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The portrayal of women in literature
The portrayal of women in literature
The portrayal of women in literature
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The extract in question is situated at the end of Chapter 20 of Cat’s Eye, where Cordelia, Grace and Carol attempt to bury the protagonist, Elaine Ridley, alive as some sort of sick joke. When this occurs, she is dressed as Mary Queen of Scots and plays along like a game, until she realises that the girls intended to leave her. Elaine then reflects on the traumatic experience and comes to the conclusion that she cannot remember any of her birthdays and other major event in her life due to the ordeal she went through at the age of the bullying. The main occurrence in this extract of Cat’s Eye is a classic example of trauma theory. This is essentially when a particularly intense or strenuous event occurs and produces an excess of stimulation in the brain. When this occurs, “the brain is not able to fully assimilate …show more content…
Repetition of the word “must” in the phrases “there must have been a party” and that “there must have been cake” because, in Elaine’s mind, the situation would not make sense in her brain. “Who would have come to the others?” she wonders to herself when she attempts to process the events at hand. Elaine goes on to muse in more detail of her lost memories as she attempts to remember and remind herself “of pastel icing, pink candles burning in the pale November afternoon light, and there is a sense of shame and failure” . The use of “pastel” and “pink” here conveys a sense of forced femininity. As made clear in previous chapters, Elaine has had struggles with femininity due to her closeness with her male relatives and complicated relationships with the women in her life. Loss of memory seems to be a reoccurring theme throughout the novel, as Elaine reflects on the fact that she has “forgotten things” , and that she cannot even remember if she has forgotten them or not, truly conveying the idea that these bullies have completely turned her life around and altered her personality and brain to the extent that Elaine cannot even remember
Clair uses syntax to depict the childlike quality of the narrator’s memories. In two long sentences and one very short one, the narrator describes the retrieval of a box of “private things” from the back of the closet. The journey seems complicated and difficult, but in reality, the box was merely at the back of the closet. This shows childish thoughts and speech, by turning the simple hiding place into a drawn
We are told there are days when she "was happy to be alive and breathing, when her whole being seemed to be one with sunlight.." On such days Edna "found it good to be alone and unmolested." Yet on other days, she is molested by despondencies so severe that "...
This damage is called chronic traumatic encephalopathy and it occurs when individuals suffer from many concussions or any other form of head injury. This damage has a lasting affect and can cause people to die at an earlier age then which they should. The life expectancy goes down for people with chronic
Ellen just felt a distant sadness. Ellen cried just a little bit. Her grandmother was furious because Ellen showed some emotions. She told her to never cry again. After that Ellen becomes scarred for a long time.
In the small, desolate town of Starkfield, Massachusetts, Ethan Frome lives a life of poverty. Not only does he live hopelessly, but “he was a prisoner for life” to the economy (Ammons 2). A young engineer from outside of town narrates the beginning of the story. He develops a curiosity towards Ethan Frome and the smash-up that he hears about in bits and pieces. Later, due to a terrible winter storm that caused the snow itself to seem like “a part of the thickening darkness, to be the winter night itself descending on us layer by layer” (Wharton 20), the narrator is forced to stay the night at Frome’s. As he enters the unfamiliar house, the story flashes back twenty-four years to Ethan Frome’s young life. Living out his life with Zenobia Frome, his hypochondriac of a wife whom he does not love, Ethan has nowhere to turn for a glance at happiness. But when Zenobia’s, or Zeena’s, young cousin, Mattie Silver, comes to care for her, Ethan falls in love with the young aid. Mattie is Ethan’s sole light in life and “she is in contrast to everything in Starkfield; her feelings bubble near the surface” (Bernard 2). All through the novella, the two young lovers hide their feelings towards each other. When they finally let out their true emotions to each other in the end, the consequence is an unforeseen one. Throughout Ethan Frome, Edith Wharton portrays a twisted fairy tale similar to the story of Snow White with the traditional characters, but without a happy ending to show that in a bleak and stark reality, the beautiful and enchanting maiden could become the witch.
Kate Chopin’s “The Awakening” is wrought with symbolism, foreshadowing and careful diction choices. Many of the passages throughout the novel embody Edna’s awakening sense of self-reliance, independence and sexuality. These are sy...
...oroform, a sensation-deadening stupor, the ecstasy of pain, and an awakening—mark Edna’s self-discovery throughout The Awakening. Still, in the end, Edna follows through with what she told Madame Ratignolle she would and would not be willing to do: “I would give up my life for my children; but I wouldn’t give myself” (69). She gives up her life because she is unwilling to give up her self—her desires, her cravings, and her passions to do what she wants selfishly and without regard for any other being’s wishes. She cannot escape motherhood, nor can she ever hope to find her idealized lover. Thus, she leaves these dissatisfactions behind her as she enjoys her final moments of empowerment and solitude wrapped in the folds of the sea, the hum of bees, and the smell of pinks’ musk.
Center stage in Kaye Gibbons’ inspiring bildungsroman, Ellen Foster, is the spunky heroine Ellen Foster. At the start of the novel, Ellen is a fiery nine-year old girl. Her whole life, especially the three years depicted in Ellen Foster, Ellen is exposed to death, neglect, hunger and emotional and physical abuse. Despite the atrocities surrounding her, Ellen asks for nothing more than to find a “new mama” to love her. She avoids facing the harsh reality of strangers and her own family’s cruelty towards her by using different forms of escapism. Thrice Ellen is exposed to death (Gibbons 27). Each time, Ellen has a conversation with a magician to cope with the trauma (Gibbons 22-145). Many times Ellen’s actions and words cause it to be difficult to tell that she is still a child. However, in order to distract herself, Ellen will play meaningful games (Gibbons 26). These games become a fulcrum for Ellen’s inner child to express itself. Frequently, Ellen will lapse into a daydream (Gibbons 67). Usually, these daydreams are meant to protect herself from the harsh reality around her. Ellen Foster’s unique use of escapism resounds as the theme of Kaye Gibbon’s Ellen Foster.
It tells the story of a woman named Edna Pontellier, who of which, goes on a journey to try to find her identity in the world. In doing so, Mrs. Pontellier has to deal with a “...marriage…” with a demanding husband and a hectic agenda of trying to keep watch of her two young “...children…” (“Kate Chopin’s “The Awakening””). Outside of balancing these stressful everyday occurrences, Edna tries to calm herself by trying to take advice from her friends Adele Ratignolle and Robert Lebrun. Thereupon, in talking with Ratignolle, Edna is told to give in to “...life’s delirium…” of doing of what is expected of her as a wife and a mother (94). Unlike that of Mrs. Pontellier’s predicament, Adele has given into that of their civilization’s ideal outlook of being a woman who has completely immersed herself in that of the wellbeing of her family and of nothing else. Appalled by this response, Edna labels it as being a “...colorless [and]...blind contentment…” and then goes on to describe Adele as being brainwashed (93). Moreover, when she talks to Robert she also does not get the guidance she so desperately needs, and/or seeks. While Robert is less affected by that of their society's social normality of only caring about family, he still does not comprehend of why Mrs. Pontellier would want to be “...independent...” when she has a high standing by being that of a “...married woman with children…” (“Kate Chopin’s “The Awakening””/36). Upset by the fact that neither Mrs. Ratignolle or Mr. Lebrun could comprehend her desire of wanting to find herself, and of not following the typical lifestyle women adopted, Edna becomes confused and frustrated. Consequently, because of these two emotions that she now bares, they become her downfall at the end of the
A concussion is a temporary loss of normal brain function, and can be described in three different ways: mild, moderate, or severe (Schafer). The worse one’s concussion is, the more dangerous the effects of it are. People usually get a concussion when they are playing high intensity sports. There are other things that could cause a concussion. One might have been in a motor vehicle accident, or they could have done something as simple as falling and hitting their head. Every time a person receives a blow to the head they damage their brain. It is hard to tell how much damage one has done to their brain, because doctors cannot see it from the outside of their brain (Haas).
An unnoticed fatal injury that countless athletes have experienced is a concussion. Many people have heard about concussions, but not about the underlying damage they cause the brain. A concussion is a minor traumatic brain injury that may occur when the head hits an object, or a moving object strikes the head. It can affect how the brain works for a whi...
One example of how Edna¡¦s immaturity allows her to mature is when she starts to cry when LeƒVonce, her husband, says she is not a good mother. ¡§He reproached his wife with her inattention, her habitual neglect of the children. If it was not a mother¡¦s place to look after children, whose on earth was it?¡¨(13). Edna, instead of telling her husband that she had taken care of her children, began to cry like a baby after her husband reprimanded her. ¡§Mrs. Pontellier was by that time thoroughly awake. She began to cry a little¡Kshe thrust her face, steaming and wet, into the bend of her arm, and she went on crying there, not caring any longer to dry her face, her eyes, her arms,¡¨(13,14). These tears made Edna look as if she was still a child and that she is tired of being treated as a child by her husband. These tears also showed her she did not like where she was, a sign of maturity. Her tears symbolize her first awakening.
Concussion can also be described as an acute brain injury resulting from mechanical energy to the head from
Sports concussions are not easy to define. The concept of concussion has been around for many centuries. In the 10th century, Rhazes labeled concussion commotio cerebri (a transient abnormal physiologic state without gross brain lesions.) In the early 16th century, Da Carpi expanded the idea of cerebrum commotum (commotion resulted from the thrust of the soft brain against the hard skull.) In the 17th century, Marchetti started using the word concussion (Snedden 2013). The unclear definition of concussion causes misdiagnoses of athletes. There are many definitions of concussion such as; a hard blow or collision; a violent shaking or jarring; a jarring of the brain, caused by a blow or a fall, usually resulting in the loss of consciousness.
In conclusion, Daisy says that “. . . After all this time, I know exactly where I belong, here. With Edmond.” (194) Daisy’s long adventure for change and adjustment is successful. Change is not always easy, but it can be beneficial. In Daisy’s case, she experiences a lot. As clear as it is, Daisy grows as a person and overcomes her anorexia, fear of being loved, social anxiety, worry of loving someone and the struggles of war. All of these things that happens to her makes her a stronger person and changes her.