Lamb to the Slaughter Character Analysis
In Roald Dahl’s short story, Lamb to the Slaughter, a man (Patrick) returns home to his loving, pregnant wife (Mary) and announces he is leaving her, a revelation which turns the once docile and content woman into a cold-blooded murderer. Dahl reveals this unexpected transformation of Mary Maloney, the spurned wife, through her actions and thoughts.
As the story opens, Dahl introduces the characters of Mary and Patrick as a seemingly normal loving couple. Mary, a housewife, waits eagerly as the hour approaches for Patrick to come home from work. She is described as “placid” and “tranquil” as she caters to his every whim, preparing his drink and hanging up his coat (317). Mary thinks quietly about this “blissful time of day,” where she is “content to sit quietly enjoying his company after the long hours in the house” (318). Dahl writes of Mary’s love and almost complete adulation of her husband, “She loved to luxuriate in the presence of this man, and to feel-almost as a sunbather feels the sun-that warm male glow that came out of him to her when they were
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No longer in shock, she contemplates the consequences of her actions and decides that “she certainly wasn’t able to take that chance” (320). Dahl writes that with careful rehearsal, Mary’s at first “peculiar” smile and voice began to appear normal (320). Mary’s actions at this point are portrayed as quick and calculated as mirrored by Dahl’s use of long, complex sentences in this portion of the text. Her alibi is set. Her words practiced and rehearsed. She is an actress waiting for her finale, a sobbing exchange with the police who come to investigate the death. Mary’s performance pays off in the end, after begging the officers to accept her “decent hospitality,” she tricks them into eating the very murder weapon they are searching
Often people are not what they seem. According to Roald Dahl, in “Lamb to the Slaughter,” “But there needn’t really be any fuss. I hope not anyway. It wouldn’t be very good for my job.” When in public Patrick Maloney was the doting husband, but when the doors hid outside eyes Patrick revealed his true feelings. He wanted a divorce. He wanted to ruin his wife and soon-to-be child, but without anyone knowing. Thought the passage, the tone is revealed as condescending. The way Mr. Maloney talks to his wife is as though she is a small and unknowing child.
In Lamb to the Slaughter, Mary Maloney, doting housewife pregnant with her first child, commits a heinous crime against her husband. After he tells her that he is leaving, she become distraught and strikes him in the head with a leg of lamb. Afterwards, Mary...
Through a feminist lens, it is evident that Mary is a product of the attitudes of her society in the mid-twentieth century, where patriarchal views are still in power. As a pregnant woman, Dahl portrays Mary as feeling that she needs her husband to take care of her and their child for both social and financial stability. This emphasizes the unequal gender roles of that time, where women are subordinate to men. Additionally, through a psychoanalytic lens, one can agree that Mary’s rejection of her husband’s news shows her Id response. Although Mary’s consciousness recognizes the situation, her unconscious mind is trying to repress the pain.
“Lamb to the Slaughter” by Roald Dahl captivates readers as they follow the story of how a loving wife turns into a merciless killer. This passage is told from the point
Having to take your anger out on someone isn’t fair or good, especially if you’re being killed with frozen lamb. Based on everyone’s understanding, when you kill someone you’ll have to pay the price and consequences. Apparently this lady didn’t. But are we sure she’s going to marry another man and kill him too? In “Lamb to the slaughter”, I’m going to be talking about Mary Maloney and how madly crazy she is.
Patrick immediately made his way to the window with his back toward the sound of stairs the as he hears Mary coming up. I can’t let her see me like this he thought she’ll realize something is wrong. As Patrick hear Mary stop behind him, he fakes his voice as best as he can and choke back the tears so it wouldn’t sound like he’s been crying.
During the course of the novel Mary becomes more vigorous and courageous. She is the one who takes the initiative to save her mother when Caleb loses hope. As the novel progresses she becomes more and more courageous. To sneak around and attack who used to be your best friends and defile the law takes a lot of courage. One of the greatest examples is that she will do anything to save her mother. This is shown when Mary and Caleb kill a lamb to scare Constable Dewart, “A hooded figure jumped out from behind the boulder, but instead of a human face, the head of a sheep stared at constable Dewart” (257).
All of Roald Dahl’s stories seem to be brimfull of irony and wry humor, and “Lamb to the Slaughter” is no different. Mary Maloney, a pregnant, but cheerful woman is very much in love with her husband and we certainly don’t expect her to be of any trouble. It’s shocking enough to learn that her husband, who seems such a nice guy, is cheating on her and plans to move out. This changes the expectation of the story right off the bat, and we feel a compassion for the poor woman. We’re not sure how she’s going to cope with this news, especially since she’s six months pregnant with his child. So when she acts rather compulsively and strikes him over the head with the leg of lamb that was going to be his supper, we really are shocked. She’s acted
Would you kill the husband you love, to save your unborn child? Would you deceive yourself and those around you; to save your unborn child? In Roald Dahl’s short story, “Lamb to the Slaughter”, the protagonist, Mary Maloney is a very dynamic character. She has a dual nature since she is very cunning yet very caring, making her the perfect murderer along with the perfect mother. Firstly, she is very deceitful and has the ability to easily cover up her lies. Not only that, Mary is a very clever character who always makes the most intelligent choices. Lastly, the woman is very dutiful, caring and is very aware of her responsibilities as both a wife and a mother. Therefore all of these characteristics make Mary Maloney a very dynamic character
...e oven?” (Dahl 4) Mary was very manipulative and sinister because she knew exactly what she was doing; she wanted the officers to eat up all of the lamb so that there would be no evidence of the murder weapon that she used to kill. As the officers were eating up all of the lamb, Mary was very happy and giggling while she was listening to the officers eat up the lamb, she was never grieving about the loss of Patrick and just wanted to kill him and cover up the evidence so she will not be caught.
Comparing the Way in Which Helen Stoner and Mary Maloney are Treated in The Speckled Band and Lamb to Slaughter
Lamb to the Slaughter, by Roald Dahl, instantly grabs a reader’s attention with its grotesque title, ensuing someone’s downfall or failure. The saying “lamb to the slaughter,” usually refers to an innocent person who is ignorantly led to his or her failure. This particular short story describes a betrayal in which how a woman brutally kills her husband after he tells her that he wants a divorce. She then persuades the policemen who rush to the scene to consume the evidence. This action and Patrick’s actions show the theme of betrayal throughout the story which Roald Dahl portrays through the use of point of view, symbolism and black humor.
In ’Lamb to the Slaughter’ the main point to the story is to find out
Mary decided to head to the grocery to store, to make it seem as though she was not home when Patrick met his sudden death. She acted normal at the grocery store, she did not want to act suspicious. Obviously she needed to act surprised when she saw her husband lying dead on the floor. Mary dropped her purse as well as her groceries, she even destroyed her items around him, to make it seem as though there was an intruder. Finally,
Mary Leakey died on December 9, 1996. She loved to smoke Dutch cigars, as if everyday were some kind of celebration; strong tobacco was one of her vices. Hers was a life of constant commencement. She never attended colleges, though she did receive numerous honorary degrees in Britain and America: "I have worked for them by digging in the sun," she said.