Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Essay on medieval religion
Introduction to medieval European Christianity
Essay on medieval religion
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Catherine, Called Birdy by Karen Cushman is a historical fiction diary because it is about an adolescent girl writing about her life from 1290 to 1291. II. Setting: The setting of the plot is in England in the year 1290. In addition, in this society, the people follow a lord. It can be seen that the plot takes place in medieval England due to the presence of the lord. “Begun this 19th day of September in the year of Our Lord 1290, the fourteenth year of my life” (Cushman 3). It is shown that the plot takes place in year 1290, and that the people follow a lord. In addition, “No wonder the baron was willing to consider alliance with a knight’s daughter” (Cushman 92). It is further implied about Catherine’s social background that she the daughter of a knight, who is not as high in society as others. III. Character: Catherine is a dynamic character who is also the protagonist of the work. Catherine is a brunette with gray eyes and sun spots on her face. “My eyes are still gray…and my hair brown…The sunspots are still there, dotting …show more content…
The conflict Catherine faces is Person versus self. “Little Bird, in the world to come, you will not be asked ‘why were you not George?’ or ‘why were you not Perkin?’ but ‘why were you not Catherine?’ ” (Cushman 17). It is depicted that Catherine tried to be everyone else but not herself. Hence, Catherine’s conflict is internal because she must change her conceptions. Catherine must accept who she is. Catherine’s conflict is resolved in the resolution. Catherine understands the Jewish woman’s advice. “And it came to my mind that I cannot run away. I am who I am wherever I am” (Cushman 202). Catherine understands she cannot be like Perkin or George, and she will not be asked if why she was not like Perkin or George. However, Catherine will be asked why she did not act like herself, and why she was not
Ethel Waters overcame a very tough childhood to become one of the most well known African American entertainers of her time. Her story, The Eye on the Sparrow, goes into great detail about her life and how she evolved from taking care of addicts to becoming the star of her own show. Ethel was born by her mother being raped at a young age. Her father, John Waters, was a pianist who played no role in Ethel’s life. She was raised in poverty and it was rare for her to live in the same place for over a year. Ethel never fit in with the rest of the crowd; she was a big girl, about five nine when she was a teenager, and was exposed to mature things early in her life. This is what helped shape Ethel to be the strong, independent woman she is.
The novel Bird by Bird by Anne Lamott is a book that was written in order to provide “Some instructions on writing and life.” Lamott published the book in 1994 in hopes to share the secrets of what it is truly like to be a writer, as both a warning and as encouragement. Bird by Bird shares with the reader the ironic truth of being a struggling writer through personal experience and humorous stories. Lamott uses memories from her past to help illustrate her points and to help the reader get to know who she is, not only as a writer, but as a person. The author focuses on the true struggles and benefits of being a writer while using metaphors and analogies to express her points, she also wraps her life stories around almost every writing tip.
Throughout history, the story of womankind has evolved from struggles to achievements, while some aspects of the lives of women have never changed. Poet Dorianne Laux writes about the female condition, and women’s desire to be married and to have a home and children. She also seems to identify through her poetry with the idea that women tend to idealize the concept of marriage and settling down and she uses her poetry to reach out to the reader who may have similar idyllic views of marriage or the married lifestyle. Though Dorianne Laux’s poem “Bird” reads very simply, it is actually a metaphor for an aspect of this female condition.
Catherine, like the McKees, makes an appearance at Tom’s apartment, and Nick first notes her “sticky bob of red hair, and a complexion powdered milky white”, which shows her attempt to maintain an appearance of class (30). Yet, she does not apply the makeup successfully, and the evident cosmetics and sign of effort speak against her sense of class and taste. However, Catherine makes an appearance at the end of the novel after the death of her sister, Myrtle. Catherine holds both her sister’s and her own image in great importance, and so when others convince her “that [her sister’s] ambulance had already gone to Flushing ... she immediately fainted, as if that was the intolerable part of the affair” (156). Flushing exists as part of the Valley of Ashes, while Catherine lives in a hotel, presumably on the outskirts of the city. The fact that her sister goes to the dirty, poor city instead of to a cleaner area disturbs her rather than the news about her sister, which suggests the importance of appearances over the safety or health of her own family. Therefore, perhaps Fitzgerald makes a commentary through Catherine that the pursuit of class and self importance motivates a
Catherine Ames lives as a cruel, scheming, sadistic creature who knows how to manipulate others into doing any act she desires. Cathy destroys lives without penance. She acts as the embodiment of pure wickedness, driven by low self-esteem, desperation, and a love of power. Since she possesses no conscience, Cathy does not allow herself an honest choice at which path to go down throughout her life. Steinbeck uses her character to describe how society becomes blinded by the need for control, while some may just be born blind.
Jones’s “The Girl Who Raised Pigeons” there is a sense of unity within society and family that can be easily correlated to the theme of The Builders. A perfect example of this within society is when Jones states,” he clothed her with a yellow outfit and its yellow bonnet that Wilma Ellis, the school teacher next door, had given Betsy Ann...On the sidewalk he covered her with a light green blanket the Dr. Oscar Jackson and his family up the street had given the baby… Beside her, he placed a blue rattle from the janitor Jake Horton across the street” (Jones 1346). This is important because it shows how the different members of the community of different occupations have all reached out with helping hands to help raise Betsy Ann. In relation to Lawrence, this demonstrates the work being done by members of the society and as a result, the unity is revealed. Another example of this is when Miss Etta sees Betsy Ann and asks, “Yo daddy know you this far from home” (Jones 1353). Although Betsy Ann did not know Miss Anna knew her name, she ultimately gets her out of trouble and sends her home. Once again, the society is working together to help with Betsy Ann and to help one another since Miss Etta could have easily let her get punished by the store
Catherine is the first woman that Heathcliff is introduced to. He treats her well; Heathcliff has never struck her or curse her. Throughout their childhood and adolescence, the pair are inseparable. When Catherine is injured at the Linton’s he refuses to leave her side,
Catherine is like a bird stuck in it's cage. If you hold the bird in it's cage it will want to fly out of it even if you were to put food inside. However the Bird that was not kept in its cage then it will walk right inside and eat the food. In the book, Catherine Called Birdy by Karen Cushman, Catherine is the main character and is forced to do and deal with many things. Throughout the novel she is to deal with every situation to the best of her abilities and she makes the right choices, except when she doesn't. Three situations or problems she faces with courage and Determination are, she is forced to marry Shaggy Beard, Deal with the wrath of her Father, and try to avoid her lady lessons.
Catherine is very pleased to meet Isabella after being disappointed in not seeing Mr Tilney again. The narrator informs the reader that Catherine is fortunate in finding a friend as ‘Friendship is certainly the finest balm for the pangs of disappointed love.’ (p.18 NA). Isabella being the elder of the two has much more knowledge of fashionable society than Catherine and is, therefore, able to teach her a great deal about the expectations of society at that time.
Lady Catherine's rather boastful conversation with Elizabeth suggests she is capable of accomplishing many young people "well placed out". This revels that Lady Catherine believes she has the power and wealth to "engage" a brilliant partner for others and is arrogant of her superiority to do so. Lady Catherine is quite astonished when Elizabeth does not give her a "direct answer" suspecting Elizabeth to be the first "creature", who "dared to trifle" with her and treat her insignificant. Lady Catherine tends to question many if they do not treat her with the superiority she ought to receive being a woman of money, as she believes no one is to show "dignified impertinence" in front of her social standing. Lady Catherine's final act of "relating some anecdote" about herself while she quadrille explains she is self-centered and arrogant; she draws every focus to relate to her social status and prosperity boasting she has better potential and class than others. This suggests her supercilious attribute, for she clearly sees more class in herself than she sees in
Catherine's dilemma begins in an overtly conventional yet dismal setting. This is the ordered and understated fashionable New York setting where she is victim to her father's calculated disregard and domineering behaviour and of the perceptions others have of her given their economic and social positions. She is, in Sloper's words, "absolutely unattractive." She is twenty, yet has never before, as Sloper points out, received suitors in the house. Mrs. Almond's protestations that Catherine is not unappealing are little more than a matter of form and she is admonished by Sloper for suggesting he give Catherine "more justice." Mrs. Penniman, for her part, readily perceives that without Catherine's full inheritance, Morris Townsend would have "nothing to enjoy" and proceeds to establish her role in appeasing her brother and giving incoherent counsel to the courtship between Catherine and Townsend. For Townsend himself, Catherine's "inferior characteristics" are a matter of course and a means to a financial end.
The first, most obvious trait of Catherine’s heroism is that she values human relationships above materialism. Nothing is more important to Catherine than her lover, Henry, and as the novel goes on, her baby. When Henry is injured and sent to Milan, she has no trouble transferring to the new hospital there. Catherine loves Henry and would drop anything to be with him. Nothing material holds her back from being with him. Even when they live in Switzerland, they don’t have many material possessions. They live very simple lives because all the couple really needs is each other. In chapter forty, Henry describes their time together with this quote, "When there was a good day we had a splendid time and we never had a bad time. We knew the baby was very close now and it gave us both a feeling as though something were hurrying us and we could not lose any time together." Catherine obviously values her time with Henry more than anyone else, but it isn’t the physical aspect of getting out and doing things that satisfies her. What satisfies Catherine is the extra time she gets to spend with the love of her life b...
Early in the essay Gargano states that, "in James's fiction, naivete may wear the look of an empty mind, but it is often the ideal preparation for receiving life fully and impressionably" (130). Gargano then tells us that Catherine will feel more intensely because she has not known strong emotions before. According to him, "her ingenuousness is the key to her genuineness and her sense of seeing, feeling, and judging life for the first time" (130). I feel this is a key element in understanding Catherine.
Heathcliff and Catherine have loved each other since their childhood. Initially, Catherine scorned the little gypsy boy; she showed her distaste by “spitting” at him (Brontë 27). However, it was not long before Heathcliff and Catherine became “very think” (Brontë 27). They became very close friends; they were practically brother and sister (Mitchell 122). Heathcliff is intent upon pleasing Catherine. He would “do her bidding in anything” (Brontë 30). He is afraid of “grieving” her (Brontë 40). Heathcliff finds solace and comfort in Catherine’s company. When Catherine is compelled to stay at Thrushcross Grange to recover from her injury, she returns as “a very dignified person” (Brontë 37). Her association with the gente...
Catherine’s revenge does not make things better for her. Her revenge on Heathcliff by blaming him for her upcoming death does not meliorate her mind. Just before she dies, she ascribes Heathcliff for her “murder.” “You have killed me, and thriven on it, I think” (Bronte 158). Catherine resembles what Oliver Goldsmith said, “When lovely woman stoops to folly, and finds too late that men betray, what charm can soothe her melancholy?