As humans, there are common character traits that are interwoven through each of our personalities. Many traits can be found in varying amounts, some more evident then others; layers upon layers of various traits that ultimately constitute a personality. When creating life-like characters, authors layer these traits in a similar fashion, but as is the case with people,. Specific characters in Raymond Carver 's “Cathedrals,” Charlotte Perkins Gilman 's “The Yellow Wallpaper,” and Amy Tan 's “A Pair of Tickets” are all connected through the character trait of restlessness, and exploring the reasoning behind this trait reveals how it affects the characters. The narrator of Raymond Carver 's “Cathedrals” is restless throughout the entire story,
As the story begins, the narrator 's condition unfolds, and at first she dwells tirelessly on her recovery. “I wish I could get well faster” (Gilman 219) is one of her lines that summarizes her focus. As the story progresses though, it becomes evident that she is mentally diseased as her obsession with the wallpaper develops. While on the outside she says that she is beginning to “Eat better, and an more quiet then I was” (Gilman 224), her mind is frantically deteriorating. The narrator becomes suspicious of her husband and her sister in law, which is a symptom of those who are mentally unstable.This restlessness causes great damage to the character, and by the end of the story she becomes totally consumed and ultimately destroyed by it. Gilman uses this trait to draw us into the character 's mind to take us along on the sad journey to insanity.
Jing-mei 's does not seem to be in hysterics over her loss, but it is evident that her mind is constantly referencing memories of her mother. “My mother is dead and I am on a train, carrying with me her dreams of coming home” (Tan 129). In a way, she believes that her journey to China with her father is honoring her mother, possibly to help relieve the guilt that is often associated with loss. Jing-Mei 's restlessness becomes apparent the moment that she knows that she will be meeting her half sisters. She plays over scenarios in her mind of how things could play out. At the end of the story, during the meeting of her sisters, Jing-mei reaches the end of her search for peace as she reunites with her family to make her mothers wish come true.
Haney-Peritz, Janice. "Monumental Feminism and Literature 's Ancestral House: Another Look At 'The Yellow Wallpaper '." Women 's Studies 12.2 (1986): 113. Academic Search Complete. Web. 24 Nov. 2014.
It is clear that in their marriage, her husband makes her decisions on her behalf and she is expected to simply follow blindly. Their relationship parallels the roles that men and women play in marriage when the story was written. The narrator’s feelings of powerlessness and submissive attitudes toward her husband are revealing of the negative effects of gender roles. John’s decision to treat the narrator with rest cure leads to the narrator experiencing an intense feeling of isolation, and this isolation caused her mental decline. Her descent into madness is at its peak when she grows tears the wallpaper and is convinced that “[she’s] got out at last, in spite of [John] and Jennie… and [they] can’t put her back!”
Gilman herself suffered from post-partum hysteria and was treated by a famous doctor of the era, one who prescribed his famous "rest cure", the same cure the female narrator cannot tolerate and defies in The Yellow Wallpaper. In this story the narrator remains nameless and there is good reason for it. She feels as if she has no identity or control over obtaining fulfillment and unity and satisfaction in life. Her husband is a doctor who also prescribes complete rest for her and is opposed to her doing the one thing that seems to give her a unique voice, writing. Thus, the narrator defies her...
From the minute you read the read the first paragraph until you finish the last sentence, Charlotte Gilman captures her reader s attention as her character documents her own journey into insanity in The Yellow Wallpaper. As her character passes a seemingly indefinite amount of time, it becomes clear that her husband s treatment is affecting her. Gilman is able convey the narrator s changing mental state through language and syntax.
What drives one to insanity? There are, of course, many possibilities. Stress, for one, could do it. Regret is another that has lead down that treacherous path. In the case of Charlotte Perkins Gilman’s “The Yellow Wallpaper”, the protagonist’s root cause of insanity is not expressed openly, but when observed in more detail, it becomes apparent. The unnamed female protagonist of this short story initially seems to have little to no impaired cognitive function. She writes very clearly and understandably. The reader soon finds out, however, that she has been suffering from an illness recently, and that she has gone on a sort of holiday in order to rest and recuperate. However, this holiday becomes quite the reverse for Gilman’s protagonist
Obviously, it is impossible to maintain a healthy mental state in the oppressive environment surrounding the woman. Throughout the story, the author traces the woman's mental deterioration from a having a normal but weakened sense of self, to a complete inversion of her ego. She slowly inverts her orientation of her place in society, turning away from society completely in order to create a world where she can act on her own volition. In order to represent the stages of her gradually worsening state of mind, the author represents the woman's struggles through a parallel with her view of the wallpaper. The wallpaper is at first a seeming inversion of the woman's mind, but it is gradu...
Charlotte Perkins Gilman’s powerful story, “The Yellow Wallpaper”, is about a woman who was driven to madness by her depression and controlling husband. The story is told by the wife, in first person, and is based on Gilman’s own life experience. Gilman suffered from post-partum depression after her daughter was born and was prescribed the “resting cure” which is resting and isolation. In the story, the narrator’s husband puts her in isolation because he believes that will cure her of her depression and breakdowns. He won’t let her do anything, so she turns to writing in her secret journal to try and cure her depression. Since she has nothing to do all day, she turns her attention to the yellow wallpaper in the room. She becomes obsessed with it and begins to see a woman trapped inside the pattern. The wallpaper dominates the narrator’s imagination and she becomes possessed and secretive about hiding her obsession with it. The narrator suspects the her husband and sister are aware of her obsession so she starts to destroy the wallpaper and goes into a frenzy trying to free the caged woman in the pattern of the wallpaper. The narrator becomes insane, thinking that she also came out of the wallpaper, and creeps around the room, and when her husband checks on her, he faints because of what she has become, and she continues to creep around the room, stepping over body.
The husband and brother of the narrator are physicians, and neither believe that she is sick, they say “there is really nothing the matter with one but temporary nervous depression—a slight hysterical tendency.” (The Yellow Wallpaper, Charlotte Perkins Gilman) and so she is confined mentally, with what they tell her to do, although she thinks there are other things that would fare her better. As the story continues she begins to have more delusions and the wallpaper in her room begins to come alive. But the most alarming effects were the hallucinations.”
As she gets off the train, Jing-mei starts to describe her surroundings once again. For example, she describes Guangzhou as “The landscape has become gray, filled with low flat cement buildings, old factories, and then tracks and more tracks filled with trains like ours passing by in the opposite direction. I see platforms crowded with people wearing drab Western clothes, with spots of bright colors: little children wearing pink and yellow, red and peach” (266). The colors mentioned go along with how Jing-mei described her mother wearing clothes that do not go well together. The colors are bright, much brighter than the colors she saw on the train. It could mean that she is getting closer to her mother by seeing her in other people in China. However, Jing-mei has not fully embraced her roots, which is understandable since that side of her has only just awoken. Again, Jing-mei is questioning herself when she and her father are going through customs. For example, she describes the long lines as “getting on a number 30 Stockton bus in San Francisco” (266). Immediately after making that connection, Jing-mei reminds herself “I am in China. I remind myself. And somehow the crowds don’t bother me. It feels right” (266). Jing-mei is allowing herself to drift away to what is comfortable. Reminding herself that she is in China, she begins to feel at peace and that it feels
When her mother dies, Jing-Mei really shows how much of a dynamic character she is. She realizes that, just like the songs in the piano book, her mother and she "were they were two halves of the same song" (Tan 357).
When she arrives, she feels somehow proud to be Chinese. But her main reason why she went back home is to reflect her mother past life on her present life. Through the setting and her relatives, Jing Mei learns the nature of Chinese American culture. The main setting takes place in China, effects of the main character’s point of view through changing her sense of culture and identity. The time period plays a large role on the story, there is disconnect between the mother and daughter who came from different culture. In “A Pair of Tickets”, we learn it’s a first person narrator, we also learn detail of what the narrator is thinking about, detail of her past and how life compared to China and the US are very different. The theme is associated with the motherland and also has to deal with her mother’s death and half sisters. Her imagination of her sister transforming into adult, she also expected them to dresses and talk different. She also saw herself transforming, the DNA of Chinese running through her blood. In her own mind, from a distance she thinks Shanghai, the city of China looks like a major American city. Amy Tan used positive imagery of consumerism to drive home her themes of culture and identity, discovering her ancestral
The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression. " In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
Signs of the depth of the narrator's mental illness are presented early in the story. The woman starts innocently enough with studying the patterns of the paper but soon starts to see grotesque images in it, "There is a recurrent spot where the pattern lolls like a...
The narrator is ordered by her husband, who is serving as her physician as well, that she is “absolutely forbidden to work” and instead get “perfect rest,” and “all the air” the narrator can get (Gilman, 549). The narrator is confined to spend her time in a room which is playing tricks on her mind until she can no longer identify reality from her imagination. Another cause of the narrator’s loneliness is her husband’s rare presence at home due to his work as a physician, “away all day, and even some nights when his cases are serious,” leaving the narrator with his sister, who even then also leaves the narrator alone most of the time (Gilman, 550). The narrator falls into a state of insanity because she hardly had anyone with her to normally interact with. The only interaction she did have was that of the yellow wallpaper which constantly plagued her
Jing-Mei tries to live up to her mother’s expectations but feels that her mother expects more from her than she can deliver. She doesn’t understand why her mother is always trying to change her and won’t accept her for who she is. She feels pressure from her family when she is compared to her cousin Waverly and all her accomplishments. Soon the conflict grows to resentment as her mother tests her daily on academics, eventually causing Jing-Mei to give up while her mother struggles to get her attention and cooperation. Her mother avoids arguing with her daughter early in the story, continuing to encourage her to strive for fame. Her mother’s next assignment for her daughter is piano lessons. This goes along pretty well until her mother forces her to participate in a talent show. The daughter’s failure on her performance at the talent show causes embarrassment to her mother. Conflict is evident when two days later, after the talent show, she reminds her daughter that it’s time for piano practice and the daughter refuses to obey her mother. The conflict that the daughter feels boils over in an outburst of anger and resentment towards her mother for trying to make her something that she is not. Harsh words are spoken causing the mother to retreat and not speak of this event ever