Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Literature of the victorian age essay
The role of women in the Victorian era
Literature of the victorian age essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Literature of the victorian age essay
Victorian Angst The Victorian Era lasted most of the 19th century with Queen Victoria’s reign over Great Britain. During this period there was an ideology of “the modest and dutiful woman” and the “courteous man” that was sought after. Any kind of indecent or unseemly behavior was looked down upon as the people of the Victorian era were a proper people who did not act like savages. Now this perspective of crude content created a lot of censorship. Today, we are less modest with the invention of the internet, but the high society thing to do was to be prudent. Writers of that time had to be a little creative to slip salacious content into their works secretly to keep their works from being rejected from society and censorship. Bram Stoker, …show more content…
Bram Stoker uses to Mina to create a very innocent character that is violated to invoke emotion in the reader. To further this emotion, she begins to regret something that was out of her mortal control. “Unclean!”(Stoker 313). The very idea that she has been violated disgusts her down to her very bone. The men of the story seem to want to save Mina more than they ever did Lucy. This could be due to the fact that she is very innocent and they do not want Dracula to go there or because they wanted to avenge Lucy and save Mina. All of this caused because of violation. Sigrid Anderson Cordell, author of the article Sex, Terror, and Bram Stoker’s Dracula: Coppola’s Reinvention of Film History, analyzes a film that is based on Dracula. “Likewise, he associates Dracula’s desire for Mina with the use of film to put female sexuality on public display” (Cordell 2). This supports Stoker’s symbolism for sexuality as public display further violation in a large way. Stoker uses Mina to appall the reader when he violates Mina. Joan Acocella perfectly describes this in her article, “In the Blood”. “A terrible resemblance to a child forcing a kitten’s nose into a saucer of milk to compel it to drink” (Acocella 1). There is not much of a difference between the reactions to Dracula forcing Mina to suck Jonathan’s blood and if he had instead violated her sexually..The fact that these two actions are interchangeable, clearly supports the point that the whole time the world thought Dracula was about vampires(which it still partly is), it was really talking about
...sitive depiction of their sexual relationship. For Mina, however, renunciation of Dracula's evil must include the renunciation of her own physical needs and desires. The roles played by social mores and conceptions of gender and sexuality are, in the end, more than incidental. Indeed, the difference between Victorian England and 1990s America causes the subtle -- but significant -- valuation of the connections between good and evil and women and sexuality in two in many ways similar texts.
own will, which embodies the fear of Stoker. The corruption of science can be view in many parts in the novel, such as the scene when Dracula forces Mina to drink his blood as an act of rape, “Her face was ghastly, with a pallor… eyes were mad of terror.”(Stoker 301). Nevertheless, one can view it as an act of technological creation and is a characteristic of a scientist. In this act Mina Harker is turned into a medium of connection for his sound and enables him to extend his manipulation. Stoker represents the corruption of science through human experimentation since it is seen as a taboo. One can say she was converted into a telephone, which is how Dr. Seward describes her functions, “same power that compels her silence may compel her speech”
Even at the ending, there still is suspense after Dracula is killed because it was anticlimactic. My only question, is “Who is this ‘we’ mentioned when Dracula is talking about Transylvania’s past and the battles?” That one unanswered question leaves suspense because it makes it seem like there are more vampires not really mentioned in the book. I believe that Stoker purposely used his word choice to show good and evil because he used the word “voluptuous” to describe the three evil women and also described Lucy when she turned/passed away. I believe that Stoker uses British womanhood to show weakness since Lucy was the first one bit and that if she did not get help then she would have passed away faster and would have transformed into a vampire and would continue terrorizing little kids. However, I believe that through Mina, Stoker uses a new form of British womanhood to show a strong woman that after overcoming an obstacle can rise above it and work with the men to defeat evil. I think Mina is my favorite character in Dracula because she does just that. She did not just get saved and not do anything, she got saved and then used her visions to help the men find Dracula. That is what I admire about her. She is a strong woman. I like the suspense in the end of the book with how Dracula just dies and then everyone seems to live a happy life, however, I would have ended the book with a better “fight scene” that would have proved that Dracula was either the only vampire or that there were more. I think Stoker uses word choice to denote good and evil in Dracula and does an excellent job in doing so by describing the three women and then adding on to Lucy when she
Hollywood in known for making literary adaptations, and such adaptations will exploit context. Movies bring literary properties to the public that otherwise would not bother to read them. However the "marriage" of literature and film holds their own separate qualities.
Throughout many types of literature, violence exists to enhance the reader’s interest in order to add a sense of excitement or conflict to a novel. This statement withholds much truthfulness due to the fact that without violence in a piece of literature such as Dracula by Bram Stoker, the plot would not have the same impact if it were lacking violence. So to holds true to that of the movie. The movie bares different characteristics then that of the book. First off, the whole ordeal with the wolf escaping and jumping into Lucy’s, room and Lucy’s mom having a heart attacked is never even mention in the movie. Second, The night when the four men go to Lucy’s grave and find it empty is stated both in the book and in the movie however what unfolds after this is different. Finally, the end of the book differs severely from what Francis Ford Copolas rendition and that of the Bram Stoker see it to be. The differences are as follows…
Batman beats the Joker. Spiderman banishes the Green Goblin. For centuries story tellers have used the basic idea of good beats bad to guide their tales. Stories of blood sucking, human possessions and other tales have been passed down generations and vary between cultures. Among the creators of the famous protagonists is, Bram Stoker, the creator of Dracula. This fictional character was soon to be famous, and modified for years to come into movie characters or even into cereal commercials. But the original will never be forgotten; a story of a group of friends all with the same mission, to destroy Dracula. The Count has scared many people, from critics to mere children, but if one reads betweens the line, Stoker’s true message can be revealed. His personal experiences and the time period in which he lived, influenced him to write Dracula in which he communicated the universal truth that good always prevails over evil.
...have a strong desire to maintain control within and outside of marriage, they also have the support of a male dominated society. Stoker displays this struggle in the main characters of Dracula. Lucy Westerna is the obtuse, innocent, fragile, yet sultry siren of male desire; her aggressive sexual power is threatening to the Victorian man, making her not quite pure enough of mind or strong enough of will to be saved. On the other hand, Mina Murray Harker is a clever, unadulterated, strong, yet motherly woman, the kind of woman all women should strive to be. Therefore she is deemed superlative and worthy of salvage.
“Dracula, in one aspect, is a novel about the types of Victorian women and the representation of them in Victorian English society” (Humphrey). Through Mina, Lucy and the daughters of Dracula, Stoker symbolizes three different types of woman: the pure, the tempted and the impure. “Although Mina and Lucy possess similar qualities there is striking difference between the two” (Humphrey). Mina is the ideal 19th century Victorian woman; she is chaste, loyal and intelligent. On the other hand, Lucy’s ideal Victorian characteristics began to fade as she transformed from human to vampire and eventually those characteristics disappeared altogether. Lucy no longer embodied the Victorian woman and instead, “the swe...
In Bram Stoker’s novel Dracula, Stoker’s use of inverted gender roles allows readers to grasp the sense of obscureness throughout, eventually leading to the reader’s realization that these characters are rather similar to the “monster” which they call Dracula. Despite being in the Victorian era, Stoker’s use of sexuality in the novel contributes to the reasoning of obscureness going against the Victorian morals and values. Throughout the novel the stereotypical roles of the Victorian man and woman are inverted to draw attention to the similarities between Dracula and the characters. Vague to a majority of readers, Bram Stoker uses Dracula as a negative connotation on society being that the values of the Victorian culture are inverted amongst the sexes of characters, thus pointing out the similarities of the characters and the so called “monster” which they call Dracula.
The Victorian England setting and culture of “Dracula” by: Bram Stoker attributes to many stylistic components and character behaviours in the novel. One of which is the behaviour and actions characters express that are a result of sexual repression. In Dracula, sexual repression is best expressed by the character’s desire to create. This desire is exemplified by the way Dracula creates other vampires, Lucy’s sexual desires, and the men’s expression of aggression. The creation of other Vampires is evident through events including Dracula’s aggressive encounters with Lucy and Mina, and the fact the Dracula is building up a Vampire army. Lucy’s sexual desires are exemplified through her longing to have sex with multiple men and how she compares
Similar to almost every piece of literature ever created, Dracula by Bram Stoker has been interpreted many different ways, being torn at from every angle possible. Just as one might find interest in interpreting novels differently, he or she might also find interest in the plot, prose, or theme, all of which ultimately lead to the novels overall tone. Throughout the novel, it becomes blatant that the novel contains an underlying theme of female incompetence and inferiority. Through a true feminist’s eyes, this analysis can clearly be understood by highlighting the actions of Mina and Lucy, the obvious inferior females in the book. Through Stoker’s complete and utter manipulation of Mina and Lucy, he practically forces the reader to analyze the co-existence of dominant males and inferior females in society and to simultaneously accept the fact that the actual text of Dracula is reinforcing the typical female stereotypes that have developed throughout the ages.
In 1897, after seven years of writing, Dracula was finally published. Written by Bram Stoker during the Victorian Era. There was much sentiment towards the emancipation of woman. Though these feelings came mostly from women, there were also opposing sentiments, mostly from men, who did not feel the same way towards the liberation of women. The feminist movement was beginning to take ahold of society and many would have to become accustomed to the new ideals of women possibly being in power.
Mina Murray was engaged to Jonathan Harker and when Dracula kept him prisoner, the Count wrote letters to Harker’s boss and pretended to be Jonathan and to inform his boss and his fiancé that things were going good with his business trip. The Count was giving Mina and Jonathan’s boss false hope and keeping Harker prisoner at his castle. Dracula would even dress up in Harker’s clothes and mail the letters so it would not arise any suspicion. The Count seemed to only focus on turning women into vampires and he used the men to lure the women into his trap. Therefore, that is why he was keeping Jonathan alive. Everything Dracula did was made with lots of forethought. Such as when Lucy a young woman who also was a friend of Mina was mysteriously getting ill and sleep-walking during the night no one knew what was happening to Lucy because she would get sicker after they discovered she was sleepwalking. Lucy was sleep walking because she had gotten bite by Dracula and every night he called to her so he could feed off her again. He also made sure she was alone and waited a few days before attempting to suck her blood again. Although, Dracula was a smart man in his cunning actions he could not hide the fact that something evil was
Despite popular culture today with shows like The Vampire Diaries where vampires are often continuing their daily lives as if they are human and being the heroes to their friends and/or family, Dracula is a depiction of how vampires have, for centuries, been exposed as bloodthirsty, supernatural beings with sexual appeal. The way women are portrayed in Bram Stoker’s, Dracula, is a result of the Victorian ideals. Once Dracula begins to feed on the women, they become bloodthirsty temptresses which are exactly what society fears and try to prevent. In Dracula, Stoker makes sexuality directly linked to the vampirism in the novel. This is seen through the change of Lucy’s somewhat modest behavior into a temptress, the blood-sharing between characters in the novel, and the description of the way Lucy was killed.
The connection is made when Dracula sees a picture of Mina while Jonathan is held up in Dracula’s castle in Transylvania. With Jonathan trapped Dracula and Mina become quite close and go as far as to fall in love with each other. Throughout the novel, there is no love connection between Dracula and Mina and the only relation they encounter is as he attempts to seduce her to her death in spite of the men meddling with his plans of destruction. In the novel Mina resented Dracula for what he had done to her good friend Lucy Westenra. (Stoker Dracula) (Coppola "Bram Stoker 's Dracula")