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Recommended: Essays on gattaca
Directed by Andrew Niccol, Gattaca centres on a genetically inferior young man who assumes the identity of a superior one in order to fulfil his lifelong dreams. Though the film is abundant in techniques, the prevalence of contrasting characterisation and symbolism allows Niccol to explore and emphasise the respective ideas of the burden of perfection, conformity versus freedom and achieving one’s dreams to the audience.
As the protagonist in the film, Vincent plays a significant role in emphasising the author’s ideas of the burden of perfection, most notably when in comparison to the character of Jerome. In a world where genetic perfection is the key to a successful life, the genetically superior Jerome is technically entitled to the opportunities
of being a “valid”, though finds that his opportunities are later limited by his injuries. Unable to comprehend a life without privilege, Jerome becomes bitter and depressed in his life, believing he was “never meant to be” one step “down” on the genetic “podium”. Unable to reach his own dreams, and in order to cope with his unhappiness and shame, Jerome finds personal redemption in aiding the genetically inferior Vincent in achieving his dreams of working at Gattaca. Belonging to a “new underclass” and encouraged to think “realistically” about his goals in life, Vincent is a stark contrast to Jerome, determined to reach his dreams with even the most “extreme” of measures.
In her story “Currents” Hannah Vosckuil uses symbolism, and a reverse narrative structure to show the story of how unnamed sympathetic and antagonistic characters react differently to a traumatic event. Symbolism can be found in this story in the way that Gary does not mind sitting in the dark alone at the end of the day as well as how both of his girls are affected by the symbolism of hands. One holding a boy’s hand for the first time and the other becoming sick after seeing the dead boy’s hand fall off the stretcher. The sympathetic and antagonistic manner of these characters is shown when both girls are told by their grandmother that they must return to the water to swim the next day. The grandmother sees this simply as a way of encouraging them and keeping them from becoming afraid of the water. However, the girls see this as a scary proposition because of what had happened, showing the grandmother as an antagonist character to the little girls.
Weather is not just the state of the atmosphere. The Valley of Ashes is not just a dumping ground filled with pollution. The eyes of Doctor T.J. Eckleburg are not just a pair of eyes on a billboard. Colors are not what people think they are. The green light is not just a light that is green. F. Scott Fitzgerald’s The Great Gatsby is a very classic American novel, written in the year 1925 and is one of many novels that people extol as one the most outstanding and spectacular pieces of American fiction of its time during 1920s America. It is a novel of great accomplishment as well as catastrophe, being noted for the astonishing way its author captures
because the author is saying that you need to repent and ask for forgiveness to
The film Gattaca directed by Andrew Niccol is a science fiction that discovers the overall effects of genetic engineering. This is shown through the idea of a imminent society compelled by eugenics, where hypothetical children are conceived within a world of genetic manipulation. By doing this, it ensures that the upcoming generation posses the finest hereditary traits to benefit the future.
What gives the reader the false idea of utopia in Vonnegut’s “Harrison Bergeron” is the deep social control in the form handicaps where individual’s abilities and competence and even appearance are neutralized and vilified as a form of inequality. The characteristics of equality chosen by Vonnegut; beauty, athleticism, and intelligence is important to the story’s message. The main focus of the story are the characteristics of equality that are subjective, the very same characteristics we are born with that makes us different and minimally states the objective ones, the ones that plague our society today. This not only satirizes the epitome of equality itself, but rather the people’s flawed ideals and belief of what total equality is supposed to be or should be.
Perhaps an even stronger testament to the deepness of cinema is Darren Aronofsky’s stark, somber Requiem for a Dream. Centering on the drug-induced debasement of four individuals searching for the abstract concept known as happiness, Requiem for a Dream brims with verisimilitude and intensity. The picture’s harrowing depiction of the characters’ precipitous fall into the abyss has, in turn, fascinated and appalled, yet its frank, uncompromising approach leaves an indelible imprint in the minds of young and old alike.
Identity is often thought of as what people consider themselves, not how others see you. In the movie “Gattaca” however this is not the case. Identity is something you are born with. When you were born you were tested for diseases and life expectancy and therefore treated accordingly. In the world where technology has been fast forwarded to be able to pick which genes or gender your child inherits and becomes to create the best possible outcome, kids that were not genetically changed were called “invalid.”
When society heads into the wrong direction, it may take unorthodox behavior to put it back on course. Gattaca is a dystopian movie, in which the community is separated into two groups; individuals that have been genetically modified to be perfect, called valids, and those that were born without any genetic changes, called invalids. Vincent is an invalid, but wants to be an astronaut, a job reserved only for valids. In order to achieve his dream he assumes the identity of Jerome, who is a valid. As he prepares to go into space, he is constantly trying to cover up his old identity. Vincent is able to evade the police who are looking for him, and go on his mission to one of Jupiter’s moons. In the film Gattaca, directed by Andrew Niccol, the characters Jerome, Vincent, Lamar, and Irene are unorthodox individuals, because their actions do not follow the guidelines of normal society.
In all movies – whether they are dramatic, romantic, or even comedic – there is a unique symbol that ties the movie together by highlighting one particular element. In Christopher Nolan’s The Prestige, drowning emphasizes the increasing struggle of Robert Angier and corresponds with his increasingly sporadic decisions, making the audience empathize with the sense of panic he feels.
The culture and philosophy of Ridley Scott (pp. 231-243. United States: Lexington Books, Inc. Pramaggiore, M., & Wallis, T. (2005). Film: A critical introduction to the film.
The opening scene of a crowd of unemployed men flocking around an officer who is announcing a job offer shows the distress of the society during the time. Following the main protagonist, Ricci, an unemployed man just like any other, is given a job as a film poster hanger. When the character manages to obtain his bike according to the contract to receive the job offer, his first job is to paste an American film poster around the city. As part of his job, he is given a clear instruction to “be sure not to leave wrinkles” as he posts the posters. It could be said that this is an identification of one of the most strongest complaints from the neorealist filmmakers had at the time, against typical Hollywood glamour films, which normally starred unrealistically flawless performers. This attack on stereotypical hollywood convention is accentuated when De Sica clearly goes against this standard through casting actors of ‘ordinary faces’ as his characters, giving example, the representation of the people in the film “Bicycle Thieves” are not beautiful as the way the main characters are usually presented in Hollywood. The Hollywood glamour and classic escapist films essentially an antagonist that is used
Despite the discrimination Vincent remained inspired, destined to one day travel to space. Vincent grew up with a genetically engineered brother who enjoyed all the luxuries of perfect genes and the label of a “Valid” member of society, but one day Vincent beat his brother in a swimming competition and saved him from drowning. That day he knew the “Valids” could be beaten and he could succeed in this society despite the discrimination.
In my analysis of Darren Aronofsky’s second feature film, Requiem for a Dream, I will draw attention to his wonderfully balanced use of camera shots accompanied with a powerful and captivating score. By focusing on these points I will delve further into the theme and development of the main characters with a particular emphasis to the final thirty minutes.
Crash by Paul Haggis, and Amores Perros by Alejandro Gonzalez Iñárritu are filmed in popular cities, yet each film shows a perspective of the city that people who don’t live there aren’t often able to see. Set in Los Angeles, Crash shows none of the popular visual signifiers those who aren’t familiar with the city would use to identify it. That said, there are many visual signifiers within both films which denote class difference between the characters. The differences in the classes are primarily shown to the audience through their clothing, and through their interior spaces, like their homes and cars.