a lethal type of madness.
“The right of citizens of the United States to vote shall not be denied or abridged by the United States or by any State on account of sex.” (US Constitution, Amendment XIX). The above is the 19th amendment of the United States of America Constitution. Ratified in 1920, after supporters worked tirelessly to change the mindset of a nation. But even with the law, there are still stereotypes. There are still people set on what they think. The issue is not the rights of women. Since 1920, they have had the rights. The issue does not even focus on disputes such as money, working, or privileges. The issue is being understood. In the short story, “The Yellow Wallpaper,” Charlotte Perkins Gilman presents a clear and relevant example of the suppression
The Movement for Women's Rights Inside "The Yellow Wallpaper" by Charlotte Perkins Gilman. Women have been mistreated, enchained and dominated by men for most of the human history. Until the second half of the twentieth century, there was great inequality between the social and economic conditions of men and women (Pearson Education). The battle for women's emancipation, however, had started in 1848 by the first women's rights convention, which was led by some remarkable and brave women (Pearson Education).
The narrator is forbidden from work and confined to rest and leisure in the text because she is supposedly stricken with, "…temporary nervous depression - a slight hysterical tendency," that is diagnosed by both her husband and her brother, who is also a doctor (1).
When the only way out of a society based prison is to lose sense of all reality, then losing sense of reality it shall be. In the short story “The Yellow Wall-Paper” by Charlotte Perkins Gilman, Jane (the narrator) becomes obsessed with the wall-paper in her bedroom, which really is a prison that has been forced on her by her husband. Jane is an imaginative young lady who enjoys writing stories, however her husband forbids her to write. Jane is suffering from a nervous condition and her husband, who is also her doctor, feels he knows what is best to keep his wife from going mad. This leaves Jane trapped in a room with no imaginative outlet, surrounded by the god awful wall-paper that begins to close in on her sanity one day at a time.
"If a physician of high standing, and one's own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression -- a slight hysterical tendency -- what is one to do?" (Gilman 1). Many women in the 1800's and 1900's faced hardship when it came to standing up for themselves to their fathers, brothers and then husbands. Charlotte Perkins Gilman, the narrator of the story, "The Yellow Wallpaper", is married to a physician, who rented a colonial house for the summer to nurse her back to health after her husband thinks she has neurasthenia, but actually suffers from postpartum depression. He suggested the 'rest cure'. She should not be doing any sort of mental or major physical activity, her only job was to relax and not worry about anything. Charlotte was a writer and missed writing. "The Yellow Wallpaper" is significant to literature in the sense that, the author addresses the issues of the rest cure that Dr. S. Weir Mitchell prescribed for his patients, especially to women with neurasthenia, is ineffective and leads to severe depression. This paper includes the life of Charlotte Perkins Gilman in relation to women rights and her contribution to literature as one of her best short story writings.
The narrator in “The Yellow Wallpaper” and Elisa Allen of “The Crysanthemums” both have husbands who fancy the idea of knowing what their wives want and need. With such attitudes and beliefs, these men contribute to the feeling of confinement that ultimately leads to the loss of sanity of their wives. The narrator’s husband also assumes that he knows what is best for his wife. He thinks isolation and confinement will cure her “nervous depression.” Nevertheless, this “cure” makes her weak; it transforms her into a woman gone mad. On the way to dinner, Elisa asks her husband about the fights and his immediate reply is, “We can go if you want, but I don’t think you would like them much.” He cannot fathom the idea that she may actually enjoy this non-feminine event.
Within every story, there is a certain way in which it portrays the discourse of class, gender or race. Each changes depending on the time period the story takes place in and ultimately the decision the author makes when writing the story. One story, in particular, The Yellow Wallpaper, interacts with the discourse of gender in an interesting manner. Charlotte Perkins Gilman, the author of the short story, discusses the gender roles of that time period and how many women were subjected to feel and behave. The comparison of Gilman’s discourse of the gender norms back then to today’s discourse in regard to gender norms is completely contrasting.
When the author of The Yellow Wallpaper, Charlotte Perkins Gilman, wrote this story, she brought out the feminism, individuality, and the symbolism that allowed the readers to see and experience what it was like to go through a mental breakdown and how the rest of the world reacts to the person going through it. The story is told as a first-person narrative, the protagonist being an upper-middle-class female, whose
Women are the epitome of strength, power, and intelligence. They are symbols of rage and ferocity as well as emblems of peace and serenity. The systematic oppression of women forces them into submission demanding that they be simple, naïve, and ignorant. Women are expected to be idle objects that fulfill the mold of pleasantness despite the inner workings of their minds. The mind is a complex organ that is heavily influenced by traumatic events and as a result of nineteenth century ignorance, mental illness such as post-partum depression and psychosis irrevocably claim the female psyche.
In the classic short story, “The Yellow Wallpaper” written by Charlotte Perkins Gilman in 1892, a patient suffering from nervous depression is taken to a secluded home for treatment by her husband, a doctor. As the woman creates diary entries (in secret) throughout her stay, she develops a fixation of the repulsive, yellow, wallpaper in her rest room as she advances from nervous depression too delusions since her husband does not desire to take into consideration what she believes may help her regain mental health. In a male superior world, Gilman’s story describes how women were not regarded equal to men during the nineteenth century. During the nineteenth century, women stood far less equal as well as opposites of men.