Chang-Rae Lee's Native Speaker: Spy Fiction

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Chang-Rae Lee’s Native Speaker is not a conventional Spy Fiction novel. Popular spy stories often follow a James-Bond-esque style of storytelling, often including powerful explosions, cunning protagonists, and innovative technology reminiscent of the sci-fi genre. Native Speaker, however, is not so flashy. The novel focuses on the ethics of being a spy in a more realistic setting than other spy novels, thus giving readers the ability to explore the definition of a spy with deeper comprehension. This cerebral approach to Spy Fiction earned Native Speaker critical acclaim soon after it was published, and with good reason. Native Speaker revolutionized the Spy Fiction genre by directing the novel’s narrative inward – in doing so, the novel pushed itself away from traditional Spy Fiction and redefined the boundaries of the contemporary genre. The most obvious way in which Native Speaker redefines Spy Fiction is through the novel’s protagonist and narrator, Henry Park. Henry is perfect for the Spy Fiction genre in a way that other traditional Spy Fiction protagonists are not: he is a spy by definition, …show more content…

The first subplot involves Glimmer and Company: the ‘spy’ side of the novel. This is the aspect of the novel which most closely relates Native Speaker to the Spy Fiction genre because it incorporates espionage directly into the plot. Espionage defines Glimmer and Company. This is interesting because at the beginning of the novel, Glimmer and Company is a central piece of Henry’s life. He describes meeting his wife while on an assignment (Lee 8), falling into a morally complex trap with Luzan (Lee 42), and then beginning his assignment with John Kwang (Lee 82). This is interesting because at the beginning of the novel, Henry also fits the ‘spy’ narrative quite closely as a character. This suggests that there is a correlation between Henry’s characterization and the direction of the

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