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Literary analysis the odyssey
Literary analysis the odyssey
The Odyssey: Notes Towards an Analysis of Homer’s Poem
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Elizabeth Weiss
Leopold Bloom:
A Modern Hero’s Journey
In contemporary society, a hero is typically considered to be a person greatly admired for illustrious acts or distinguished personal qualities. But a hero in literary standards encompasses a broader, more expansive definition. In the realm of literature, a hero can be a mythological or legendary figure sometimes of divine descent and endowed with great strength—as in Greek mythology—or a man admired for his impressive achievements and noble qualities. In his modernist masterpiece, Ulysses, James Joyce creates an atypical hero featuring a character who leads an otherwise conventional life. But by examining the similarities between the modernist novel and Homer’s The Odyssey, I will prove that Leopold Bloom can be labeled a modern hero.
Heroes traditionally possess traits that society deems admirable, such as courage and chivalry. They are strong behaviors in both their physicality and their values, and they are presented to the audience as people who have an upstanding, highly moral character and who pursue righteous actions, often while facing insurmountable odds. In literary works, the hero is the main character and the focus around which the story revolves. The characteristics of the hero commonly reflect on the cultural values of his or her time because, as the world changes and society’s attitudes towards him shift, different forms of the hero emerge.
In Ulysses, Leopold Bloom is that modern hero. Although he doesn’t battle Poseidon or a Cyclops, he instead faces the injustice of anti-Semitism and stands up for a young man drowning due to his lack of paternal guidance. In Greek mythology, the hero is frequently favored by the gods and is, in a sense, semi-divine, much li...
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...ysseus. As the typical “good guy,” Bloom personifies all that is fair and decent, protecting the innocent and, in his own way, fighting for justice. He may not boast super powers like Spiderman, he doesn't have the Greek Gods on his side nor does he possess the internal motivation to make the world a better place like Katniss. But Bloom, like all of these heroes, still embodies these heroic characteristics. It does not mean that he is the same as Odysseus, but Kenner suggests that they all have similar purposes. In our modern world, our heroes are firemen and police officers, human rights activists and kids willing to stand up to bullies. No longer do we fight sea monsters or Sirens; instead we fight our own demons and attempt to right the wrongs victimizing others. Through this connection, it is obvious that Leopold Bloom stands as a modern hero of epic proportions.
Humanity has created this “universal story” of what a hero is, or at least the myth of it, time and again. Different tasks and encounters with a variety of villains all lead the hero to the prize, to a new life (Seger). This person deemed the hero is as ordinary as the next but what makes them different is the drastic test that they must face. Individuals admire this character because the hero stands for something, something bigger than themselves. Whether it be the compassionate act of Katniss Everdeen in The Hunger Games or the death of the oldest brother in Brother Bear, as an outsider, an individual sees the human side of these heroes and relates. Connor Lassiter from Unwind by Neal Shusterman is an ideal example of the myth due to the
The Iliad, the Odyssey, Beowulf, and Hamlet are classical stories that are still relatable and debatable to read and discuss. Though some of the stories are intertwined or continue off one another, the character and stories are distinctive. The stories contain different hero development and progression among them. All the stories contain an idea or concept of a hero that may not necessarily have to do with gaining power or control like modern superheroes. Power and control are referred to having to be the ruler and having the ability to do what you'd like. The modern heroes selflessness of a human on duty or even volunteering, and that person’s willingness to put their own lives on the line for the lives of absolute strangers, is specifically the quality that redefines the modern hero and separates them from heroes in the past.
Heroes in literature and history, more often than not, meet tragic ends, unless they were created by Walt Disney. These particular people are often seen as someone who is apart from the masses in morals and attempt to accomplish a higher calling for the common good. The problem with this type of hero is that they are destined for suffering.Two such characters exist in classic literature, Winston Smith of George Orwell’s 1984 and Hamlet of William Shakespeare’s “Hamlet, Prince of Denmark.” Hamlet is the true classic tragic hero, though, because he is of noble birth, possesses high moral standards, completes the task he is given to better the world, and causes tragedy in both his life and the lives of others.
Heroes are found everywhere. They are seen in movies, on television, in books, and in reality. A hero can be anyone from a friend to a fictional character. To be considered a hero, one must make selfless sacrifices, develop and learn, overcome challenges and temptations, and ultimately present their known world with a gift of any kind. Homer’s The Odyssey paints a picture of the supposed savior Odysseus. The irony of Odysseus’ situation is that he really is not the marvelous hero that many who read The Odyssey see him to be. When imagining a great hero, the words of cruel, unfaithful, selfish, or careless never come to mind, but the son of Laertes sets examples for each attribute. Odysseus makes many poor decisions that cause his dislikable traits to highly outweigh his few better ones. Several of his more prominent characteristics are exhibited on numerous accounts. Odysseus cannot possibly earn the title of being a hero because he harbors hubris, he displays a lack of faith, and his self-centeredness causes unfortunate events.
...teristics and literary devices. The general archetypical description of a hero follows an outline of a muscular figure and super abilities. Yet on the contrary, in myths, heroes may not possess any of those traits. Whether the so-called hero is learning their lesson, overcoming struggle or even descending into darkness, all heroes share some similar and almost identical characteristics. A vast majority of all mythological heroes share the same basic idea which, helps audiences identify whether or not the character is indeed a hero or not. From story to myth or fairytale to drama, the hero is one character who changes the plot entirely. Whether that hero may be saving a burning building, or discovering who they are themselves, our heroes all give us hopes and dreams that one day even our worth will be recognized by ourselves and others as our admirable hero’s are.
According to Aristotle, a tragic hero character can be defined to be of noble status, but not necessarily virtuous. There is some aspect of his personality that he has in great abundance but it is this that becomes his tragic flaw and leads to his ultimate demise. However, his tragic ending should not simply sadden the reader, but teach him or her a life lesson. In The Great Gatsby, by F. Scott Fitzgerald, Jay Gatsby is the tragic hero who portrays the corruption of the American dream through his tragic flaw. His devastating death at the end of the novel portrays the dangers of centering one’s life on money and other materialistic things and warns the reader not to follow his foolish steps. Jay Gatsby is the epitome of a tragic hero; his greatest attribute of enterprise and ambition contributes to his ultimate demise but his tragic story inspires fear amongst the audience and showcases the dangers of allowing money to consume one’s life.
...his not a tragic hero because he not outstanding and virtuous, and he does not achieve insightful recognition or redemption.
Hassel Jr., R. Chris. ““ No boasting like a fool”? Macbeth and Herod.” Bloom’s Literature.
Stanford, W. B. The Ulysses Theme: A Study in the Adaptability of a Traditional Hero. Dallas, TX: Spring Publications, 1992.
Bloom, Harold “Bloom on Macbeth.” Bloom's, Shakespeare though the Ages. New York Facts on file,
Wilhelm, Jeffrey D., et al. A Brief History of Heroes. 2004. Glencoe Literature. New York: Glencoe McGraw-Hill, 2009. 69-72. Print.
There are many heroes in this world, whether it’s a fireman or a doctor. A hero is defined based on their courage, nobility and strength. In contrast, there are tragic heroes. According to philosopher, Aristotle, the definition of a tragic hero is one that is of greatness and dignity but, despite their greatness, makes an error, otherwise known as the hero’s “tragic flaw” or “hamartia” which leads to his downfall. In William Shakespeare’s tragedy, Macbeth, the main protagonist and round character, Macbeth starts as a man of greatness and dignity. His assumed loyalty to the country and king earns him respect from a variety of men and the title “Thane of Cawdor.” But, unfortunately because of his tragic flaw he is corrupted by his overwhelming ambition and destroys himself and the natural order of man. Macbeth transitions from the savior of his country, “Bellona’s bridegroom”, a “brave” and unbeatable man to a man of endless brutality. Macbeth is the epitome of a tragic hero.
Every day in our lives, we look around and we wonder about the people around us. There is good and evil in our world and we the people are the ones that are easily influenced by those events whether its poverty, disease, war, or even if were just people trying to figure out the kind person we are. We have the power to choose our own path, just like the characters in James Joyce and Homer’s stories: Odysseus and Leopold Bloom. Both characters have shown different qualities and traits that showed the readers why they are the heroes in their own perspective stories. Odysseus is a man who left his home of Ithaca, his wife and child, to fight in
For a time, the main characters in a story, poem, or narrative were easily classified as either being a hero or a villain. A hero would be easy to identify by the traits he'd possess, such as bravery, honesty, selflessness, trustworthiness, courage, leadership, and more. The villain would be easy to identify as well, possessing traits such as maliciousness, deceitfulness, immorality, dark, wishing harm upon others, and more. But what if the character lacked the natural heroic qualities but wasn't a villain either? What if the person displayed personality flaws that would traditionally be associated with a villain, but has heroic intentions? These questions were finally answered with the emergence of the anti-hero in literature.
'Ulysses' is both a lament and an inspiring poem. Even modern readers who are not so familiar with the classics, can visualize the heroic legend of Ulysses, and so is not prepared for what he finds in the poem— not Ulysses the hero but Ulysses the man.