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Use of Symbolism
Use of Symbolism
Significance of symbolism in literature
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Character Study of Gollum from Lord of the Rings, The Two Towers He is a supporting character in the book who guides Frodo and Sam on their intrepid adventure, to Mordor and MountDoomto destroy the ring. Gollumrepresents the consequences induced by man's greed; he was once a human called Smeagol. He sought to use the ring's power for his own gain, but the ring's overwhelming and evil power poisonedGollum's mind and he became hideous and twisted. His only relation to the characters is his love for the ring; he is trying to remove it from Frodo's possession and make it his own again. He thinks Frodo stole the ring from him, and shows his resentment of him when speaking to himself: "Where iss it, where iss it: my Precious, my Precious? It's ours, it is, and we wants it. The thieves, the thieves, the filthy little thieves. Where are they with my Precious? Curse them! We hates them." The author, JRR Tolkien, created a particularly vivid representation of Gollum in several ways. The author uses "we" in Gollum's dialogue to show he is not one character but in effect two (smeagol, his good side and his evil alter ego). Smeagol is reluctant to bring harm or despair to Frodo, but his evil side convinces him to do otherwise. Sam, another character in the book describes Gollum as "sinister", "deceitful" and "mischievous". Gollum also has varied personalities and attributes. He himself is shown as being very distasteful of Sam, especially his cooking methods. For example when he catches rabbits and Sam Stews them with herbs, Gollum unpleasantly replies to this with "Stupid fat Hobbit!" [IMAGE] This image from the film interprets Gollum's expressions described in the book to the greatest detail "Gollum looked at Sam in dismay" Gollum is very similar to Boromir from the first book of the Lord of the Rings Trilogy, The Fellowship of the Ring. They both had very noble intentions, but the ring drove them to insanity and forced them to pursue the ring at all costs.
When Bilbo encounters the strange creature Gollum, he enters into a game of riddles with the creature in order to buy more time. Bilbo’s wit enables him to prevail as he asks the final question, at first to himself, “What have I got in my pocket?” (78). Another example of Bilbo’s cunning wit would be his encounter with the great dragon Smaug. Smaug is a much more daunting opponent this time. As Smaug attempts to lure Bilbo into his hall, Bilbo proceeds to flatter the dragon and talk in riddles. “This is of course the way to talk to dragons, if you don’t want to reveal your proper name (which is wise), and don’t want to infuriate them by a flat refusal (which is also very wise)” (223). Bilbo’s cunning tactics establish Bilbo as being capable of conquering his enemies not with total force, but with the clever use of
Every story has characters with different roles, and each of them are important to make the story complete. Three characters, Bilbo, Gandalf, and Smaug represent three archetypal roles in this story. Their guide Gandalf, represents the mentor, Bilbo represents the hero, and Smaug represents the shadow. Smaug symbolizes fear to the characters, and the dragon represents one of the characters that are most often causing the most terror and trouble to the other characters in the story. The hobbit symbolizes the hero of the story, because he sacrifices himself throughout the book. Mr. Bilbo Baggins learns more and more each day, and he tries to always do the right thing. Gandalf symbolizes the guidance and help as a mentor, and he provides training and motivation to the characters. These three important characters greatly explain the
Peter Jackson’s film “The Lord of the Rings: The Fellowship of the Ring,” revolves around a young hobbit by the name of Frodo Baggins and his unique group of companions. They go on a journey to destroy the One Ring of Sauron (the Dark Lord). In short, the One Ring has malevolent powers to whomever wears it.
Within J.R.R. Tolkien’s The Hobbit, Tolkien uses the character of Bilbo Baggins to reveal to the reader the constant struggle between heroic and anti-heroic qualities within Bilbo and ourselves.
There are a lot of characters in the Hobbit. Most if not all of them
Gollum cannot resist the Ring’s temptation because he has no knowledge of the Ring and no guidance to form good habits and prevent addiction to the Ring. Gollum, originally, Sméagol wanted the Ring because of Its beauty but his friend, Déagol found it first. After Déagol refused to just give the Ring to Sméagol because it was his birthday, “…he [Sméagol] caught Déagol by the throat and strangled him, because the gold looked so bright and beautiful. Then he put the ring on his finger,” (58). But after he found the Ring, he had no guidance to form good ...
In the novel The Hobbit, growth is the key theme that is emphasized in the first half of the book. The growth of a little hobbit Bilbo Baggins, from a weak and travel maker hobbit into a strong and responsible hobbit. At the beginning of the novel in the Lone-Lands, readers witness how weak he was. In the middle of chapter two, because of the trolls, he was scolded, “silly time to go practicing when what we wanted was fire and food”(50) by the dwarf Bombur. Although he was trying for the goods of the group, he`s action and insufficient skills almost kill the entire group. This event shows how weak is Bilbo and how was he making travels in the beginning. Furthermore in the beginning of chapter six, Bilbo demonstrates that he survived around
Bilbo Baggins is a hobbit, one who enjoys peace and quiet, feasts and fireplaces, and the coziness of his home. At the beginning the The Hobbit by J.R.R. Tolkien, Bilbo could not even imagine going on a tenacious adventure, but by the end he has survived the longest, toughest battle yet. Throughout the novel Bilbo Baggins changes from a prudent, typical hobbit into a courageous, sacrificing adventurer.
In Tolkien world, evil is the antithesis of creativity, and is dependent on destruction and ruin for its basis. Conversely, goodness is associated with the beauty of creation as well as the preservation of anything that is created. The symbolic nature of these two ideologies is represented in the Elven Rings, which symbolize goodness, and the One Ring, which is wholly evil. A main theme of "The Hobbit", then, is the struggle within our own free will between good will and evil. "Early in the (Lord of the Rings) narrative, Frodo recalls that his uncle Bilbo, especially during his later years, was fond of declaring that… there was only one Road; that it was lik...
Frodo Baggins, the main character in the movie faces many compelling circumstances in his quest and is challenged to sacrifice much of himself. The first challenge Frodo has to face when Gandalf as...
deviant they could be labeled deviant in an environment where their dissociation with society and their lifestyle may be viewed as dysfunctional because they do not prefer living in the safety of the pride lands.
The struggle between good and evil is an ever present theme of the Lord of the Rings trilogy. The struggle exists in all of Middle-earth, as the followers of Sauron wage war against the realms of free men and their allies, as well as in individual characters. Boromir, a tragic hero of Tolkien’s work has essentially good qualities marred by his corrupt desires for power and the Ring. The character of Gollum has an on-going internal struggle between the part of him that is corrupted by the Ring and his originally innocent self, Smeagol, who struggles to be good. However, as long as good and evil both exist, redemption is also possible. If Gollum, for example, was portrayed as only evil, and the Smeagol part of him did not exist, the reader would never hope for his redemption, knowing it was already impossible. However, redemption can always be found throughout Tolkien’s work. Reflecting his Christian beliefs, Tolkien often depicts characters redeeming themselves through death. The conflicted characters of the Lord of the Rings demonstrate that if both good and evil exist in a person, redemption is possible at the cost of some sacrifice.
The book begins with Bilbo Baggins celebrating his one hundred and eleventh birthday. Many "Hobbits" show up at his party including his third cousin, Frodo, which is the main character of the novel and a powerful wizard named Gandalf. Biblo possed a powerful ring known as the "Ruling Ring" which gives "Supreme Power" to whoever has possession of it. At the end of the party, Bilbo uses his magical ring to turn invisible and stun his guests. Gandalf, the powerful wizard, then meets up with Biblo at his house and takes the ring from Bilbo, which is corrupting him. Gandalf examines it, realizing that the ring Bilbo has is the powerful "Ruling Ring". Knowing that the forces of evil are in search of the ring, Gandalf sends Frodo, a relative of Biblo, to destroy the ring in the only place it can be destroyed, "Mt. Doom". Overhearing the talk between Gandalf and Frodo, Sam, a "Hobbit", that is good friends with Frodo is forced on the quest to aid Frodo.
Meanwhile Sam chases the tarantula back to the lair of Ungoliant, the Queen of Spiders, and after a tense argument about the nature of good and evil she finally reveals to Sam the cure for the spider's-venom which holds Frodo in thrall. Sam thanks Ungoliant for her mercy and wisdom and revives Frodo, and they set off into Mordor to find Gollum. "Oft help will come from the weak when the Wise are foolish," Gandalf once said, and sure enough all the spiders of Mordor are willing to help Frodo and Sam in their quest. Their course leads them to Mount Doom, where just as they arrive they find Gollum claiming the Ring for himself. The Dark Lord Sauron then becomes aware of them, and leaves the Dark Tower to come forth and destroy them; but just them Frodo and Sam rush Gollum and force him backwards into the Cracks of Doom. The Ring is destroyed, and without it Sauron is destroyed by the sunlight. Frodo and Sam leave the Mountain just in time to see the great armies of Aragorn and Faramir coming across the plains of Mordor to greet them.
The Lord of the Rings: The Fellowship of the Ring is a 2001 epic fantasy film directed by Peter Jackson. The film is an adaptation of a volume of the same name by J.R.R. Tolkien published in 1954. This is the first film of Peter Jackson’s trilogy that adapted J.R.R. Tolkien’s entire Lord of the Rings series into screenplay.