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“There was only one catch, and that was Catch-22” (Heller 46). This quote captures the one reason John Yossarian, a bombardier in the Air Force, is unable to leave the service. Catch-22 has multiple clauses, including that a soldier must follow the orders of his supervisors, and cannot be relieved of duty until he has completed the required number of missions (Heller 58). Moreover, the most prominent problem for Yossarian is that every time he is close to finishing the number of missions he must fly, his supervisors raise the amount that he must complete. As the number of missions is raised, the men begin to cause problems in an attempt to prevent having to fly the missions. The circular nature of this clause shows the absurdities of military …show more content…
life as well as the problems with capitalism (Nagel). Joseph Heller satirizes bureaucracy and capitalism through his use of Yossarian as an anti-hero, black/angry humor, and the characterization of other major and minor characters in Catch-22. Captain John Yossarian possesses this aggressiveness, lack of morality, and courage characteristic of an anti-hero, stemming from a desire to stay alive as long as possible (Nagel). Major Sanderson diagnoses Yossarian, saying, “‘You have a morbid aversion to dying... You have deep-seated survival anxieties… It wouldn’t surprise me if you’re a manic-depressive!’” (Heller 303). This quote is important because it tells the reader why Yossarian is so aggressive and dishonest: he will do whatever it takes to stay alive. Clevinger also explains Yossarian’s behavior: “...a homicidal impulse to machine-gun strangers, retrospective falsification, and an unfounded suspicion that people hated him and were conspiring to kill him” (Heller 20). Along with this quote, Heller provides multiple other examples of Yossarian’s aggressiveness, including punching Nately in the nose on Thanksgiving and attempting to strangle McWatt during a mission (Heller 333). His aggression is a response to the insanity he is surrounded by, in an attempt to distance himself from facing the realities of his life (Nagel). Heller’s belief that there is “no pattern of reason left in the world” is evident through Yossarian’s hostility, a result of his inability to accept the illogical world in which he lives (Nagel). Yossarian also lacks morality, exhibited through his poisoning of the mashed potatoes with soap and tampering with the bomb lines, both an attempt to prevent flying over Bologna (Heller 64). In addition, he sleeps with multiple women throughout the novel, including Scheisskopf’s wife (Heller 178). Yossarian’s lack of morality is another coping mechanism against the insanity of his world; both he and his squadron spend excessive amounts of time in harems, trying to forget about the war. Despite this, Yossarian does show courage when in dangerous situations. For example, when Snowden is dying in the back of the plane, Yossarian does everything he can to prevent him from dying (Heller 437). He is unable to, though, as Milo stole the medical supplies and sold them, one example of the humor used in Catch-22. Heller often uses angry or “black” humor to create the absurdities which expose the underlying issues in the military and capitalism.
This use of humor is able to make these institutions seem ridiculous to the reader, as explained in the following quote: “The humor of Catch-22 is not the gentle entertainment of comedy but the harsh derision and directed social attack of satire” (Nagel). One example this satire in the military is the two C.I.D. men separately investigating the same problem: someone using the alias Washington Irving while signing documents. The men are oblivious to each others presence and both present multiple unfounded accusations (Heller 95). Furthermore, one of the men even proposes, “Maybe we’re confronted with a gang, with two men working together who just happen to have opposite names… One of them here in the squadron, one of them up at the hospital, one of them with the chaplain…” (Heller 94). This quote is humorous because it shows the incompetency of these military investigators, previously believed to be quick-witted and shrewd. Similarly, the decision to launch this investigation into something so trivial is absurd in itself, contributing to Heller’s direct attack on the military. Another example of the author using humor for criticism of the military is catch-22, the paradoxical catch that prevents Yossarian and the other men from leaving the service. Doc Daneeka explains it, saying, “...You have to follow every order. That’s the catch. So even if …show more content…
the colonel were disobeying a(n)... Air Force order by making you fly more missions, you’d still have to fly them…” (Heller 58). Daneeka’s explanation shows the reader that catch-22 is fundamentally used as a safety net for the military; not only does it keep the men in service, but it also says, as an old lady puts it, “...they have a right to do anything we cannot stop them from doing” (Heller 407). This ominous quote is followed by Yossarian finding out that the military does not have to show catch-22 to anyone, with the justification being, once again, catch-22 (Heller 408). Circular logic lapses into such absurdity that it almost causes the reader to laugh; the military is so corrupt that it has created laws that allow the men to do whatever they wish with no consequences, a point that Heller emphasizes considerably. The other way in which Heller uses humor is is to expose the problems with capitalism, most notably seen in M&M Enterprises, the syndicate owned by Milo Minderbinder.
Milo “...takes essential supplies from the planes but says that because everyone has a “share” in his business, it’s for their own good” (Catch-22). This quote only touches the surface of the problem; Milo will take anything he thinks he can make a profit on, from the syrettes of morphine in the medical case to the carbon-dioxide cylinders in the life jackets (Heller 436). This greed for power and wealth causes him to partake in multiple dishonest and deceptive schemes, like stealing and contracting with the enemy, which he claims are for the good of the people. Consequently, he is considered by some to be a “modern reincarnation of Defoe’s economic man,” and justifies his actions in “classical business terms” (Nagel). Throughout the war, M&M Enterprises has the autonomy to fly wherever Milo needs and trade with whomever he wishes, be it an ally or an enemy (Heller 135). This free trade between warring countries eventually leads to Milo’s contracting with the Germans to bomb his own squadron (Heller 105). The main problem with Milo is that he only cares about his wealth; he was the one who came up with the idea to bomb his own squadron and thought nothing of it. Accordingly, citizens everywhere were appalled by this, but only until he opened his books to reveal the profit he made; since everyone owned a share,
they were accepting of his actions (Heller 259). Milo’s fixation on profit causes him to lose his conscience throughout the course of the novel, demonstrating Heller’s statement about the effects of capitalism upon the individual. Each character in Catch-22 is associated with an aspect of society Heller is criticizing, most clearly seen through Milo’s greed and Colonel Cathcart’s stupidity (Nagel). Milo is “...Heller’s symbol of capitalism at its most corrupt as well as its most powerful” (Catch-22). Through this quote, the reader sees that Heller creates him as being able to make a profit off of anything, from feeding the men chocolate-covered cotton to selling supplies to the Germans (Nagel). The problem with Milo’s actions is that they are interfering with the war and actually hindering the performance of his own military. Furthermore, is greed causes him to engage in behavior that most would consider immoral and corrupt, all the while not caring about the effects his actions could have on anyone else. Milo’s selfishness eventually leads him into contracting with both sides to “...simultaneously attack and defend target sites, which leads to the death of many men” (Catch-22). This quote summarizes how Milo’ greed transforms him from a hard-working idealist into a corrupt businessman, willing to do whatever is necessary to turn a profit (Solomon). Another character Heller creates as a criticism of a personality trait is Colonel Cathcart (Nagel). In an futile attempt to gain a promotion, “...Cathcart keeps raising the number of missions the men must fly before getting rotated” (Catch-22). Cathcart continuously raises the required number of missions not out of concern for the performance of the military, but out of hope for a promotion he will never achieve (Catch-22). At one point, he considers that he may have gone too far, but then realizes, “...forcing his men to fly more missions than everyone else was the most tangible achievement he had going for him” (Heller 214). This complete disregard for the safety of his men exhibits the stupidity which Heller is criticizing; Cathcart is audacious in his strategies but cowardly in regard to everything else (Heller 187). Therefore, his self-absorption catches him in a trap; he is unable to requisition the necessary number of replacement crews without raising questions, which is why the men are unable to be rotated (Heller 442). Overall, Heller is able to successfully satirize these personality traits through his use of Milo and Cathcart, both symbols of military corruption and blind ambition (Catch-22).
Abrashoff begins the book by informing the reader of how his story begins; when he is given command of the USS Benfold. The Benfold was the Navy’s most advanced guided missile destroyer the Navy had in 1997 and its command was to be one of the Navy’s top innovators. Unfortunately, Abrashoff points out some flaws with the Navy’s personnel management that I found to be shocking. First, was that “nearly 35 percent of the people who joined the military annually, wouldn’t complete their enlistment contracts.” (p.2) Such turnover can be understood by many business managers in the service industry, but unlike the quick and cheap training process for them, the cost for the military (taxpayers) is astounding. Abrashoff estimates that it cost roughly “$35,000 to recruit a trainee and tens of thousands more in additional training costs to get new personnel to the basic level of proficiency.” (p.2) Curbing this trend on his own ship and eventually helping to achieve a decrease overall in the mil...
Yossarian’s refusal to fly the ever-rising amount of missions and his reputation with the other men in his squadron show the heroic qualities of his actions. At first, his avoidance of combat seems merely self-centered, as the war is not something he believes in. When Yossarian has his traumatic experience trying to save Snowden in which he realizes that “man is matter” (450), his motives broaden as he realizes how fragile life is. Not only is he practicing self-preservation by refusing to fly, which can be seen as a heroic act in itself in a situation where life is so undervalued, but he is also refusing to kill and risk the lives of ...
This toxic and deceitful environment is shocking, especially because the book focuses on the united states military. The tone of Catch-22 is vastly different from the other glamorous patriotic war novels of the time. Instead of focusing on glamorous, fictionalized tales of heroism, Catch-22 focuses on corruption and deception, and more importantly how Yossarian begins to see the war and all of its lies. This is how the novel begins to reveal one of its most important messages. It focuses on lies and suffering and reveals the real intentions of deceitful officers who justify their actions because its “for the good of the country”. Through this focus on corruption, lies and broken promises Yossarian begins to realize that war is not glamorous, no one fights or dies for their country, they fight and die on the orders of uncaring commanding officers. As Yossarian realizes the horrible truth of war, he helps convey it to the readers, constantly commenting on the futility of their fight, questioning orders like the bombing of an innocent village, and mourning is friends senseless death. He further shows his opinions of war by constantly trying to avoid conflict, faking injuries, fleeing to Rome and trying to have himself removed from active duty. Yossarian constantly criticizes his generals and is instrumental in helping the reader realize just how little they care about the war or their soldiers, more focused on their own personal glory, shown through Sheisskopf’s obsession with awards and parades and Cathcarts constant raising of flight missions required. These men risk nothing while putting young soldiers in unnecessary and life threatening situations just to raise their own status. Yossarian and Catch-22 use corruption and deceit to reveal a much larger lie, there is no honor in war, men kill and die for an uncaring commanding officer, not for freedom or their
Catch-22 is a black comedy novel about death, about what people do when faced with the daily likelihood of annihilation. For the most part what they do is try to
Taking place during World War II, the novel “Catch-22” introduces Captain John Yossarian, who is in the United States Air Force, while in a hospital acquiring from an illness of his liver. He is constantly concerned that people are trying to kill him, proving in postponing his number of missions and going to extremities at times such as poisoning his own squadron and moving the bomb line during the Great Big Siege of Bologna. Yossarian’s character endeavors at all costs to stay in the hospital by reason of "There was a much lower death rate inside the hospital than outside the hospital, and a much healthier death rate. Few people died unnecessarily." (175). While he desperately refused to complete his never ending missions in the dilemma of Catch-22, author Joseph Heller classifies Yossarian as a hero because of his loyalty, his ability to remain sane throughout the war, and his heroic characteristics.
The essay “A Modest Proposal” written by Johnathan Swift takes a satirical view on how to solve the starvation issue in Ireland. Swift suggests an obviously satirical solution of eating children around the age of one. He used irony, ambiguity, and ethos to emphasize the satirical nature of the essay and present a captivating idea to the audience.
Catch 22 by Joseph Heller is a complex and intricate novel. Heller uses many themes, does not have the story line in chronological order and often uses irony in his descriptions. Many of the themes can be compared to other literature. One of the themes that can be compared is fear in war. The idea is that the evils and cruelty of war can make a grown man go back into a "fetal" state. This can be seen in The Ball Turret Gunner by Randall Jarrell and can be compared to the metaphor used in chapter five of Catch 22. In this chapter Yossarian talks about the tight crawl space which led to the plexiglass bombardier’s compartment.
Heller reveals information not in the conventional manner of regular time sequencing and revelation of information correspondingly, but through the repetition of events and flashbacks, thus passing on to the readers the suffocating feeling of soldiers in a merciless system of needless and unwilling sacrifice. The different story lines of the different characters occur in the same –relatively- period of time, but appear as entirely different chapters in seemingly non-consequential parts of the novel. That disorganization, as well as the repetition from re-reading the same key events with new character insights adds to the overall feeling of confusion and madness that permeates from told events and descriptions of bureaucratic inefficiency and lunacy. For example, the readers are told the full story of Snowden’s death from the perspective of Yossarian, but never the full story at once. Heller divulges the story, in all, three times at various points in the novel, each time revealing more information as to why the death impacted Yossarian so profoundly. The repetition of such events gives the readers the feeling that they have already experienced that event before, and the inescapability of the soldier’s situation becomes clearer; just as the readers feel trapped by the cyclical revelation of information, the solders feel trapped by their own country’s
Milo spends most of his time in the army traveling Europe, the Middle East, and Africa in search of the best deal. With the use of "donated army equipment" (239) he buys and sells various items in order to make the highest profit. Rather than fly missions, Milo seeks to make money, capitalizing on his time abroad. After all, Milo "didn't start this war...[he's] just trying to put it on a businesslike basis" (262). This attitude leads Milo to begin a syndicate, one in which "everybody has a share" (238-239). This proposed arrangement keeps everyone at ease, so much so it leads to general sloth. Because "everybody [has] a share, ...men [get] fat and [move] about tamely with toothpicks in their greasy lips" (259). One by one, the men succumb to the charms of plenty as well as to their internal greed...
Catch-22 and the Theme of Death & nbsp; There are many ways for a man to die, but there is no way to bring him back after he has entered the world of death. Catch-22 is a novel satirizing war, and because of this, it inevitably has a strong underlying theme of death. But unlike many war novels, Catch-22 doesn't use violent depictions of fighting or bloody death scenes to denounce the evils of war; it utilizes humor and irony to make an arguably more effective point. And even more importantly, Catch-22 is ultimately a novel about hope, not death. Although the inevitability of death is still a prominent motif, it eventually leads the main character, Yossarian, to realize that the desire to live is important and also that he can't simply live; he must live free of hypocrisy and oppression. & nbsp; Nately's whore plays a major part in conveying the message about life and death in Catch-22, even though she doesn't become an important character until the novel nears its climax.
“ In order to be grounded you must be crazy, but if you ask to be grounded, you must not be crazy anymore, so you have to continue flying”(Heller 40). This is the justification of what a catch-22 is. Insane behavior and the fight for freedom are both acts, which transpire in Catch 22. Yossarian, a squadron captain is in World War II flying a plane and fighting for his country. Though trying to get out, he knows there is only one way, and that would only get him “away” from all of the terror. This brings the reader to the theme of the play, escape. “Insanity is the only sane way to deal with an insane situation”(Heller 78). Joseph Heller’s Catch-22 explains an insight of which a paradox providing no way out of conflict is overcome and in the end, defeated.
In fact, he began as a rather forthright mess officer who was actually committed to taking care of his men. However, as his profit-chasing motive begins to run rife, he takes extreme measures to satisfy his greed, seen when he strikes a deal with the enemy (The Germans) to bombard his own men, for the sole purpose of recovering money from a cotton investment. He sees the enemy as business partners that he has to honor, rather than as war enemies he should be against, as he directly states, “And the Germans are not our enemies.... sure, we’re at war with them. But the Germans are also members in good standing of the syndicate, and it’s my job to protect their rights as shareholders… don’t you understand that I have to respect the sanctity of my contract with Germany?” (256). Furthermore, it should be noted that although the men were bombed, they still accepted the payment, suggesting that it is everyone has some degree of greed within them, although the men certainly do not possess the same level of greed as Milo. As seen, the very nature of greed seems to eventually take over, as Milo begins to lose self-awareness, and even expects others to comply with his view. In his eyes, a business contract is the highest order he needs to respect, especially when it benefits
As inappropriate as it sounds, humor was used in an attempt to cheer up the soldiers. Humor is a way to temporarily relieve the pain or stress of an ongoing issue. Laughter, or even just smiling can have positive effects on the body. O’Brien explains in an interview with Patrick Hicks on why he used humor in his story as part of a coping mechanism. He stated, “It 's very important to me when I 'm writing tragedy to have humor in it, and vice-versa. The world is not uni-dimensional. It 's not all sad or all happy. I remember reading Man 's Search for Meaning, Viktor Frankl 's book, and Primo Levi on the concentration camps, and even their humor was a way of coping and dealing with the world--it 's called gallows humor. It was rampant in Vietnam (Hicks, 2005).” Being in Vietnam and fighting this whole war was unpleasant, so he used humor in hopes of making things somewhat
Irony is a beautiful technique exercised to convey a message or call a certain group of people to action. This rhetorical skill is artfully used by Jonathan Swift in his pamphlet “A Modest Proposal.” The main argument for this mordantly ironic essay is to capture the attention of a disconnected and indifferent audience. Swift makes his point by stringing together a dreadfully twisted set of morally untenable positions in order to cast blame and aspersions on his intended audience. Jonathan Swift’s “A Modest Proposal” employs despicably vivid satire to call for change in a world of abuse and misfortune.
Bureaucracy and war are common subjects of many satirical novels, but Joseph Heller creates a complete illogical and absurd world formulated around both of these subjects in his own satirical work, Catch-22. In Heller’s formless novel Catch-22, Yossarian, the protagonist and a young bombardier, is stationed on the small island of Pianosa during World War II along with with many other “insane,” complex, and significant characters, who are forced into carrying an always increasing number of dangerous flying missions. While Yossarian is deployed, he struggles with the inevitability of death and his mortality, defining his own morals, finding a way to survive, and the horror of war during the chaos and carnage of World War II. The motifs of madness and absurdity, along with the theme of sanity vs insanity, circulate throughout; Heller uses many of the characters’ thoughts, actions, and the famous “Catch-22” to illustrate these themes. Heller uses different literary, satirical, and absurdist techniques, such as paradoxical statements and irony, to criticize the meaninglessness of war and life and the corrupt nature of the bureaucracy.