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Harry potter character development
Harry potter and the sorcerers stone character evolution
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Scorpius Malfoy is not his father or his grandfather. That is the first thing you need to know about him. If you're lucky, you'll get to learn more about him than that, but most people aren't that lucky. Scorpius is an intensely private person. Most people take one look at his aristocratic features, or simply hear his last name, and write him off as the son of a Death Eater, a snob, a blood purist, a this or a that, and never bother to dig deeper. To be fair, all of those things are true in part, but these judgmental masses usually fail to notice that there is much more to him than that. Scorpius is an introvert, his emotions extremely self-contained, exploding and fading so deep within him that they never show outwardly unless he wills them to. His words are rehearsed, analyzed for consequences, and double-checked for accuracy and sting before they ever leave his mouth. Everything about the way he interacts with the external world is controlled to allow him to come across a certain way. He is observant, is more likely to hang back and judge the air in a room or the tone in a conversation before he inserts himself into it with an unnerving perceptiveness and the unspoken implication that he knows more than he will actually say. He is every inch the politician, the master of noncommittal answers, of thinking one thing and doing another, of smiling in a room full of enemies as though he’s in a room full of friends. The language he speaks best is body language and he can tell from the slightest twitch of a muscle or movement of a hand whether all the people in a room truly get along with one another or if they are all simply putting on a farce. On the other hand, his body language always aims for ambiguous unless he has a set goal i...
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...ake in the grass at times, well-versed in fighting dirty but staying clean, in shaking hands with a partner against whom he is secretly plotting and without so much as a quirk of the brow to alert the other person to his darker intentions. Scorpius doesn’t think that there is anything he is incapable of getting if he wants it enough. He is an opportunist and a survivor for whom altruism or stupid mistakes are as inexcusable and incomprehensible as showing up to class naked. And simply because he is currently being overlooked doesn’t mean that Scorpius hasn’t stopped trying; after all, true power rests with those who have the respect, whether or not the accolade has been bestowed along with it. Scorpius can follow authority that isn’t his own, but he rarely finds himself respecting anyone but himself. And one way or another, Scorpius Malfoy is going to run this town.
"Piggy saw the smile and misinterpreted it as friendliness. There had grown up tacitly among the biguns the opinion that Piggy was an outsider, not only by accent, which did not matter, but by fat, and ass-mar, and specs, and a certain disinclination for manual labour." (Golding 68)
In William Shakespeare’s Twelfth Night, Malvolio is considered an outcast by almost everyone in the play. He doesn’t act the same way that any of the other characters act, in that he doesn’t participate in any of their activities, he enforces rules that the others could care less about, and he is just overall a socially awkward guy. Malvolio not only claims to adhere to the rules of the household himself, but uses his relations with Olivia to try and help make the others follow the rules as well. This upsets certain characters more than others. For instance Sir Toby, Sir Andrew and Maria find his behavior particularly detestable. But Malvolio’s strict coherence to the rules allows him to have a rather high position in Olivia’s household. While Malvolio may be considered a social outcast to most of the characters in the play, Olivia considers Malvolio to be a very trusted steward of her household. For these reasons Malvolio is not only a social outcast, but an outcast that Shakespeare uses to keep people interested in his play.
It will be discussed whether Coriolanus’ difficult personality is due to his upbringing, and/or due to his own nature, men of his manner are not uncommon in the socio-political landscape, even in today’s day and age, and we may well be moved to wonder what formative childhood experiences shaped the personality of these difficult, although at times necessary leaders. Above all, Shakespeare's words seem to provide us with a simple, direct answer. But I intend to argue that the text also contains some signs that the history she provides is incomplete.
...for success, he robs his audience of the right to make certain determinations about characters such as Tarquin Superbus and Romulus because of his bias toward the motivation behind their actions. Livy’s The Rise of Rome was a grand effort and an amazing undertaking. Cataloguing the years of Roman history consolidated rumor and legend into fact, creating a model for Rome to follow. Livy’s only error in this vast undertaking was in imprinting his own conception of morality and justice onto his work, an error that pulls the reader away from active thought and engaging debate. In doing so, Livy may have helped solidify a better Rome, but it would have been a Rome with less of a conception of why certain things are just, and more of a flat, basely concluded concept of justice.
The play “A Raisin in the Sun” by Lorraine Hansberry has many interesting characters. In my opinion, the most fascinating character is Ruth because of her many emotions and captivating personality. She goes through extreme emotions in the play such as happiness, sadness, anger, stress, and confusion. Ruth is very independent, firm, kind, witty, and loving.
In William Shakespeare’s Twelfth Night, Malvolio is considered an outcast by everyone else in the play except Olivia. He doesn’t act the same way that any of the other characters act, and he seems to be a real stickler for the rules, which upsets certain characters more than others. But it is this strict coherence to the rules that allows Malvolio to have such a high position in Olivia’s household. While Malvolio may be considered an outcast to most of the characters in the play, Olivia shows concern for Malvolio and his well-being.
On that first fateful day, when Romulus struck down his own brother Remus, the cauldron of Rome was forged in blood and betrayal. The seeds on the Palatine hill cultured one of the most potent and stretching empires of human history. Though this civilization seemingly wielded the bolts of Zeus, they were infested with violence, vanity, and deception. Yet, one man—or seemingly “un”-man—outshone and out-graced his surroundings and everyone within it. He brought Rome several victories and rescued his beloved country from an early exodus, thus providing her a second beginning. This man was Marcus Furius Camillus, and against a logical and emotional mind, he was oft less than loved and celebrated. At times he was disregarded, insulted and even exiled—irrevocably an unwarranted method to reward Rome’s “Second Founder.” This contrast of character between hero and people was perhaps too drastic and too grand. The people were not yet ready to see Marcus Furius Camillus as a model of behavior to be emulated—to be reproduced. Hence, much of Livy’s Book 5 provides a foundation for the Roman people to imitate and assimilate a contrasting, honest, and strong behavior and temperament
In the play A Raisin in the Sun, by Lorraine Hansberry (1959), the author depicts an African American family whom struggles with the agonizing inferiority present during the 1950s. Hansberry illustrates the constant discrimination that colored people, as a whole, endured in communities across the nation. Mama, who is the family’s foundation, is the driving force behind the family on the search for a better life. With the family living in extreme poverty, their family bond is crucial in order to withstand the repression. Hansberry effectively portrays the racism within society, and how it reinforced unity amongst the family members.
Sir Arthur Conan Doyle’s The Hound of the Baskervilles is the third of four novels written about his world famous detective, Sherlock Holmes. However, unlike the other books written about Sherlock Holmes, much of The Hound of the Baskervilles is absent of the detective. Instead, the audience is left to work through the mystery of who murdered Mr. Baskerville with Sherlock Holmes’ assistant and friend, as well as the narrator of the novel, Dr. John Watson. There are multiple reasons Doyle may have decided to make Watson the narrator, and to remove Holmes from a large portion of the novel. First, as Holmes is such a dry and clinical person, by making Watson the narrator, Doyle is able to employ more descriptive and entertaining writing. Second,
Character Study of Mice and Men. After reading the novel I have understood that many characters had dream. I will be able to do that. The book Of Mice and Men was set in the depression of the 1930's in California where men travelled around looking for work.
If someone had informed Ingrid at the dawn of her career at Hogwarts that in six brief years she would be violating curfew to join Draco Malfoy on late excursions, she might have snorted in incredulity. The surname Malfoy was frequently shared in murmurs throughout the corridors of the cavernous castle, many of its denizens familiar with the notorious clan.
Malvolio is presented by Shakespeare as a serious puritan. The audience find his seriousness amusing when it is placed in contrast with the comedy provided by other characters such as Belch. Although Malvolio is only a servant, he is described to be pretentious and overly confident. Maria, who is another character of a similar status in society, uses other characters – Belch, Aguecheek and Fabian – to plot to ridicule Malvolio in front of everyone, especially Olivia. This ridicule is effective because the audience will laugh at a fool and Malvolio becomes a fool for Olivia’s love. Shakespeare tries to encourage the audience to laugh at Malvolio's puritanical ways as well as his wish to raise his status and he uses comedy features such as dramatic irony, physical comedy, word play and satire to aid Malvolio’s characterisation. However, Malvolio does ultimately invite our sympathy.
Feste is able to prevent any delusions of grandeur by a reminder that foolishness is a condition common to all mankind whether one is king or servant. It is Malvolio's vanity that convinces Feste to take part in the joke played on the steward. As "Sir Topas", and Malvolio's `prosecutor` Feste attempted to help Malvolio realize that there was "no darkness but ignorance".
...institutions. This theme is embodied into Coriolanus himself, he is like a hero from Rome’s past, in a time that has advanced past the political usefulness of such a warrior. Although Coriolanus is a high achiever, he is out of date and in a place that does not glorify warriors like himself as the once did.
... though Man, and whilst he may not be given the credit for such a devious. plan, his cunning is undoubtedly of great importance in securing the support of the rest of the conclave. His classical phrase "by force or subtlety" is especially apt, and the fact that he compels an almost. complete turnaround is testament to his skill in speech.