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War literature essays
War literature essays
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The concept of betrayal and deception is as old as humanity itself, and has been appearing in literature since humans first began to write. From the Bible itself to modern fiction, deception has been a major theme in literature, appearing in countless classic and important poems and novels. In the novel Catch-22 by Joseph Heller deception is everywhere, on both minor and grand scales carried out by countless characters, however the most important deception comes from the protagonist of the story, Yossarian.
During the war Yossarian has one single goal: stay alive. All of his deceptions are carried out in the name of self preservation. Catch-22, starts off with almost immediate deception as Yossarian waits in the hospital with made up liver
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damage. Throughout the novel Yossarian uses this fake affliction (with help from army personnel and doctors) to avoid flight missions and escape fighting in the safety of the hospital. Yossarian deceives his superiors to stay safe, even without any immediate threat to his life. However, later in the novel when is life is actually threatened Yossarian plans his greatest deception. The night before a dangerous air raid to Bologna, Yossarian sneaks into the command tent and shifts the bomb line. By moving the bomb line over Bologna Yossarian convinces his superior officers that the United States has captured Bologna, canceling the dangerous air raid. If this deception had been discovered Yossarian could have faced massive consequences, but Yossarians drive for survival is far greater than his concern for his reputation or military career. This deception could have potentially saved Yossarian’s life, and shows that Yossarian only lies and deceives others in the name of self preservation. As great as Yossarians drive for survival might have been, there were other potential factors in Yossarian's deceptions. Yossarian lived surrounded by deception, his friends, soldiers and commanding officers all lied and schemed, deceiving each other and Yossarian. Some of these deceptions were malicious and dangerous, putting Yossarian’s life in danger. The most notable example of the corruption that surrounds Yossarian is General Cathcart, who repeatedly lied to and deceived all of his men. Despite the military only requiring thirty-five flight missions per pilot, Cathcart repeatedly raises the number until it hits 80 without alerting the men, forcing them to continue risking their life for him. Cathcart and the other Generals always promised the men they could leave when they complete their required number, however no one ever manages to finish before Cathcart raises the number again. Yossarian is constantly deceived by Cathcart and all of his other commanding officers and by many of his fellow soldiers. This drives Yossarian to near insanity, and begins to corrupt him. Spending years in this corrupting and deceitful environment begins to make Yossarian start questioning the true motives of the army and those around him, driving him to lie and deceive others in the name of self protection. Throughout the entire novel deception is everywhere, manipulating and corrupting characters.
This toxic and deceitful environment is shocking, especially because the book focuses on the united states military. The tone of Catch-22 is vastly different from the other glamorous patriotic war novels of the time. Instead of focusing on glamorous, fictionalized tales of heroism, Catch-22 focuses on corruption and deception, and more importantly how Yossarian begins to see the war and all of its lies. This is how the novel begins to reveal one of its most important messages. It focuses on lies and suffering and reveals the real intentions of deceitful officers who justify their actions because its “for the good of the country”. Through this focus on corruption, lies and broken promises Yossarian begins to realize that war is not glamorous, no one fights or dies for their country, they fight and die on the orders of uncaring commanding officers. As Yossarian realizes the horrible truth of war, he helps convey it to the readers, constantly commenting on the futility of their fight, questioning orders like the bombing of an innocent village, and mourning is friends senseless death. He further shows his opinions of war by constantly trying to avoid conflict, faking injuries, fleeing to Rome and trying to have himself removed from active duty. Yossarian constantly criticizes his generals and is instrumental in helping the reader realize just how little they care about the war or their soldiers, more focused on their own personal glory, shown through Sheisskopf’s obsession with awards and parades and Cathcarts constant raising of flight missions required. These men risk nothing while putting young soldiers in unnecessary and life threatening situations just to raise their own status. Yossarian and Catch-22 use corruption and deceit to reveal a much larger lie, there is no honor in war, men kill and die for an uncaring commanding officer, not for freedom or their
country. Yossarian’s deceptions throughout the novel are largely motivated by a drive for survival and a corrupting dangerous environment. Yossarians own deceit and all of the lies present around him and the story are vital in sharing Catch-22’s message. War is not willingly fought for honor and freedom, war is fought by soldiers with no control over their own lives, fighting for the glory of a few commanders, and to desperatly protect their own life.
Catch-22 is a fictional novel written by author Joseph Heller that takes place during the end of WWII. The US entered WWII in December 1941 in reaction to the attack on Pearl Harbor by Japanese air forces. The book is set in Italy, where the main character was stationed and where the US forces were fighting the axis powers. Heller himself was a bombardier like his main character, Joseph Yossarian. They were both also stationed on small islands off the coast of Italy: Heller on Corsica and Yossarian on Pianosa. Heller’s personal experience during the war shaped his descriptions and characterizations in the novel.
Heller, Joseph. "Chapter 21." Catch-22. New York, NY: Simon & Schuster Paperbacks, 2004. 210. Print.
This is an iconic passage from Joseph Heller’s Catch-22, a novel set near the end of the Second World War. Crazy, and yet hauntingly logical at the same time, Catch-22 manages to convey the horrors of war from a unique perspective. This novel leaves the traditional idea of the “enemy” (in this case, the Nazis) is in the background, as the primary focus is on how the soldiers fight for their lives against the bureaucracy of their own army.
Published in 1961, Joseph Heller’s Catch-22 is a satire of war with a twist. Heller wrote his narrative nonlinearly. Although certain critics described the novel as “disorganized, unreadable and crass”, the mismatched chronology complements Heller’s style of writing and draws the reader’s interest. One key point of Catch-22, the catch-22 paradox, makes use of the nonlinear structure to encircle the reader in the contradictions. In addition, Heller’s style of writing provides a point of viewing different from most novels. While the narrative may seem complex and overwhelming at first, the reader learns to appreciate the subtleties of Heller’s labyrinthine plot.
At what point do the qualities of an antihero become heroic? Joseph Heller’s Catch-22 follows the experiences of protagonist and noted antihero Captain John Yossarian, a bombardier of the 256th Squadron of the Air Force stationed on the island of Pianosa during World War II. Frequently opposed by the immoralities and illogic of war and military bureaucracy and haunted by the deaths of men in his squadron, Yossarian is overcome by the paranoia that “they‘re trying to kill [him]” (26), and constantly avoids his militant duties in effort to stay alive. Due to his seemingly foremost concern of self-preservation, avoidance of responsibilities and cowardice, Yossarian is commonly perceived as an antihero. However, the goodness of his character is revealed through his moral consideration of others, the way his fellow men admire him, and his reactions to the corruption he discovers in the military system. Thus, although Yossarian does not possess the typical characteristics of a traditional hero, his inherent concern for the well-being of others and defiant acts ultimately prove his heroism.
In Catch-22, opposite Miller's The Crucible, Joseph Heller utilizes his uncanny wit to present a novel fraught with dark, satiric comedy tied up in a relatively formless plot. The character of Nately acts as a focal point for many of the humorous oxymoronic criticisms contained within Catch-22, as "Nately had a bad start. He came from a good family" (Heller 34), and he ".was the finest, least dedicated man in the whole world" (35). Proliferating Catch-22, satirical dark comedy appears in every chapter, even in the depiction of death (Cockburn 179): ".McWatt turned again, dipped his wings in salute, decided, oh, what the hell, and flew into a mountain"(Heller 157). Furthermore, the plot of Catch-22 follows a cyclical structure in that repetitions of particular events recur in a planned randomness, an oxymoron that pays tribute to Catch-22 itself (Merrill 205-209). A recurring structure within Heller's novel defining his ...
...and up to the Catch-22 scheme, he ends the novel with Yossarian standing up to the military and refusing to fly more missions. His growth over the course of the novel is important, however, the final chapters show him as a hero. After everything he has been through, including many deaths and the sight of Snowden in the plane, his ability to remain sane throughout the war proves heroic and his growth as a person has made him a valuable hero. The ripeness in “Ripeness was all” (450) concludes Yossarian’s boldness to stay alive because, after all, man can, for a short time, remain alive with himself. His loyalty to his fellow soldiers categorizes him as not only loyal but a soldier who cherishes the relationships he shares with his tent mates. His importance as a hero is defined by his act to face the military and help his fellow soldiers instead of being narcissistic.
Deception can involve being tricked by others, or tricking one's self. In Card's novel, trickery and false promises are parts of both games and deadly conflicts. Discuss the ways that deception is figured in the novel.
Heller reveals information not in the conventional manner of regular time sequencing and revelation of information correspondingly, but through the repetition of events and flashbacks, thus passing on to the readers the suffocating feeling of soldiers in a merciless system of needless and unwilling sacrifice. The different story lines of the different characters occur in the same –relatively- period of time, but appear as entirely different chapters in seemingly non-consequential parts of the novel. That disorganization, as well as the repetition from re-reading the same key events with new character insights adds to the overall feeling of confusion and madness that permeates from told events and descriptions of bureaucratic inefficiency and lunacy. For example, the readers are told the full story of Snowden’s death from the perspective of Yossarian, but never the full story at once. Heller divulges the story, in all, three times at various points in the novel, each time revealing more information as to why the death impacted Yossarian so profoundly. The repetition of such events gives the readers the feeling that they have already experienced that event before, and the inescapability of the soldier’s situation becomes clearer; just as the readers feel trapped by the cyclical revelation of information, the solders feel trapped by their own country’s
"Joseph Hellers Catch-22 is a novel that deliberately sets out to show that we live in an absurd universe. In the world that Heller creates we feel like a stranger and yet f...
In 1955, Joseph Heller wrote Catch-22. The story takes place on a small island in the Mediterranean Sea off the coast of Italy. As the story progresses, it follows the actions of a man named Yosarrian and his companions in his squadron. Many of the men begin with high rank and others are promoted throughout the novel. As these men come into power, one of Heller's themes is explicitly shown; as men achieve power, they become compelled to abuse it.
While the beginning of Catch 22 shows a frightened and timid chaplain, he develops into a bold and assertive character by the end. A turning point in the chaplain’s development occurs in his interrogation. Instead of backing down and taking the blame for something that he did not do, the chaplain takes a stand to defend himself and takes a bold step in questioning the ridiculous bureaucracy. By the time Yossarian prepares to take leave to Sweden, Chaplain Tappman is ready to stand up to his corrupt superiors. He tells Yossarian, “I’ll persevere. I’ll nag and badger Colonel Cathcart and Colonel Korn every time I see them. I’m not afraid” (461). The chaplain at the beginning of the novel is a far cry from the brave man at the end who is willing to stand against corruption. Although the reader does not get to see the result of Chaplain Tappman’s newfound courage, one can assume that he at least attempted to turn the army’s bureaucracy in the right
In literature, there is often a character who aims to achieve his goals using deception and trickery. Whether deception can be driven by desires that are morally wrong, such as greed or political power, it can often end up both hurting and helping others. While these characters can seem out of place, they often bring a significant meaning or theme. In the novel Catch-22, by Joseph Heller, the character of Milo Minderbinder employs deception as a means to satisfy his personal greed and yearning for power at the expense of others.
The main character in Catch-22, which was written by Joseph Heller in 1960, was Captain John Yossarian, a bombardier in the 256th Squadron of the U.S. Army Air Force during WWII. Yossarian's commanding officer, Colonel Cathcart, wanted a promotion so badly that he kept raising the number of missions the men in his squadron were required to fight. Yossarian resented this very much, but he couldn't do anything about it because a bureaucratic trap, known as catch-22, said that the men did not have the right to go home after they completed forty missions (the number of missions the Army demands they fly) because they had to obey their commanding officers. Yossarian was controlled by the higher authority like the doctors restrained Joe. The whole novel was basically about how Yossarian tried to fight catch-22.
...ath and those who promote it. The arbitraryness of authority is then passed down to the indistinguishable names of the soldiers, down to the unordered chain of events that leads many characters to their deaths at the expense of superficial desires for men who want nothing but power. Underneath all of the horror it is Heller's strong sense of satire that keeps the reader in a comfortable hospital ward away from all the real horror, until the end when the facade wears off and the horrendous acts that World War II was capable of producing in humanity is put