Cause And Diggin By Maya Angelou Literary Devices

Angelou has generally utilized words from straightforward vocabulary, with a specific end goal to encourage perusing not only for a specific class which is high-reproduced and knows about refined English, but instead for all classes in the social pecking order, to individuals of any age. Indeed, even the words which are obviously mind boggling (as far as their structure), are words which are as yet normal among the majority and are utilized for everyday correspondence purposes. The terms "'cause" and "diggin'" can be contended over, with reference to whether they are utilized to keep up the meter of the lyric, or on the off chance that they had an extraordinary rationale behind their use. In any case, it is watched that among the African people

Aphesis straightforwardly alludes to oversight of a couple of letters in a word in the first place. Here, the utilization of "'cause" likewise illuminates the perusers of her African inception since Afro-Americans have a tendency to gobble up specific letters in a word in communicated in English. This could likewise be considered protection on part of the poetess to utilize argumentative complement rather than appropriate English. Likewise apocope is utilized as a part of the utilization of

These articulations have been utilized as a part of a figurative way to encourage simple comprehension. Since on the strict level this appears a preposterous and unthinkable claim, one might say that the writer has semantically veered off.

Reiteration and Parallelism

Angelou influences utilization of parallelism in the accompanying verses so as to profoundly to teach a thought inside the perusers' psyches. For example the redundancy of "I'll Rise" in the ballad pronounces it just like a progressive lyric. A portion of the other parallel verses are as per the following:

"You may record me in history

With your unpleasant, contorted falsehoods,

You may tread me in the extremely soil"

"You may shoot me with your