Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Literary analysis on flannery o'connor
Literary analysis on flannery o'connor's revelation
Analysis of Flannery O'Connor's writings
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Literary analysis on flannery o'connor
Joy Hopewell is the thirty-three-year-old maimed child of Ms. Hopewell in Flannery O'Connor's short story, Good Country People." Joy is characterized throughout the story as an ungrateful, childish adult with a bad temperament. Joy's leg has been shot off in a hunting accident over twenty years ago, and it can be presumed that at least some of her behavioral issues can be attributed to the accident. Ms. Hopewell, the eternally helpful and kind character, wakes up at seven each morning to light the heaters in her and Joy's rooms. Joy shows her gratitude by stomping her artificial leg unnecessarily on the way to the bathroom and then slamming the door upon her arrival. She often has outbursts when her mother asks her to walk to the fields. She even changed her name from Joy to Hulga when she was away at college, and her mother is convinced that she "had thought and thought until she had hit upon the ugliest name in any language" (364). Joy's mother refuses to call her by her new legal name, although Ms. Freeman, the nosey hired help, has no trouble doing so. Joy views her new name as her "highest creative act" and is irritated when Ms. Freeman uses it (365). Joy is highly educated, with a Ph.D. in philosophy, and yet she appears to have minimal common sense. She goes about all day "in a six-year-old skirt and a yellow sweat shirt with a faded cowboy on a horse embossed on it" that her mother finds idiotic (365). Joy probably does this simply to aggravate her mother. Joy's degrees in philosophy haven't satisfied her hunger for knowledge. It seems that the only thing Joy takes pleasure in is reading all day long in a chair. Her mother picks up one of these books that Joy spends so much time with and opens to a rand... ... middle of paper ... ... him by showing him where her leg joins on. Joy even shows him how to take the artificial leg on and off, and lets him try himself. She still believes that "for the first time in her life she was face to face with real innocence" (374). Once Manley has the leg off, he places it out of her reach and tries to continue seducing her. Joy resists and the boy packs her leg into his valise and prepares to leave. He explains that he collects prosthetic body parts, changes his name at every house call, and that "she ain't so smart"--an obvious fact now (375). Joy's sour temperament and her introspectiveness have both taught her nothing about the world, people, or how to judge a person's character. All of her degrees have done nothing but push her farther into books and farther away from the world. It is Joy's own qualities that put her in the vulnerable situatio
O'Connor crafts the story so that the plot does not actually begin until insight into the characters has been provided. The limited omniscience persona of the narrative voice alternates between Joy and her mother, Mrs. Hopewell. The exposition provides an understanding of how the characters have developed the personality traits they possess when the drama begins to take place, which is on a Friday evening during the Spring sometime during the mid-1950s. The exposition demonstrates how Joy develops the social and philosophical assumptions that deeply affect the way she sees herself and relates to others.
For starters, while Joy fights through each of her challenges, Mary pushes them away. In response to the loss of her husband, Joy moves to the Bronx and comes across many barriers. Wes describes her response to these challenges: “But no matter how much the world around us seemed ready to crumble, my mother was determined to see us through
Hopewell’s daughter, Joy who renames herself to Hulga. Hulga who is also like Phoenix, a victim of circumstances, is highly educated, was shot in the leg while young, and thus has a wooden leg and is also sick in that she has a weak heart. Hulga, goes through these circumstances and takes them negatively, she is seen as not only rude but also always cross and insensitive to other people’s feelings or emotions an example of this is when she shouted at her mother, Mrs. Hopewell, at the table “Woman! Do you ever look inside? Do you ever look inside and see what you are not? God!” (Clugston,
Joy’s parents helped a lot with Wes and Shani taking them to the train station so they could go to school every day. With Wes going to a different school, he made new friends like Justin. After a few days hanging out with his new friends and Justin, he got into a bit of trouble choosing to do bad things. With Wes attending a public school, kids from the Bronx would make fun of him going to a white school. But Wes acted like it didn’t bother him, but then he started bragging to his friends from the Bronx that “A few weeks earlier I had been suspended for fighting” (Moore 50)....
Both awe-inspiring and indescribable is life, the defined “state of being” that historians and scholars alike have been trying to put into words ever since written language was first created. And in the words of one such intellectual, Joshua J. Marine, “Challenges are what make life interesting; overcoming them is what makes life meaningful”. Essentially, he is comparing life to a bowl of soup. Without challenges or hardship into which we can put forth effort and show our potential, it becomes a dull and flavorless broth. But for characters in novels like Nathaniel Hawthorne’s The Scarlet Letter, and Zora Neale Hurston’s Their Eyes Were Watching God, the difficulties and trials that we all must face can transfigure the mundane liquid mixture of existence into a vibrant and fulfilling gumbo. The protagonists of these works are two strong-willed and highly admirable women, who prevail in the face of overwhelming odds stacked in everyone’s favor but theirs. In their trying periods of isolation brought about by cold and unwelcoming peers, particularly men, they give their lives meaning by simply pushing forward, and living to tell the tale.
In the story she is very rude to her mother. She would yell at her mother and tell her to look inside herself and see exactly what she was, which she believed was nothing. The story speaks of her entering rooms with her wooden leg making a hulking sound. In all she was miserable to be around and when she made an entrance it was one of the most disturbing ones of all. Joy also hated any living thing, which included animals, flowers, and especially young men. The only thing that ever made Joy happy in her life was when she went to school and acquired her Ph.D. in philosophy. Because she was older, she had no real reason to go back to school, so she was stuck with nothing to bring her pleasure or personal enrichment. When Joy was twenty-one and away from home she had her name legally changed. She tried to find the most horrible sounding syllables to put together and she thought of the name Hulga....
Louise, the unfortunate spouse of Brently Mallard dies of a supposed “heart disease.” Upon the doctor’s diagnosis, it is the death of a “joy that kills.” This is a paradox of happiness resulting into a dreadful ending. Nevertheless, in reality it is actually the other way around. Of which, is the irony of Louise dying due to her suffering from a massive amount of depression knowing her husband is not dead, but alive. This is the prime example to show how women are unfairly treated. If it is logical enough for a wife to be this jovial about her husband’s mournful state of life then she must be in a marriage of never-ending nightmares. This shows how terribly the wife is being exploited due her gender in the relationship. As a result of a female being treated or perceived in such a manner, she will often times lose herself like the “girl
... and in her hurry to get away, she (falls) before she even reach(s) the corner,” (87). This foreshadows the relationship between the mothers and daughters in The Joy Luck Club. The daughters can not understand the reasoning behind their mothers’ decisions. However, the mothers realize their daughters are so much like them and they do not want this to happen. The daughters grow up being “Americanized,” but as they grow older they begin to want to understand their Chinese culture. All of the characters learned many valuable lessons that will be passed on to their own children.
O’Connor, Flannery. "Good Country People.” The Story and Its Writer. Charters, Ann. Compact 8th ed. Boston: Bedford/ST. Martin's, 2011. 662-676. Print.
Fellow classmates in Liesel’s class mock her because she didn’t read the passage he was instructed to read. This shows Liesel experiences unhappiness because of her lack of reading and the power of words.
In Flannery O’Connor’s stories, “Good Country People”, “Everything that Rises Must Converge”, ”A Good Man is Hard to Find”, and “The Life You Save May Be Your Own”, there are many similar characters and situations. Few, if any of the characters are likeable, and most of them are grotesque. Two of the stories have characters that view themselves as superior in one way or another to those around them, and in some cases these characters experience a downfall, illustrating the old proverb, “Pride goeth before a fall” (King James Bible ,Proverbs 16:18). Two of the stories include a character that has some type of disability, three of the stories showcase a very turbulent relationship between a parent and child, and three of the stories contain a character that could easily be described as evil.
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...
Flannery O’Conner, a winner of the National Book Award for fiction, was a prominent Southern Gothic short story author whose works deal with the protagonist, usually having a deformity or disability, is met with a challenge of faith and a conflict of intelligence. Although both challenge and conflict are found in all of her works, however it is very apparent with in Good Country People and The Lame Shall Enter First. O’Conner uses character relations and minor characters that are broken prophets to generate and create each story.
Miss Brill is very observant of what happens around her. However, she is not in tune with her own self. She has a disillusioned view of herself. She does not admit her feelings of dejection at the end. She seems not even to notice her sorrow. Miss Brill is concerned merely with the external events, and not with internal emotions. Furthermore, Miss Brill is proud. She has been very open about her thoughts. However, after the comments from the young lovers, her thoughts are silenced. She is too proud to admit her sorrow and dejection; she haughtily refuses to acknowledge that she is not important.
Flannery O'Connor's "Good Country People" is a story told through the examination of the relationships between the four main characters. All of the characters have distinct feelings about the others, from misunderstanding to contempt. Both Joy-Hulga, the protagonist, and Manley Pointer, the antagonist, are multi-faceted characters. While all of the characters have different levels of complexity, Joy-Hulga and Manley Pointer are the deepest and the ones with the most obvious facades.