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Use of Symbolism
Use of Symbolism
Essays on symbolism in literature
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Although the townspeople are convinced that werewolves make a pact with the Devil, Carter suggests that they are really connected to God. She echoes the Romantic notion of locating the divine in nature, even the parts of nature that are not traditionally beautiful. In a way, Carter tells us through this story that we are all part "beast," and are only authentically ourselves or close to Christ-Christianity's ideal being-when we claim our "bestial"
Good vs. Evil in John Gardner's Grendel? & nbsp; John Gardner's novel Grendel gives the reader a new perspective on the classic "good vs. Evil" plot. From the start of the book the reader can tell that there is something very unique about the narrator. It is evident that the narrator is a very observant being that can express himself in a very poetic manner. The story is one the reader has most likely seen before, the battle between the glorious thanes and the "evil" beast. In this case, however, the "beast" is the eyes and ears of the. reader. This, of course, forces the reader to analyze situations in the book in the same way that Grendel does. By using this viewpoint, author allows his readers to see the other side of the coin. Therefore, Throughout the course of the novel the reader is able to understand how important to Grendel in defining the human. & nbsp; Grendel's first encounter with the human beings that he literally defines is not a pleasant one. After accidentally trapping himself in a tree he is discovered by a group of thanes out on patrol. Grendel expresses absolutely no hostile intentions towards these "ridiculous" (ch. 2). pp.24) creatures that "moved by clicks." (ch.2, pp.24) The thanes do not understand what Grendel is and are very uneasy about the whole situation.
A being cursed for evil goes through life looking for meaning. How can a monster of biblically banished descent be challenged with ideas of morality. In John Gardner’s postmodern novel Grendel, Grendel, explores and speculates on the meaning of life, humanity, and existence while being cursed to life as a monster. Due to his own bleak existence and the observations he has made of mean, Grendel views life as meaningless. Even though he is a descendent of Cain, the distinction between good and evil is blurred in Grendel’s perspective. How can a monster view morality when he is the wicked one yet he watches humans kill each other for bloodshed? Grendel is trying to make sense of an absurd world while the different theories shape his own identity.
In former United State’s president Jimmy Carter’s Foreword to Arctic National Wildlife Refuge: Season of Life and Land, A Photographic Journey by Subhankar Banerjee, he states his opinions on the topic of turning the Arctic National Wildlife Refuge into a building for industry. In this foreword, Carter uses three main rhetorical devices in order to strengthen the logic and persuasiveness of his argument of protecting the Arctic National Wildlife Refuge. These three rhetorical devices: ethos, pathos, and logos, are considered universally as the three necessary tools of persuasive literature.
One character that resembles a biblical character is Cathy Ames. Throughout the entirety of the novel, her character portrays that of a monstrous almost inhuman creature. "... just as there are physical monsters, can there not be mental or psychic monsters born? The face and body may be perfect, but if a twisted gene or malformed egg can produce malformed soul? To a criminal, honesty is foolish. You must not forget that a monster is only a variation, and that to a monster the norm is monstrous" (72). These abilities Cathy possessed allowed her to manipulate and control nearly everyone. Her inborn talent enabled her to repress normal emotions of love and thus posses many devil like characteristics. One being the manipulation of sex. In the second half of the story Cathy has married and unintentionally bears the lives of her two unborn sons. Before arriving in their destination of King City, Cathy deviously attempts to abort the lives within her. "He [Dr. Tilson] looked around the room. He stepped to the bureau and picked up a knitting needle. He shook it in her face. 'The old offender - the old criminal. You're a fool. You've nearly killed yourself and you haven't lost y...
In O’Connor’s Mystery and Manners she says the following: “From my own experience in trying to make stories ‘work,’ I have discovered that what is needed is an action that is totally unexpected, yet totally believable … and frequently it is an action in which the devil has been the unwilling instrument of grace.” O’Connor wants to represent the action of God’s grace in the world, a world that is “enemy territory,” and with characters who repel His grace, but eventually surrender to it; this is precisely what Asbury does in the “Enduring Chill” (O’Reilly). Overall, I hold the belief that God can move us to Him, even using our “defective wills.”
“I believe there are monsters born in the world . . . misshapen and horrible . . . accidents and no one’s fault . . . punishments for concealed sins . . . [their] face and body may be perfect . . . ” but they are the product of “a twisted gene or a malformed egg . . . ” (71). Literature, throughout history, has conveyed a plethora of themes, ranging from the struggle to understand divine intervention, to adversity, to the dramatization of life and death. One of the most prestigious and conventional of these themes is the conflict betwixt good and evil. Demonstrated through many works of literary merit, this divergence intensely sears the pages of history dating as far back as the Biblical story of Adam and Eve. Although this idea is deeply rooted in the past, its relevancy is not depleted, still serving as one of the most controversial topics known to man. Author John Steinbeck procured a fascination with this controversy, and ultimately produced his most ambitious work, East of Eden, to create a symbolic history that would possess significance for all. John Steinbeck’s East of Eden fundamentally captures the essence of the battle between good and evil through the dramatic use of symbolism, which insinuates the Biblical story of Adam and Eve, and the poisonous rivalry between their sons, Cain and Abel.
Through the story Simon acted as the Christ Figure. The death of Simon symbolized the loss of religious reasoning. As the boys killed Simon they had let out their savage urges and acted in a cannibalistic manor. Even after the death of Simon Jack and his tribe did not feel any penitence to what they had done, killing to them had become second nature.The circle became a horseshoe. A thing was crawling out of the forest. It came darkly, uncertainly. The shrill screaming that rose before the beast was like a pain. The beast stumbled into the horseshoe."Kill the beast! Cut his throat! Spill his blood!" (Golding 141).In this quote a figure had crawled out of the forest and the ring had opened to let it inside. Mistaken as the beast by the Jack's tribe, Simon was beaten to death. After the group disbanded for shelter from the storm. The storm subsided and the tides moved in and out, Simon's body was washed to sea. Here because of the storm, the darkness and fear the boys became hysterical. They acted savagely not knowing what they were doing. The boys did not take a second look to what their actions were. They had let their malicious urges control them. He cam-disguised. He may come again even though we gave him the head of our kill to eat. So watch; and be careful (Golding 148). Here Jack is warning his tribe about the beast. Not caring or taking any notice to what had taken place with Simon. Jack or his tribe does not feel any remorse for the murder they had committed, whether they realized that or not. To Jack and his tribe what they had done was a pretentious accomplishment. A death could go by their eyes blindly.
President James Earl “Jimmy” Carter, Jr. was our 39th president. He served one term from 1977 to 1981 (Freidel). Before presidency, he attempted to build his political resume. His platform on which he ran gave him popularity. While in office President Carter held many accomplishments and failures. One reason being his relationship with the vice president and cabinet. His public persona was an important factor to be considered for reelection. There were various events that occurred during his presidency and affected his tenure.
Golding’s use of symbols to strengthen his biblical allusions adds more power to the main theme of a corrupted society, through mankind’s inner evil. The connection between the title and a demon within The Bible, Simon and Christ, the beast and Satan, and lastly, the island and the Garden of Eden, serve as foundations for the thematic ideals of sin, corruption, beauty, fear, and forgiveness that outline Golding’s literature. By intertwining biblical allusions, Golding was able to further support his principle that we are all evil, and the references became an important part of his novel.
Many historians view Carter’s term as president infective due to his way of dealing with the hostage crisis in Iran and the Soviet Union invading Afghanistan.
Jimmy Carter was president of the United States from 1977 to 1981, During this time he helped paved the way for peace between Israel and Egypt. Jimmy Carter established the Camp David Accords, which ended up being historic for bringing peace in Israel, even if only for a short time. Jimmy Carter is a humanitarian and has won a Nobel Peace Prize for his work with trying to establish peace in the area and will always be regarded as making a bold move in the process for peace in the region. Jimmy Carter’s involvement with the Arab-Israeli conflict reveals how much he tried to restore peace in the region.
"Maybe there is a beast... maybe it's only us." In William Golding's post-war novel, The Lord of the Flies, he illustrates how darkness is within everyone by portraying the island as a replica of World War II. The island symbolizes life in the real world by allowing people to view the war through these young boys. The background of the book and the outside world are shown to correlate through the symbols. The archetypal symbols, characters, and setting relay the idea that the beast is within.
Per this writer, at the beginning of his government Jimmy Carter had been governor of a southern state with no national or international involvement. Nevertheless, while having his own foreign policy goals. Carter believed in the rule of law in international affairs and in the principle of self-determination for all people. Furthermore, he wanted the United States to take the lead in encouraging universal human rights. Carter believed that American power should be exercised carefully and that the United States should avoid military interventions as much as possible. Thus, he wanted that American relations with the Soviet Union would continue to expand, and that the two nations could come to economic and arms control agreements that would diminish Cold War tensions. Carter's
Hawthorne uses imagery and details to paint a dark landscape. Brown takes “a dreary road, darkened by all the gloomiest trees of the forest, which barely stood aside to let the narrow path creep through, and closed immediately behind.” (Hawthorne 1). The night symbolizes evil and sin lurking, hidden by the darkness and absence of light. On his journey, he meets a traveler (Hawthorne 1). The story does not state that this man is the devil, though it is assumed; “it is doubtful that he recognized Satan at first, but he knew that his journey was an evil one, and his conscience hurt him because of his disloyalty to Faith.” (McKeithan 2). This companion walks Young Goodman Brown through the forest where they come across many figures from Brown’s past and present religious circles. They find Deacon Gookin, the town minister, and Goody Cloyse, “a very pious and exemplary dame…and was still his moral and spiritual adviser,” (Hawthorne 3). Later, Young Goodman Brown tells the traveler “‘That old woman taught me my catechism’… and there was a world of meaning in this simple comment.” (Hawthorne 4). The reader can almost hear the disappointment and despair when Brown realizes that his mentor is in the evil forest, just as he is. Hawthorne uses the symbols of role models to show that Brown puts his faith in people, not God. This is an ordinary
Also, Brown recognizes a righteous woman walking through the forest “Who taught him his catechism in youth, and was still his moral and spiritual advisor” (Hawthorne 32). Brown’s catechism teacher is coincidently walking in the woods at the same time as Brown and the Devil because both are going to the meeting held by the Devil. The catechism teacher and Brown are both disobeying God by associating with the Devil which symbolizes how frequently humans violate God. Hawthorne incorporates the catechism woman to convey that everyone in society commit sins without influence from others. Likewise, the priest was informed by the deacon “That some of [their] community are to be [there] from Falmouth and beyond, and others from Connecticut and Rhode Island” (Hawthorne 33). The priest and the deacon discuss the other church members from different areas that will be appearing at the meeting held by the Devil also. Even the priest and deacon, who are devoted to God, are unfaithful because they associate with the Devil. Because of the sufficient amount of Puritans that are attending the meeting, this displays how Puritans commit immortality by their own judgment and no one else's. In the same way, the priest and deacon are talking quietly to each other in the woods “So strangely in the empty air, passed on through the forest, where no church had ever been gathered, nor solitary christian prayed” (Hawthorne 33). Brown is by himself contemplating his thoughts when he hears two familiar voices and recognizes they are the priest and the deacon. The priest and deacon are discussing the numerous other church members who are complying with the Devil as well. Thus, the church members in society are committing the equivalent sins as Goodman Brown is, suggesting all humans sin. Through the use of a religious woman, the deacon, and the priest, Hawthorne dramatically expresses