Charles Ginnever
A artist that I take a liking to his interesting pieces of work is Charles Ginnever. Charles Ginnever was born in San Mateo, California in 1931. Charles studied both in the United States and in Europe From 1949 - 1959. He started out in San Mateo Junior College in 1949 and completed his Associates degree in 1951. In 1953 Charles moved to Paris, France and studied at Alliance Francaise. He was not done in Europe and moved on to Universita per Stranieri in Perugia, Italy in 1954.
Charles didn’t stop there and went back to Paris, France to study at Academire de la Grande Chaumiere under the Great teacher Ossip Zadkine in 1955. From there it was off to Aterier 17 in Paris, France to study with Stanley W. Hayter. In 1956 Charles Ginnever moved back to the Untied States and studied at the California University of Fine Arts in San Francisco where here received his B.F.A. In 1959, Charles Finally finished his education at Cornell University in Ithaca, New York with a M..F.A..
After finishing his studies, Charles Ginnever took up teaching positions at many different universities and institutes. Some of these schools included Cornell University, Pratt Institute, University of California at Berkeley and many more schools across the country. Charles has been given many awards and commissions for his works in sculpture. He has most recently been awarded the Lee Krasner Foundation “Lifetime Achievement Award”.
Charles Ginnever sculptures have been and are on display at many museums, parks and galleries. These museums include the San Francisco Museum, Indianapolis Museum of Art, Seattle Art Museum, Metropolitan Museum of Art, Los Angeles Museum of Art, and many more. Some of the parks are Laumeier Sculpture Park, Storm King Art Center, and many more.
Charles Ginnever is best know for his large scale works of art that are made for the outdoors. His sculptures are placed throughout the United States, Philippines, and Australia. Ginnever achieves a feeling of order in his work by working in straight forward ways with familiar elements. These element are flat lengths of steel and spaced out in different areas along the ground. They are put together by welding the ends of the steel together.
Charles’ sculptures are meant to be seen by stepping back and seeing the pieces from a distance. As the point of view shifts, the wide strips of steel become thin lines, that make certain angles vanish as others come into view.
Charles attended Brentwood School in Essex which is father was headmaster of but in 1894 Charles changed schools to Clifton College before winning a scholarship to Hertford College in Oxford in 1898.
New York City is known for its extensive collection of art museums ranging from the Metropolitan Museum of Art which is usually the most renowned to others such as the the Solomon R. Guggenheim or the Whitney Museum of American Art which are popular in their own rights. This abundance of art museums makes the city very attractive for foreign visitors. However, this abundance of choice can overwhelm even the most informed visitors who have a finite amount of time to explore what the city has to offer. Although all of the above mentioned museums have great collections of their own, the often unheralded Frick Collections might trump them all in terms of exceptional works which include some of the world's most celebrated Western artists, such as Goya, Manet, Monet, Rembrandt, and Renoir.
Eck, Susan. "The Sculpture Plan by Karl Bitter, Director of Sculpture." Pan American Exposition: Buffalo 1901. (http://panam1901.bfn.org/documents/sculptureplan.html).
His art work displays were countrywide and worldwide for more than forty years. Andrews' work can be found in the everlasting collections of various museums as well as The Metropolitan Museum of Art, The Museum of Modern Art, The Hirsh horn Museum and The Art Institute of Chicago.
... shapes but could not understand the point it was trying to convey. Now that I have read and learned about Meadmore, I can distinguish the three goals that Meadmore intended for. I see the flexibility of simple geometry and how it can express dynamic movement through this sculpture. Overall, it is interesting how Meadmore’s life and ideas relate to his artistic design, “Always.”
"John William Waterhouse Biography." Artble: The Home of Passionate Art Lovers. N.p., n.d. Web. 12 Feb. 2014.
When he was fifteen years old, his mother died from appendicitis. From fifteen years of age to his college years, he lived in an all-white neighborhood. From 1914-1917, he shifted from many colleges and academic courses of study as well as he changed his cultural identity growing up. He studied physical education, agriculture, and literature at a total of six colleges and universities from Wisconsin to New York. Although he never completed a degree, his educational pursuits laid the foundation for his writing career.
In 1861 Cezanne moved to Paris, but it only lasted about six months. He suffered from depression and decided to move home, wondering if he had chosen the wrong career. After a year of working with his father, he decided to give painting another try. The first six months back in Paris were very hard on the new artist. He had failed the entrance exam at Ecole des Beaux-Arts, which was the official painting school in Paris. At the same time his artwork was rejected at The Salon, the official art exhibition of the Academie des Beaux-Arts. While in Paris, he met Camille Pissarro an Impressionist painter. Pissarro was able to help the young developing artist. The more mature artist was able to mentored Cezanne and over the course of their friendship they started working on projects together, wo...
One day Cole set out to observe nature and it’s wilderness. He began painting pictures by first making oil sketches of American rocks, trees, sunsets, plants, animals, as well as distant Indians. From these sketches he formed several paintings. Most famous for his allegorical collection called the “The Course of Empire” and is well-known for his Landscape paintings, “The Oxbow,” “The Woodchopper,” and “The Clove, Catskills.”
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
subject’s action. Many works of his time period were sculptures that were meant to be
Knowing information about the artist plays an important role in why some art was created in such an extraordinary way. Artist Christian Petersen practiced his art during a transitional stage in American sculpture when styles moved from heroic to realistic (George Washington Carver). In 1934, Iowa State President Raymond Hughes offered Petersen a one-semester residency to create the fountain and bas-reliefs in the Dairy Industry Building courtyard. Amazingly this one semester job turned into 21 years, and from 1934 to 1955 Petersen served as Iowa State's sculptor-in-residence (George Washington Carver). According t...
...was created with an innovative production method for bronze sculptures. (Lee, p. 57) The advancements in technology could explain the massive differences in size, as well as the level of intricacy in regards to the motifs on both sculptures.
...thin this painting is appealing to the eye. With regards to linear perspective, this painting has a diagonal in which the figures line up and converge to one point.
Even before he went to Italy Moore had been fortunate enough to be offered a part time post as Assistant in the Sculpture Department at the Royal College of Art. In 1926 he held his first one man show, which attracted some distinguished purchasers including Augustus John, Henry Lamb and Jacob Epstein. He was also commissioned to prov...