In the poem Howl, Allen Ginsberg challenges the modernity of American culture, which enforces the “best minds” (1) to give up their freedom to conform to the desired sense of normality. Ginsberg states “I saw the best minds of my generation destroyed by madness, starving hysterical naked/ dragging themselves through the negro streets at dawn looking for an angry fix” (9). His expression of Moloch The angry fix is what all of these “best minds” look for after being stripped of their freedom to conform to the new American culture after World War II.
The form of Ginsberg’s poem challenges the American culture by resistance from “best minds”. Howl is separated to three sections that include long lines, which look like paragraphs. Resisting traditional poems, Ginsberg arranges long sentences as an alternative to breaking them into separate parts. This free verse poem reveals the unorthodox meter Ginsberg puts in place through the three parts. In the first section he repeats the word “who” before every line to address the “best minds” and how their freedom is annihilated.
Equivalently in the second, he uses the word Moloch. Moloch can be interpreted as the American culture destroying the “best minds” (Ginsberg). Ginsberg states: “Moloch the incomprehensible prison! Moloch the/ crossbone soulless jail house and congress of sorrows” (21). He explicitly speaks about politics determining civilization to destroy the “best minds”. The reference to a congress of sorrows relates to America’s politics being the down fall to the best people. Lastly, Ginsberg repeats “I’m with you in Rockland” in the final part. This addressed not just Ginsberg himself is with “you”, the reader, but also all the people who were destroyed by the desired normalc...
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...s” resist through achieving the desire of being normal that the American culture instills. The drained brilliance of the “best minds” from the drugs they use to resist just further encouraged the resistance. They are destroyed by this American culture causing them resist through drugs to lose all brilliance they had before ideals and priorities changed.
In a society, which glorifies the normality of living by restricting people from acting on their insights. Once the “best minds” of the generation have their freedom stripped from them in order to conform to the views in modernity they resist through harsh substances for intoxication. When they realize the power of institutions of government such as prisons and congress it leads them to find an angry fix.
Works Cited
Ginsberg, Allen. Howl, and other poems. San Francisco: City Lights Pocket Bookshop, 1956. Print.
The "Poet of the New Violence" On the Poetry of Allen Ginsberg. Ed. Lewis Hyde. Ann Arbor: University of Michigan Press, 1984. 29-31.
Throughout the words and the lives of the Beat Generation, one theme is apparent: America, everywhere from Allen Ginsberg’s “America,” to Jack Kerouac’s love for Thomas Wolfe. Although the views of America differ, they all find some reason to focus in on this land. Ginsberg, in his poem “America,” makes a point that not many of us can see as obvious: “It occurs to me that I am America. I am talking to myself again.” Each and every one of us make up America, and when we complain about something that is wrong, we are complaining about ourselves. Being raised by his mother as a Communist, and being homosexual, Ginsberg found many things wrong with America, and he does his fare share of complaining, but at the end he decides, “America I’m putting my queer shoulder to the wheel.” Ginsberg didn’t want to sit and watch everything go wrong. He was going to do something, despite the fact that he was not the ideal American.
Throughout their fun and crazy adventure, they realize more what the world has to offer, opening their realistic minds. At this part of the poem, he begins to sound frustrated, confused, questioning the status quo. By line 65 and beyond, he begins talking about the time he spent in a psychiatric ward. Ginsberg wants people to know that someone like him, whose mind wandered over life’s truths, ends up at a madhouse. Why? Because he practiced Dadaism, a artistic art movement that opposed social, political, and cultural values, when he threw potato salad at a professor in CCNY. At this psychiatric ward, he was introduced to many therapies such as ping pong, shock therapy, and hydrotherapy. Also, his close friend, Carl Solomon, and Ginsberg’s mother was in a psychiatric ward, blamed for their insanity. For this, Ginsberg grew angry at
“I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix, Angel-headed hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night.” The opening lines of Howl, by Allan Ginsberg, melodiously encapsulates the beat generation. The beats alluded to by the verbatim ,“The best minds”, are a group of idiosyncratic poets whom through the instrument of prose(driven by spontaneity and a primal lifestyle) , orchestrated a rebellion against the conservative beliefs and literary ideals of the 1950s. Howl, utilizing picturesque imagery, expounds holistically upon the instigator of the movement in culmination with personal experiences of beat members. Accordingly “Howl” evokes feelings of raw emotional intensity that reflects the mindset in which the poem was produced. The piece is structured into three stanzas, sacrificing temporal order for emphasis on emotional progression. The first sequence rambles of rampant drug forages and lewd sexual encounters, eliciting intonations of impetuous madness, one ostensibly hinging upon on a interminable need for satiation of hedonistic desires. Concordantly the following stanza elucidates upon the cause of the aforementioned impulsive madness (i.e corruption of the materialistic society motivated by capitalism), conveying an air of hostility coalesced with quizzical exasperation. Yet, the prose concludes by turning away from the previous negative sentiments. Furthermore, Ginsberg embraces the once condemned madness in a voice of jubilation, rhapsodizing about a clinically insane friend while ascertaining the beats are with him concerning this state of der...
Ginsberg, Benjamin, Theodore J Lowi and Margaret Weir. We the people. New York: W.W. Norton, 2005. Print.
American poetry, unlike other nations’ poetry, is still in the nascent stage because of the absence of a history in comparison to other nations’ poetry humming with matured voices. Nevertheless, in the past century, American poetry has received the recognition it deserves from the creative poetic compositions of Walt Whitman, who has been called “the father of American poetry.” His dynamic style and uncommon content is well exhibited in his famous poem “Song of Myself,” giving a direction to the American writers of posterity. In addition, his distinct use of the line and breath has had a huge impression on the compositions of a number of poets, especially on the works of the present-day poet Allen Ginsberg, whose debatable poem “Howl” reverberates with the traits of Whitman’s poetry. Nevertheless, while the form and content of “Howl” may have been impressed by “Song of Myself,” Ginsberg’s poem expresses a change from Whitman’s use of the line, his first-person recital, and his vision of America. As Whitman’s seamless lines are open-ended, speaking the voice of a universal speaker presenting a positive outlook of America, Ginsberg’s poem, on the contrary, uses long lines that end inward to present the uneasiness and madness that feature the vision of America that Ginsberg exhibits through the voice of a prophetic speaker.
This essay will try at first to analyse the mechanisms of the explicit language and how Ginsberg used it to attain his own sexual liberation. Secondly will try to underline that the usage of the explicit language was the key element of the whole poem, being actually the guarantee to his undeniable success. Finally, using some recent interpretations, this essay will try to depict how the new obtained sexual freedom, Ginsberg’s affirmed homosexuality, led the public perception to a paradoxical being of a marginalized conformist and a sort of popular hero, at least for the fans.
The reason with the old ways do not work, Alexander say, is because “self-destructive drug users are responding in a tragic, but understandable way” (226). It is not their drug- problem that caused the dislocation, but the dislocation that cause the drug problem. He uses the term dislocation to describe the lack of integration with “family, community, society and spiritual values” (226). Alexander goes on to explain that history proves that inability to achieve health opportunities can take on the form of violence, and damaging drug use. Therefore, the “drug problem” (226) is not the problem. The problem is more the “pattern of response to prolong dislocation” (226). Alexander supports this by explaining the reason for the dislocation as being globalized by a society that is market driven which can only be established by the displacement of tradition, economy, and relationships. This has been seen in history before in England during the 19TH century, when “a brutal, export-oriented manufacturing system” was accompanied by work...
Resistance is rife throughout which is appealing to the reader, implying that even under the severity of such reality, the human spirit will fight for equality or at least fairness.
Allen Ginsberg's poem "Howl" is a complex and intriguing poem about the divine in the common world. The minor themes of drugs and sexuality work together to illuminate the major theme of spirituality. The poem reveals through a multitude of sharp images and phrases that everything from drug use to homosexuality to mental illness is holy, even in a world of atom bombs and materialistic America, which Ginsberg considers not to be holy and he refers to as Moloch. As it is stated in Ginsberg's "Footnote To Howl," "The world is holy! The soul is holy! The skin is holy! The nose is/ holy! The tongue and cock and hand and *censored* holy! / Everything is Holy! Everybody's holy! Everywhere is holy!" (3-5).
"Out of the rack and ruin of our gangster death,The rape and rot of graft, and stealth, and lies,We, the people, must redeemThe land, the mines, the plants, the rivers.The mountains and the endless plain—All, all the stretch of these great green states—And make America again!” The free America is actually not free, the words on the constitution are just words. The dream has fade away. All these hard working people, all of their bloods and tears had really make the 1 percent of the American’s American dream came true. The reality is such a chaos for the narrator. he has suffered so much from this reality, so he now wants to share his idea to all the readers and try to wake them up, this is not the America that want, this is not the society they want. The American dream does not exist.
...g with many individuals, are alienated and in turn, wish for extreme change and even another life. Ginsberg conveys a vital message that carries through to the year 2010 even more. Materialism does not make a person, it is insignificant. What is imperative is the natural world; beauty, individuality, and real human interactions as these are concepts that make an individual.
Raskin Jonah, American Scream: Allen Ginsberg’s Howl and the Making of the Beat Generation Berkeley, CA: University of California Press, 2004.
Ginsberg says that Moloch is a “sphinx of cement and aluminum”, a “heavy judger of men”, and “whose soul is electricity and banks” (line 79-85). All these can point towards higher powers such as the Government. Such things like government buildings, the law makers, and the banks that control all the money in our cities and states. This means that our government can be the Moloch in our lives just like how they were to Ginsberg. Ginsberg says that it is “Moloch who frightened me out of my natural ecstasy” and that it is Moloch in which he “wakes up in”. The word play used confirms that he is suffering by the hands of “Moloch”, the ridged and unchangeable false god that we sacrifice our very lives
A Howl Observed through the Eyes of Angels: A Literary Analysis of Allen Ginsberg’s Howl of Religion Darkness loomed over the poet as he strolled past a cathedral down the streets of New York. The tall shadows of buildings hid the open sky of wondrous views. Horns blared, smoke from factories polluted his every breath, and wiry images danced along the sidewalk. The shadow of a crucifix appeared at the poet’s feet.