Changes In Roald Dahl's 'Lamb To The Slaughter'

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There are many changes that can be displayed in one’s personal condition in the matter of just an hour. One can leave a location completely joyous and warm yet five minutes later they can be completely distraught. Maybe they got in a car accident. Maybe they found that they failed at a part of their job. It varies. The one thing that is certain though, is that these changes in character do occur. They occur not only in the real world, but also the world of fiction. This is evident in the persons Mr. and Mrs. Patrick and Mary Malone with their ever shifting feelings in the fictional story “Lamb to the Slaughter” by Roald Dahl. Mary Maloney, at least at the start of “Lamb to the Slaughter”, was a delighted and carefree woman. She was but the …show more content…

She was so used to her everyday life, that this change scared her. Her being scared in partly justified for it turns out that Patrick is leaving her which quickly escalates her emotional state to the extreme of “puzzled horror” (Dahl 2). This eventually leads to her denial of the entire conversation when she enter a state of essentially no emotion. A detachment from her surroundings. Mary Maloney entered this state for she did not want him to leave her. When it was entered, “she did everything without thinking” feeling only coldness (Dahl 2). While in this phase, she kills her husband Patrick which ultimately leads to the realization of the possible repercussions. This realization guides her into composing and preparing herself to escape punishment for her crime. She turns to feeling oddly calm as she plans her alibi by going to the grocer and cooks the leg of lamb (that she hit her husband with to kill him). She acts like everything is normal at the grocer and acts distraught and unknowing to her husband's demise in when the cops arrive. Her act continues for the rest of the story as Mary proceeds with her …show more content…

While it does say that “he didn’t complain” about things like being tired, the narrator makes clear that he was acting unusual on this night (Dahl 1). He responds to thing with short responses like “sit down” when Mary wishes to get him another drink or “I don’t want it” when responding to her plea for him to eat something (Dahl 1). While this may not seem like anything unusual it is when it is compared to Mary’s long queries or statements. With this, he also does some movement typically accompanied by worry like when he bangs the ice onto the side of his drinking glass or when he makes a particularly strong two drinks. This dialogue, or lack of, along with the peculiar gestures, depicts what could be dread. These are signs that many show when they experience worry. Many do not talk much when worried. Many do some movement to soothe them when concerned like twiddling their thumbs or, like Patrick does, moving a drink in hand. These all show his concern, his concern to proclaim to her the wish of his separation from her. Even if one does not care about the person to whom one separates, it would be a stressful event nonetheless. Further in the text, one can further see his worry still when he only takes four or five minutes for him to tell her his news. It is his worry of this event that in all likelihood caused him to hasten at such an important conversation. Despite his worry and dread, he is particularly cold to

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