Treat Yo’ Self with Leslie Knope If television shows reflect the milieu of our society, then it seems as if we are in bad, bad times. Tuning in to Saturday Night Live’s parody of president-elect Donald Trump might be amusing, but it becomes less entertaining once we realize that the parody might just be an accurate representation of him. It is easy to become cynical of society when we have elected a politically-inexperienced businessman as president despite his misogynist, racist, and xenophobic attitude. This cynicism towards our society extends beyond the political sphere; it is reflected by many fictional characters in the media. Take, for example, Don Draper of Mad Men - the egotistical Creative Director of an advertising agency in New …show more content…
York, who subdues his insecurities with his many vices such as drinking, smoking, and womanizing - or Walter White of Breaking Bad - a family man who became entrenched in a perilous illegal drug market, forcing him to subdue compassion towards others. Such characters highlight the negative traits of people. Is there no appeal for sheer goodness? Is society simply too cynical? Leslie Knope of Parks and Recreation comes to the rescue. Leslie Knope, a character played by comedian Amy Poehler, is an extremely cheerful and dedicated bureaucrat in the fictional town of Pawnee, Indiana. She is characterized by her bubbly personality and high ambitions, serving as the Deputy Director of the Parks & Recreation Department in Pawnee, City Councilor of Pawnee, and later the Regional Director of the National Parks Service – Midwest. Leslie Knope is a heroic figure who strongly appeals to the audience because she has an optimistic attitude and extreme self-confidence; her actions reflect her genuine intention to help other people; and because she offers a positive picture of a dedicated public servant in an age when society’s distrust of government is rising. These qualities, as a result, combats the cynicism of the audience and offers hope and positivity instead. Leslie Knope is a heroic figure whose actions reflect her genuine intentions to help others, which appeals to the audience as it encourages them to support one another despite their general cynicism towards society. In “The Thematic Paradigm,” author Robert B. Ray outlines the characteristics of official heroes and outlaw heroes, from which Leslie Knope fits the former. Ray suggests that official heroes emanate maturity through their sound reasoning and judgment. Leslie Knope embodies this ideal. For example, in “Soda Tax” of Season 5, her sound reasoning and judgment is exemplified when, as a City Councilor, Leslie proposes a tax bill that would increase the price of sodas but would make the people of Pawnee healthier, as the town is known for being the “fourth most obese city in America.” Despite the criticism she received from the citizens of Pawnee, she decides to pass the bill into law as she knows it would benefit the people, though they might not realize it. This is a sound reasoning on her part and a reflection of her maturity as a character, as she did not cower to public opinion. Ray also suggests that “official heroes [are] … willing to undertake even those public duties demanding personal sacrifice” (Hacker 453). This is accurately represented when Leslie saved Eagleton, Pawnee’s rival town, from economic destruction by proposing that the two towns combine. The weight of this decision is significant because the series have explored Leslie’s deep animosity for Eagleton, as the town constantly berates Pawnee and its citizens. This is a perfect example of how Leslie personifies a heroic figure, sacrificing her own personal view for the good of the people she personally resents. These actions show that Leslie Knope has a genuine intention to help others. The cynical audience might expect that Leslie has a hidden agenda behind these actions, perhaps to score political points. However, there are no political points to gain; she stood behind these actions despite the backlash she would receive as she knows it would benefit the most people. These actions convey that the audience should help others as well, even if it demands personal sacrifice or draws criticisms of others. In a cynical world, it might be difficult to do so, but Leslie Knope embodies selflessness that is not often encouraged due to the audience’s cynicism of society. This positivity, in turn, appeals to the audience as it contrasts with their cynicism. By analyzing the actions of the character, we can see that Leslie Knope personifies a heroic figure in television today; furthermore, her personality strengthens her appeal to the general audience. Leslie Knope’s appeal to the audience is also, in part, due to her optimism and self-confidence, which encourages the audience to personify these qualities within themselves. Although Parks and Recreation is a political satire, Leslie Knope’s personality comes off as genuine and sincere. Her optimistic attitude is demonstrated throughout her various projects in the Parks Department. For instance, she willingly undertakes the restoration of the Harvest Festival in Season 3, despite the possibility that the Parks Department will shut down if the festival does not become a financial success. This act shows that Leslie is fueled by her optimism. She simply believes in herself and her team to complete a successful project in the future. Furthermore, her self-confidence is manifested in her campaign for a City Council seat in Pawnee. Leslie Knope is self-assured throughout the campaign – she believes completely that she is the right person to gain the seat, as demonstrated during the City Council debate in “The Debate” of Season 4 that shows her conviction in the policies she advocates and the values she holds. Although there would be situations when she would doubt the outcome of the election, she never doubted her ability to hold office. It is important to note that this self-confidence never deviated into egotism or narcissism, which is what many cynical viewers might expect. In an environment that fosters cynicism, it is easy to forget these virtuous values of optimism and self-confidence, but Leslie Knope encourages the viewers to embody these values. As demonstrated by her successes – the financial profit of the Harvest Festival and her win of the City Council seat – Leslie proves that the viewers can reap benefits from believing in themselves and adopting an optimistic attitude. Leslie Knope also gathers a particular appeal for the female audience, as her optimism and self-confidence reflect the values of feminism. Unlike many female characters in television today, Leslie Knope’s character focuses on the positive qualities of women. Sarah Seltzer of Flavorwire describes the general trend of feminist characterization on TV in her article “Knoptimism vs. Liz Lemonism.” Seltzer describes a particular feminism embodied by Liz Lemon, the protagonist in satirical television sitcom 30 Rock, where feminism is “a delightful pity party, one which accompanies nighttime cheese… and snarky comments about other women…. For fans, this aesthetic means taking comfort in relating to our most vulnerable…, the part of us that uses feminism to enable our bitterness.” This self-deprecating version of feminism embraces the flaw and bitterness of women to empower them. We can see this kind of feminism in other shows like Girls, where the show highlights the protagonist’s not-so-endearing qualities of narcissism and entitlement. This version of feminism highlights the negative qualities of women to let them know that it is acceptable to be bitter and egotistical at times; however, in the end, it contributes to the general cynicism of the audience. In contrast, Leslie Knope’s feminism embodies the positive qualities of people in her self-confidence and optimism that contributed to her successes as a politician. As referenced by Stevie St. John in her article “Out of Character,” comic book artist Phil Jimenez states that the feminist superhero Wonder Woman’s “strength [was that] when she walked into a room, you just wanted to be around her. And when she left, you wanted to be a different person. You wanted to be a better person” (Hacker 461). This is the same heroic quality that Leslie personifies – by embodying optimism and self-confidence, both of which are positive qualities of feminism, Leslie encourages females to personify the innate goodness within themselves. It is with these positive qualities that Leslie Knope also appeals to the audience of 2016, especially in the political atmosphere of the current year. Leslie Knope also offers an ideal picture of a politician in an environment when the public generally distrust the people running the government, which is especially important in the political scene of the present.
Donald J. Trump’s win in the 2016 election is generally seen as problematic due to his divisive rhetoric of racism, sexism, and xenophobia. Furthermore, Donald Trump has had no political experience. Leslie Knope, though fictional, offers hope for those who gave up in our political system. Leslie Knope represents an ideal politician – someone who is always fighting for what is right and is leading by example. For instance, due to the polluted state of the Pawnee River, Leslie proclaims that she would be personally cleaning the river every Saturday morning, a promise which she kept. She also simply cares about the people of Pawnee, often holding public forums to hear their opinions, no matter how absurd the opinions may be. These are ideal qualities of Leslie, as it shows her dedication to her job and the people she serves. As Robert B. Ray also suggest in his article, official heroes always stick to the rules and conventions. Leslie has always done so, due to her belief in the law and political system, but she did break a rule by Chris Traeger, the City Manager, that prohibits relationship between coworkers as it can encourage corruption. However, Leslie’s relationship with Ben, the Financial Manager of Pawnee, did not hinder her from doing her job effectively. Although she did bribe a construction worker from revealing with other people the nature of her relationship with Ben in “Li’l Sebastian” of Season 3, this was merely a light offence that audience can forgive due to moral lightness of this action, since the audience knows that Leslie has been doing her job correctly and do not give in to corruption. In simpler terms, her bribery is not that bad in the audience’s view. Furthermore, it is arguable that Leslie breaking the rule is not a flaw of
character; rather, it highlights the strength of our hero, which is her innate love of people. This is what made her appeal in the first place. Leslie’s relationship with her coworkers and friends highlights the qualities that the public do not get from real-life politicians. Through Leslie’s interactions with other characters, it shows that she is just a normal person like us, which politicians today fail to convey through their prepared speeches and high image. The viewers, by seeing Leslie’s life, can feel more connection, and therefore can see the true, genuine intentions of her actions. In an age when people generally do not find connections with politicians or distrust the government, Leslie offers hope in personifying an ideal politician, as viewers have seen that she is trustworthy and capable of effecting change. Leslie Knope of Parks and Recreation is a unique, heroic character that exhumes optimism to cynical viewers, which contributes to her appeal. Her upbeat and optimistic attitude, combined with her self-confidence, makes her a heroic figure that uplifts the moods of the viewers. Furthermore, her ability to effectively create real change as a politician and affect the people around her offers the audience hope that someone like Leslie exists in the real-life government. Leslie Knope of Parks and Recreation proves that we can create characters that embody the positive qualities of people, which are often negated in the media today. If the audience ever needs a little pick-me-up to combat their cynicism, then Leslie Knope is the ideal character to call. Leslie will certainly bring with her waffles and encouraging words to sprinkle sunshine and positivity in the world.
In the article “TV’s Callous Neglect of Working- Class America” written by Noel Murray explains the modern day TV shows un-relatable plots to Americans today. Murray describes how shows in the ‘50s through the ‘90s were relatable to Americans and how they lived their lives. The TV shows then were able to get such great reviews because the jobs the actors had in the shows were average money making jobs. The characters are meticulously when it came to how they used the money they earned. However, as the years have passed, the shows that are on today are not as relatable to Americans. The shows express the fantasy, perfect life that everyone strives to have, but in reality, it is not possible for every family. The programs on today do not convey the difficulties that average Americans face each day, causing the shows to become more and more relatable to average TV viewers.
As a group, we believe that popular culture does in fact perpetuates stereotypes. Television is a main source of information of popular culture. Television has forever changed how humans have interacted with another and introduce a world of diversity and knowledge. But with this profit, television has also harbored negative aspects. As a group, we studied how racial stereotypes are portrayed in television. In the history of television, different racial and ethnic groups have been widely underrepresented and television itself has been overwhelming represented by white figures. And when racial groups are presented on TV, the characters are often played in limited roles based on stereotypes. A stereotype isn’t necessarily untrue, but it is an assumption based on an incomplete and complex ideas that are oversimplified into something that isn’t what it meant to be, and it’s usually negative. For example, African Americans are often depicted as violent or involved in some kind of criminal activity. Their characters often portrays a person who is always sassy and angry or that isn’t intelligent and won’t succeed in life and inferior to whites in some manner. Asian characters are
Younger generations and the more vulnerable in society can be influenced in avoiding peer pressure, but for the individuals filled with wisdom, the shows can reflect based on American modern society. Everybody Loves Raymond and Full House are great shows who faces similar life obstacles a typical person living in the US has today. As a result, most modern family comedy sit-coms are reflecting our society’s generations and the more vulnerable. Based on the success of early family sit coms, American’s adapted to a fast pace lifestyle with the help of modern
“Fake” news programs, such as The Daily Show, Zinser reasonably argues, have the potential to dilute mass media and deceive viewers. The Daily Show has been straightforward about its lack of legitimacy as a hard hitting news program, but “the show’s content and guest list suggest otherwise” (Zinser 367). Zinser indicates that The Daily Show should hold itself to higher standards because “people might well think they’re being fully or sufficiently informed while watching” (367). In other words, Zinser believes that if viewers tune in with the expectation of becoming informed and The Daily Show’s content consists of significant topics, the creators ...
“When you are down in life, your friends get to know who you are. When you're up in life you get to know who your friends are.” -Anonymous. From the novel “Freak the Mighty”, the narrator informs us that Max and Kevin demonstrate a strong friendship. All in all, they were there for each other in the good times and the bad. So in conclusion, good friendship includes teamwork, trust, and having adventures.
Do you know the guiltiest pleasure of the American public? Two simple words reveal all—reality TV. This new segment of the TV industry began with pioneering shows like MTV’s The Real World and CBS’s Survivor. Switch on primetime television nowadays, and you will become bombarded by and addicted to numerous shows all based on “real” life. There are the heartwarming tales of childbirth on TLC, melodramas of second-rate celebrities on Celebrity Mole, and a look into a completely dysfunctional family on The Osbornes. Yet, out of all these entertaining reality shows arises the newest low for popular culture, a program based on the idea of a rich man or woman in search of the perfect marriage partner. The Bachelor, and its spin-off The Bachelorette, exemplify capitalist ideology founded on the Marxist base-superstructure model and establish the role of an active American audience.
According to A Novel Approach to Politics “Questions about the very nature of reality seem to be common in fiction of all sorts.” Especially, The Boondocks, a fictional cartoon, uses satire to describe real events that happen in society. The episode I tuned into was “The Trial of R. Kelly”, which explained how R. Kelly won his trial and the views of the people about his case. In the episode, the people outside the court house showed different cognitive frameworks of how they view R. Kelly situation. In other words, the media made sense of the reality of R. Kelly situation in different ways because of the media wanted to select certain information. In this paper, I will explain how the media exemplified mediated reality and agreement reality in the “The Trial of R. Kelly” episode of The Boondocks.
The American Dream is something that anyone no matter their background, social standings, or ethnicity can improve their life through hard work.
Since television came into existence, it has evolved into a useful tool to spread ideas, both social and political, and has had a great effect on the generations growing up with these heavily influential shows. To these younger generations, television has taken the role of a teacher, with the task of creating a social construction by which many of us base our personal beliefs and judgments on. This power allows television shows take the opportunity to address problems in a manner that many audiences can take to heart. Many television shows present controversial topics in a comical matter, in some ways to soften the blow of hard-hitting reality at the same time bringing attention to the issue being addressed. In the television show, Everybody Hates Chris, season one, episode four entitled “Everybody Hates Sausage”, the stereotypes that continue to fuel racism are examined in a satirical motif, and class is presented in a comical way, but carries serious undertones which present a somewhat realistic view of the different social strata within the United States.
In American culture today, women continue the struggle of identifying what their roles in society are supposed to be. Our culture has been sending mixed messages to the modern day female, creating a sense of uneasiness to an already confusing and stressful world. Although women today are encouraged more than ever to be independent, educated, and successful, they are often times shamed for having done just that. Career driven females are frequently at risk of being labeled as bossy, unfeminine, or selfish for competing in many career paths that were once dominated by men. A popular medium in our culture such as television continues to have significant influences as to how people should aspire to live their lives. Viewers develop connections with relatable characters and to relationship dynamics displayed within their favorite shows. Fictional characters and relationships can ultimately influence a viewer’s fashion sense, social and political opinion, and attitude towards gender norms. Since the days of Bewitched and I Dream of Jeanie, where women were commonly portrayed as being the endearing mischievous housewife, television shows have evolved in order to reflect real life women who were becoming increasingly more independent, educated, and career oriented throughout the subsequent decades. New genres of television are introduced, such as the workplace comedy, where women are not only career oriented, but eventually transition into positions of power.
I received a free copy of The Girl from Everywhere by … from Hot Key Books in exchange for an honest review, this has in no way influenced my thoughts and feelings about the book.
One of the most interesting features about today’s media is that it connects many individuals in perplexingly short amounts of time. Through constant streaming, society has become extremely vulnerable by allowing themselves to be engrossed by the presented reality. The outcome is unsuspecting citizens that are mentally deformed by the adverse lies told to them. Gary Shteyngart exploits this reality through his successful novel, Super Sad True Love Story (2010) in which he creates a fictional world focusing on consumerism and commercialism. This fictive work creates an environment of secrecy in which the government actively displays more cover-ups and less controversial activity. Similarly, but to a much larger extent, Peter Weir’s film The Truman Show (1998) presents a city consisting of theatrical illusions surrounded by
Bordo’s thesis can be shown in many common examples of modern media and advertising. For example in the animated television show The Simpsons, creator and writer Matt Groening uses satire as a means of addressing these stereotypes of gender and race through exaggeration of certain distinguishable traits and personalities of characters. Yet simultaneously, the stereotypes that are reinforced by some members of the show are then unexpectedly broken by others to show the viewer how much the media can alter one’s own opinion.
From the beginning days of the printing press to the always evolving internet of present day, the media has greatly evolved and changed over the years. No one can possibly overstate the influential power of the new media of television on the rest of the industry. Television continues to influence the media, which recently an era of comedic television shows that specialize in providing “fake news” has captivated. The groundbreaking The Daily Show with Jon Stewart and its spin-off The Colbert Report have successfully attracted the youth demographic and have become the new era’s leading political news source. By parodying news companies and satirizing the government, “fake news” has affected the media, the government, and its audience in such a way that Bill Moyers has claimed “you simply can’t understand American politics in the new millennium without The Daily Show,” that started it all (PBS).
...bout the “real” real world.” Psychology of Popular Media Culture, Vol 2(4). Oct 2013. 237-250. PsychARTICLES. 29 Nov 2013