Chanel Research Paper

1697 Words4 Pages

Photography since 1960’s
03/05/17
Final Essay 
Jessica blanc 

Aishwary Bundela 


 “Fashion Designers as Photographers” 

The world of Fashion, filled with many visionaries and pioneers who changed the way the industry is today in many different ways. Some changed the design procedure to limit that we conceive fashion today, some took many fields of fashion in their own hands. Fashion designers have the knack of taking that extra step to make their brand/collections a little special. They usually turn to altering the image of their brands by many certain ways, but only a few did that in today’s time is more reoccurring due to their efforts - Photography as a Fashion designer.

The key designers who took a turn …show more content…

He has beforehand designed for Chloe too. Having being cited for his garments over the century only in his recent years were his photographic wonders too recognised. His works were displayed at the Pitti Palace in Italy at the exhibiton named “Karl Lagerfeld: Visions of Fashion” and Paris Photo 2017.

He started as a photographer later in his career around the late 1980’s at the point when Eric Pfrunder, Director of Image at Chanel, earnestly required press pictures, Lagerfeld's association with the camera immediately thrived. He says: 'Today photography is a piece of my life. It finishes the hover between my aesthetic and expert anxiety’ in the book “World according to Karl”



He inferred his talents in photography with his eclectic liking of black and white and illustration to black and white photography and hand painted photos in the early stages of his photographic career.


“ You are not the best photographer or a lousy and poor creature only because you do press kits. One of the reasons I started off was press kits-no famous photographer wanted to do them. One season we had three different photographers do the press kits. All three times the work went to the garbage can, and I said, ‘That’s enough.’ That’s how I got …show more content…

He would then search for an abnormal perspective, a kind of concealed measurement that particular place had and add to the condition a human component that could make the building emerge. The creator used to go and spend his occasions on a journey to locate the ideal place where to take his pictures.

Mugler, As his energy built up, the picked spots turned out to be practically dramatic stages on which his models acted, areas that could offer him the ideal foundation to recount his stories. The outcomes were regularly refined postcards in which Suzanne Moncur, Anne Bayle, Pat Cleveland, Sayoko and Iman looked like richly a la mode and frequently statuesque components of an astonishing world in which everything was fabulously serious and radiantly fantastic.

Mugler's likewise refined his picture strategies, highlighting the most exceptional elements of his subjects through light impacts. Experts, for example, Jean-Philippe Decros and Peter Knapp offered him their recommendation and a couple of valuable proposals were recognized by

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