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The catcher in the rye main character
Catcher in the rye character analysis
The catcher in the rye character development essay
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Holden is desperate to connect with people. This is shown through him trying to connect with random people and always wanting to call people up. Holden tries to connect with many strangers including; Mrs. Morrow, The first cab driver and Sunny. When talking to Mrs. Morrow, he lies about Ernest just so he can keep the conversation going. “He adapts himself very well to things. He really does. I mean he really knows how to adapt himself.” “Do you think so she asked. She sounded interested as hell”(55). Holden says this to get her really interested and talk to him more. When Holden calls for a cab to go to his Hotel, he tries to socialize with and he asks if he wants to order a cocktail. “Well take me to Edmont then” I said. “Would you care to stop on the way and join me for …show more content…
a cocktail? On me. I’m loaded”(60). Holden really wants someone to talk to and turns to a cab driver.
In another occasion when a prostitute comes up to his room, instead of having sex with her, he decides to “practice” on her. He wants to get to know her first and try to connect. “Are you in a very big hurry?” She looked at me as if I was a madman. “What the heck you wanna talk about.” she said. “I don’t know nothing special. I just thought perhaps you might care to chat for a while”(95). Holden is so desperate he tries to get to know a prostitute. Holden always wants to call someone up, but he never goes through with it. When Holden is changing his shirt he thinks about calling Phoebe but doesn’t. “While I was changing my shirt, I damn near gave my kid sister Phoebe a buzz, though. I certainly felt like talking to her on the phone. Somebody with sense and all”(66). Holden thinks about calling his sister, but comes up with an excuse saying it is late and she would be sleeping. When Holden arrives in New York, he thinks about calling a bunch of people and doesn’t call a single one. “I couldn’t think of anyone to call up. My brother D.B. was in Hollywood, my kid sister Phoebe goes to bed around nine o’clock so I couldn’t her
up”(59). Holden is in desperate need of calling someone and he thinks of so many possible people he could call. He also thinks about calling Jane. He does this multiple times in the book. Ironically, Holden talks about Jane as if they are good friends, but he hasn’t talked to her or seen her in years. “I thought about giving old Jane a buzz, to see if she was home yet and all, but I wasn’t in the mood”(105). Holden yet again gives another excuse claiming he’s not in the mood. Holden throughout this book is in desperate need of connecting, but always gives an excuse or just simply isn’t able to do it.
Holden checked into the Edmont Hotel in Manhattan, where he hired a young prostitute named Sunny. This scene depicts Holden’s struggle with confused adolescence. Holden thought that sleeping with a prostitute would make him a man. However, when he was confronted with the burgeoning sexual situation, he yielded. After all, he is still just a child. “The trouble was, I just didn’t want to do it. I felt more depressed than
Holden just got on the train and he sat in the front by himself. But another lady came on the train and sat right next to him even though there were plenty of other seats. Holden and her started talking about her son who also went to Pencey. Holden said " It really took everybody quite a long time to get to know him. He's a funny guy. A strange guy in lots of ways---- know what I mean? " (63). Holden was not afraid to talk to this women who he did not know. He really opened up to her and told her the truth about what he thought of her son. This shows how comfortable he was around her. Later on in the story Holden just woke up and was laying in his bed in the hotel with nothing to do. So Holden decides to call his old friend Sally Hayes. Without saying much to her before, Holden says " I was wondering if your busy today. It's Sunday, but there's always one or two matinees going on Sunday. Benefits and that stuff. Would you care to go? " (118). Holden was was not afraid to ask her out. This reveals how comfortable he was talking with her and he opened himself up to her. Later on in the book, readers find another reason why Holden shows his true self to
Jerome David Salinger’s only novel, The Catcher in the Rye, is based on the life events shaping main character, Holden Caulfield, into the troubled teen that is telling the story in 1950. The theme of the story is one of emotional disconnection felt by the alienated teenagers of this time period. The quote, “ I didn’t know anyone there that was splendid and clear thinking and all” (Salinger 4) sets the tone that Holden cannot find a connection with anyone around him and that he is on a lonely endeavor in pursuit of identity, acceptance and legitimacy. The trials and failures that Holden faces on his journey to find himself in total shed light on Holden’s archenemy, himself.
Holden experiences both alienation and disillusionment when meeting with people like Sally Hayes, Sunny and Ackley. Holden is so desperate to have human connection yet, when he starts to talk to them, he experiences them as ‘phonies’. This makes him more depressed, continuing his downward spiral. Holden is caught in a trap of his own making.
J.D. Salinger writes about a young man who is very distraught after World War II. In Salinger's only published novel The Catcher in the Rye he talks about a young man who does not understand society and the surroundings he lives in. He keeps referring back to how everyone and everything around him is a phony. He makes himself seem unreliable by telling the reader that he lies openly.
more mature for his age then he should have been. This is the basis of
Holden struggles to make connections with other people, and usually resorts to calling them phonies whenever they upset him. He finds natural human flaws in people and runs away from connection immediately. His date with Sally shows this. Near the end of the date, Holden tells Sally about his plans to run away from life. When Sally gives him practical advice, Holden is quick to escape connection by calling her “a pain”. Sally’s advice would definitely guide Holden in a more realistic direction, but that is not what he wants to hear. Conflict always arises in his mind even if there is little in reality. His struggles with finding connection also make him too apprehensive to call his old friend Jane. Holden likes to think of Jane as a pure and perfect girl that he can
Holden’s sexual struggles are visible through his interactions with Sunny, Sally Hayes, and Carl Luce. Holden’s fascination with sex interferes with his elevated morals; as much as he wants to engage in intercourse, he voices his need to establish an emotional connection with his partner first, which prevents him from having casual sex. As much as physical intimacy is important to him, Holden needs to be taken care of and understood emotionally, as well, displaying that he holds sex in high regards and does not view it as something to be done carelessly. Holden just needs to be loved; but, unfortunately, his romantic life is sub-par at best, and until that changes, he’ll always feel confused – and very, very lonely.
Protected by a cocoon of naiveté, Holden Caulfield, the principal character in the novel, The Catcher in the Rye, therapeutically relates his lonely 24 hour stay in downtown New York city, experiencing the "phony" adult world while dealing with the death of his innocent younger brother. Through this well-developed teenage character, JD Salinger, uses simple language and dialogue to outline many of the complex underlying problems haunting adolescents. With a unique beginning and ending, and an original look at our new society, The Catcher in the Rye is understood and appreciated on multiple levels of comprehension. The book provides new insights and a fresh view of the world in which adolescents live.
that he is trying to hide his true identity. He does not want people to know who he really is or that he was kicked out of his fourth school. Holden is always using fake names and tries speaking in a tone to persuade someone to think a cretin way. He does this when he talks to women. While he is talking to the psychiatrist he explains peoples reactions to his lies like they really believe him, when it is very possible that he is a horrible liar and they are looking at him with a “what are you talking a bout?” expression. Holden often lies to the point where he is lying to him self.
Holden has a respect for women that he views as unnatural. He feels that his sexual desires should be similar to those of his roommate Stradlater and peer, Luce. Holden shows his confusion by saying, "The thing is, most of the time when you're coming close to doing it with a girl, a girl that isn't ...
Holden's nervous impulse to protect women seems to have sprung up in his psyche from a very young age. After his brother, Allie, started to experience more severe symptoms of leukemia, Holden notes that his mother seemed "nervous as hell." His own mother's emotional problems (Lombardi) transfer to Holden on a very deep, psychological level because he feels partially responsible for his brother's fate in the first place. Seeing his mother in such a distraught state makes him feel even guiltier. The unintended consequence of this is that Holden grows up with a constant fear that he is going to hurt any woman that he grows close to. This manifests itself many times during his time in New York, with one of the earliest examples being his meeting with Sunny in the hotel room. Holden protects her innocence, but not for any particularly noble reason. He hangs her dress back up and insists that he just wants to talk, but Holden did not do this in an attempt to be some paragon of righteousness. Holden, on a deep, psychological lev...
Some people feel all alone in this world, with no direction to follow but their empty loneliness. The Catcher in the Rye written by J.D Salinger, follows a sixteen-year-old boy, Holden Caulfield, who despises society and calls everyone a “phony.” Holden can be seen as a delinquent who smokes tobacco, drinks alcohol, and gets expelled from a prestigious boarding school. This coming-of-age book follows the themes of isolation, innocence, and corrupted maturity which is influenced from the author's life and modernism, and is shown through the setting, symbolism, and diction.
He tries to make excuses, calling everyone a “fake” or “phony”, saying that everyone only cares about themselves and therefore aren’t real with others. This is a defense mechanism for him, making it harder for him to communicate with people, thus frustrating him. One example of these failed interactions can be seen with his roommate from Pencey Prep, Stradlater. Holden questions if Stradlater hooked up with his date that night, Jane Gallagher, who was a childhood friend of Holden’s. When Stradlater is dodgy with his answer, saying “That’s a professional secret, buddy” it angers Holden to the point of physically harming him (Salinger 43). This shows immaturity because a mature person would understand that Stradlater doesn’t want to talk about it, and would not turn to violence to try and solve their problems. Along with his lacking ability to maturely handle some situations, Holden also communicates immaturely with others. This can be seen when he meets up with Carl Luce, one of his advisors from Whooton. When he attended Whooton, Holden knew that Luce often talked to the boys about sex, and tries to bring this into the conversation, asking him multiple questions about his sex life. Luce, who has since matured, shoots Holden down and says “...typical Caulfield questions… When in the hell are you going to grow up?” (Salinger 146). This further
Holden’s lies and imagination in the last third of the novel are less extreme than previously. Previously Holden’s lies were focused on the people around him and he did not actually believe them. However, as the novel progresses, Holden begins to lie to himself about the present, past, and future in order to cope with the disarray his life is falling into. Holden wishes to escape his life and attempts to create plausible plans to run away. When on his date with Sally Hayes, Holden offers to take her with him; “‘what we could do is, tomorrow morning we could drive up to Massachusetts and Vermont, and all there, see’” (Salinger 146). This idea is entirely ridiculous as Holden is only sixteen and does not have the means to carry out this plan.