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Elements edgar allan poe uses in stories in the cask of amontillado
Elements edgar allan poe uses in stories in the cask of amontillado
Elements edgar allan poe uses in stories in the cask of amontillado
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The story “Cask of Amontillado” by Edgar Allan Poe is a short story about how the narrator, Montresor, secretly murdered his friend Fortunato because of the “insults” he believe Fortunato made towards him. Montresor, the narrator of the story, came from an old, perhaps noble family. He possessed considerable taste in wines, paintings, etc. (The Cask of Amontillado), and it is evident that he is very smart. His entire plan of revenge was so well constructed (right timing (carnival), servants out (cause no suspicion)) ((The Cask of Amontillado)) that Montresor had to be a profoundly gifted person. Although there is no doubt that Montresor possesses considerable intelligence, as a narrator, he is unreliable; due to the fact that he is narrating in first person, the lack of evidence and detail in the story, and that he is mentally ill.
The story uses a first-person narrator, and first-person narrators are never reliable (Introduction to Narratology: Unreliable Narrator). Montresor is dedicated to his own point of view, it is possible that he could have left out details, or they may be remembered
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differently (as happens with memory), to make what he does more justifiable and reasonable. In addition, it is a tale of revenge. People do not think properly and are not in a stable mental state when are going to great lengths to get revenge. Mental instability is not reliable. Since Montresor is mentally ill; it makes him an unreliable narrator. He killed Fortunato because of "The thousand injuries” (The Cask of Amontillado) and the “insults” he claims Fortunato did to him. Everyone has vengeful urges, though, only a few people ever become murderers. Montresor showed his satisfaction when murdering Fortunato when he said: “I placed my hand upon the solid fabric of the catacombs, and felt satisfied. I reapproached the wall; I replied to the yells of him who clamoured” (The Cask of Amontillado). And because he murdered Fortunato with enjoyment and panache; with no regret or remorse; it proves that he is mentally ill and unstable. And the fact that he is a killer makes him unreliable. Montresor is also unreliable because there is no evidence that Fortunato actually insulted him.
“THE thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult, I vowed revenge” (The Cask of Amontillado); Montresor never stated what those injuries are or what the insult was, so this must be a huge exaggeration. If Fortunato did insult Montresor in a way that Montresor had to take revenge by burying Fortunato alive; there is no way that Fortunato would be unaware of it to such a level that he would accompany Montresor into such an unpleasant place in Montresor’s house; so the insult must be an exaggeration and Montresor’s action is based around something he deems worthy of revenge but is not true. This proves that the story is biased to Montresor’s point of view and the narrator (Montresor) is
unreliable. In conclusion, due to the lack of evidence for the purpose of Montresor’s actions and his mental instability and the fact that the story uses a first-person narrator, the narrator of this story, in this case, Montresor, is unreliable. People with unstable mind do things that they think there is nothing wrong with it but in reality it is wrong and unlawful. Another reason why the narrator is unreliable is because at the end of the story Montresor said: “For the half of a century no mortal has disturbed them” (The Cask of Amontillado), which means fifty years have passed, and it shows that the story is told fifty years later after the murder; since Montresor is telling the story so long after it occurred, the events may be remembered differently or they may not be remembered well, as memories change throughout time.
In conclusion, Montresor is a very unique and demented character. This story strongly represents three characteristics that Montresor possesses. Montresor’s cleverness is the reason he can irony and detail to the situation. His determination is the driving force for all of his actions in the story. Finally, Montresor’s cruelty is what makes him a one-of-a-kind character with a unique course of action. All of these traits are what answer the question of who is
In the Cask of Amontillado, our narrator’s situation is one he is quite happy being in. Our narrator is Montresor, an Italian man rich with pride, and you quickly learn through his narration that he is intelligent, conniving, and extremely sinister. Throughout the story, everything Montresor does is motivated by one thing, his own thirst for vengeance. Montresor explains his actions are a result of Fortunato constantly abusing him and finally going too far, but he never explains anything Fortunato has done to insult him. When we meet Fortunato, he is extremely friendly towards Montresor, albeit a little intoxicated, so much that he makes Montresor’s story of “a thousand injuries” seem unbelievable (Cask 1). Compared to Gilman’s narrator whose spiral out of control was triggered by her forced seclusion from the outside world, it seems that Montresor’s insanity come from inside his own head. There is no evidence that suggest any attempts by Fortunato to belittle or insult Montresor in any way. I believe that Montresor may have been jealous of Fortunato’s success in life, and that is what drove him to vengeance. For example, on their way to the catacombs Fortunato makes a hand gesture of the Masons, a secret brotherhood, which Montresor doesn’t understand. Fortunato ask if Montresor is a Mason and for him to prove it, and Montresor lies and shows his trowel (Cask 5). This proves that
No matter how well executed, a crime of this magnitude will leave scars on the conscience, thus marring it’s perfection. Conflicting psychological emotions and actions plague the journey causing inner conflict ranging between pity and revulsion by the time the narrator concludes. Notwithstanding the shortage of information on Montresor’s life in the ensuing fifty years since Fortunato’s death; it can be surmised from the events leading to the murder that Montresor does, in fact, have a conscience and that it builds upon itself as the action
According to Montresor, Fortunato committed “a thousand injuries” against him, but it was Fortunado’s insult against Montresor that fueled Montresor’s hatred enough to commit what is the ultimate crime against another person; the crime of death. The opening paragraph of The Cask of Amontillado says,
When they arrive at the Montresor estate, Montresor leads Fortunato down the stairs into the catacombs. Down here is where the Amontillado Fortunato is going to taste and where the revenge of Montresor is going to take place. As he get closer and closer, the narrator opens up more and more to how he is going to kill his "friend". It sound like it is a premeditated murder. Montresor seems so inconspicuous that he acts like he cares about Fortunato which is still a part of his plan.
In Edgar Allen Poe's “ The Cask Of Amontillado”, Montresor, the narrator is insane. “The Cask Of Amontillado” is a story of revenge. Montresor is mad at Fortunato because he said an insult about Montresor. He got so mad that he plotted an extremely good plan to kill Fortunato. At the end of the story Montresor did eventually go to the catacombs and kill him, but nobody has found out that he is dead and it has been 50 years ago. Montresor is insane because he is pleased by the sound of other people's misfortune and suffering and he wants revenge over an insult.
Despite Edgar Allan Poe being one of the inventors of detective fiction, the Cask of Amontillado and The Tell-Tale Heart are not about detection but the process of the murder. The former one is about Montresor, who tells how he killed his ’friend’ Fortunato while he was illuminated. Montresor plans to commit the perfect murder ("I must not only punish, but punish with impunity.”), and seemingly succeeds in that, but scholars like Thomas Pribek, Walter Stepp, J. Gerald Kennedy, Charles May, G.R. Thompson and Scott Peeples argue that Montresor has failed to commit the perfect crime because he has suffered the pangs of remorse. (Baraban 47-48)
In her article, Renee utters that when the thought of vengeance build up in an individual’s brain, it coerces him insane and does not tolerate him to present it a second thought. The first sentence of the story, “The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge,” clearly describes the whole theme of the story as a deeply enrooted revenge in Montresor’s mind” which is an absolute portrayal of retribution that occurs due to arrogance and jealousy. Author sees himself as a superior individual and was victimized by a superiority complex which is quite visible through the phrases which he wrote in the story that Montressor expresses superiority as showed his victim as a foolish person by attributing weird physical appearance and dress appearance in which he described his dress code of “tight fitting parti striped dress and head was surmounted by the conical cap and bells.”
DiSanza finds that “we allow ourselves to ignore the important details withheld from us: Montresor’s audience, his motive, and
“The Cask of Amontillado” is a dark piece, much like other works of Edgar Allan Poe, and features the classic unreliable narrator, identified by himself only as Montresor. This sinister central character is a cold ruthless killer that is particularly fearsome because he views murder as a necessity and kills without remorse. Montresor is a character who personifies wickedness. Poe uses this character and his morally wrong thoughts and actions to help the reader identify with aspects of the extreme personage, allowing them to examine the less savory aspects of their own. The character of Montresor detailing the glorious murder he committed is a means of communicating to the reader that vengeance and pride are moral motivators that lead to treacherous deeds and dark thoughts.
Because Montresor narrates the story in the first person, the reader is able to perceive his thoughts and understand his motivations and justifications for his ruthless murder in a manner which a third person point of view would not allow. Montresor’s personal narration of the events of the story does not justify his crime in the audience’s eyes, but it does offer a unique opportunity for the audience to view a murder from the perspective of a madman killer. It is Poe’s usage of this unique angle that causes the story to be so captivating and gruesomely fascinating. As the story opens, Montresor explains why it is necessary that he “not only punish but punish with impunity” to avenge for Fortunado’s insult to him. This justification for his crime is a piece of information that the audience is able to learn only because they are permitted inside the mind of the protagonist. In the final scene, when Montresor is carrying out his murder pl...
Edgar Allan Poe is one of greatest American authors and poets. He is well-known as a master of using irony in his story. “The Cask of Amontillado” is a horror story about revenge of Montresor upon Fortunato. Fortunato believes Montresor is his good friend, but he ends up with being chained and walled in to the catacombs. There are three types of irony used in this short story: verbal irony, dramatic irony, and situational irony. Using these ironies, Poe wants the readers to understand about Montresor’s “friendship” with Fortunato.
All we know about what Fortunato did to Montressor is some kind of insults. “THE thousand injuries of Fortunato I had to borne as best could, but when he ventured upon insult I vowed revenge.” The story doesn’t come out, and tell the readers what Fortunato has done. The speaker in A Poison Tree is also seeking revenge on their enemy. “I was angry with my foe.”
“In Montresor’s confession to the priest, his honesty interlaces with darkness. He “vomits” the book of his life. His final words: “In pace requiescat!” (24), reveals a different aspect of Montresor. Like an onion divested of its covers, Montresor, having freed himself of painful knowledge, darkness, feels dizzy or lighthearted. He turns around and playfully gives Fortunato his last rites. The confession within the framework confession is a peephole into Montresor’s heart. Having carried Fortunato in his mind and heart, Montresor feels free at last. When Montresor confesses after fifty years on his deathbed, remorse is not paramount.” (Whatley 2). Once his grudge leaves him, he starts feeling guilt and remorse. He killed Fortunato because of the grudge he had and the anger that was in his heart. It was not the right thing for him to do but he did not realize it until after the deed was done. He does not tell anyone about this for fifty years. In this long silence, he is confronted by his guilt. His heart feels low and he is disappointed in himself. He keeps calm on the outside but on the inside, he is being torn apart. He finally cannot take any more fifty years later and had to tell what happened after his guilt convicted him more than he can
“Enough,” said Fortunato, “the coughs a mere nothing; it will not kill me. I shall not die of a cough.” “True—true,” replied Montresor. If only Fortunato had known the irony behind this saying. Montresor, the revenge seeker in “Cask of Amontillado” by Edgar Allan Poe, will be the main subject of this writing. Montresor has been bothered, in this story, by insults that drove him to wanting revenge. Revenge on a wine tasting friend of his named Fortunato. Montresor, having the family motto Nemo me impune lacessit meaning ‘no one attacks me with impunity,’ felt the need to get his revenge on Fortunato for insulting him. Knowing that Fortunato is dependent on alcohol, Montresor ruses Fortunato into believing he has Amontillado, a type of wine. For that reason, Fortunato follows Montresor into the vaults where Montresor quickly chains Fortunato in a crypt, builds up a stone wall to keep him in, and leaves him there to pass. Montresor accomplishes retribution because of intelligence, pride, and vindictiveness.