Charles Mingus
Charles Mingus was born on 22 April 1922 in Los Angeles, California. His father
joined the army in 1915 after a frustrating career in the post office. His mother died
only five months after Mingus was born.
The times were hard in Los Angeles, as more and more poor people migrated into
the city, and the small suburb of Watts turned into a black ghetto inside of a single
decade. But young Mingus was pretty much protected from all the social pressure.
His family was basically middle-class. His father has remarried, and Mingus’ step
mother had soon taken an active role in his education. Mamie Carson Mingus
encouraged her step-children to take an interest in music. This has soon taken shape
in the form of violin and piano lessons for Mingus’ older sisters.
Apart from the sound of his sisters practicing, the only music allowed in the house
was religious music picked up through the radio. But the radio also opened Mingus
for African-American music, namely Jazz and Blues. The trips to the local church
were also musical as well as spiritual. The yelling and shouting in the church were
actually not so different from the sounds of a big band. Mingus had also taken to the
piano, just by lifting the lid and trying the keys, and it had become clear to his parents
that he had a good ear. At age six Mingus was given a trombone. After a few years of
frustrating musical experiences, it was suggested that Mingus pick up the cello. As
his interest in Jazz grew, especially after listening to Duke on the radio, he became
convinced that the bass was his instrument.
Mingus’ first bassist role model was Joe Comfort, who played with Lionel Hampton
and Nat King Cole. Comfort lived in the same neighborhood, and was playing gigs
with the musicians that Mingus grew up with. However, true inspiration came from
meeting Red Callender, who came from the East Coast and played with the likes of
Louis Armstrong. 16-year old Mingus became a devout follower and good friend. The
sound that would later identify Mingus, full yet sharp, comes from directly from
Callender’s influence. Another major influence on all young bassists of that period is
the work of Jimmy Blanton with the Duke Ellington orchestra, which had broken new
ground in terms of the exposure of the bass as a solo instrument and its unique role
in Ellington’s compositions.
Arou...
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...es Two, with George Adams on tenor and avant-garde
pianist Don Pullen. The full power of Mingus’ music with its frequent tempo changes
and structural irregularity was finally completely realized. Especially the two center
pieces in both albums, Sue’s Changes and Orange Was the Color of Her Dress,
Then Silk Blue, show this clearly. Although the bass part is less pronounced then in
earlier years, owing to Mingus deteriorating health, the other players more than make
up for this, and render his music in a way which is true to his aesthetics.
Mingus died on 5 January 1979 from Amyotrophic Lateral Sclerosis. In the last two
years of his life he has lost the ability to play and later the use of his whole body.
Mingus last works as a composer are songs he composed for Joni Mitchell by singing
into a tape recorder. He was honored by many tributes after his death from his fellow
musicians. Of special notice is the Epitaph project, led by Gunther Schuller which,
while in my humble opinion is not very successful, tries to recapture the special spirit
in Mingus’ music. Today the music of Mingus is still being played by the Mingus Big
Band, formed by his widow Sue Graham Mingus.
By this time several people in the ghetto had been feeling the effects of the impoverished
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By 1926, Armstrong was hired as featured soloist with the Carroll Dickerson band, at sunset café, for the first time his name was up in lights, as “the world’s greatest trumpet player”. Posters were hanged up advertising Armstrong,”Louis Armstrong in person!” Armstrong and his desire of greatness moved wit ha number of different musical groups, soon realizing that his style was best suited as a smaller ensemble. He played in big popular bands to reach more popularity. Armstrong established jazz as music that pri...
By this time, he had switched from cornet to trumpet, and The Armstrong Hot Five and Hot Seven recordings of 1925-28 were how he emerged as the first great jazz solo artist and also by that time, the New Orleans ensemble style was not able to contain the creativity that he gave off such as his brilliant technique, his sophisticated and audacious sense of harmony, his always expressive attack, timbre, and inflections, his gift to create vital melodies, its dramatic, often complex sense of individual design, and his enormous energy and musical genius made these recordings great innovations in jazz (“Louis Armstrong”). His fame began rising and by 1929, he was playing with Carrol Dickerson’s Orchestra while also leading his own band in the same place, Hot Chocolates, with the name of Louis Armstrong and his Stompers (Louis ‘Satchmo’). Here, he sang “Ain’t Misbehavin’ ” which became his first popular hit song and his trumpet playing hit a peak around 1933 which after that his music became less complicated giving it a mature feel compared to his playing in previous years and actually re-recorded some of his songs and ended up with great results (“Louis
One of the very monumental jazz artists during the jazz age was Louis Armstrong. Armstrong was a trumpet player, bandleader, soloists and singer. Louis was born on August fourth 1901 in a bad neighborhood of New Orleans called “The Battlefield”. His parents were not the best . Armstrong's father was a factory worker but left when he was young. His mother was around but she often turned to prostitution in order to help support him; therefore his grandmother was his primary guardian. Armstrong's first job was given to him by a Jewish family by the last name of Karnofskys working delivering coal and collecting junk The Karnofskys often fed him meals and always encouraged him to sing. Armstrong was a bit rough around the edges and he had an incident on new year’s eve in 1912 he fired h...
The history of jazz has many innovative and outstanding musicians that it is difficult to find somebody with as much influence on the genre as Louis Armstrong had on jazz. His legacy is much more than just his phenomenal trumpet playing, but also for his amazing innovations he contributed to the genre of music. Armstrong committed countless hours to putting on jaw dropping performances that will always be remembered and has made Armstrong into a jazz icon. Armstrong’s contributions to the jazz genre has created and entire culture of the 20th century
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