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Recommended: Violence in movies
Since the last century, the City of New York has been epicenter of the entertainment industry. Its neighborhoods and the many emblematic places such as The Empire State building or the Statute of Liberty have been part of the most ambitious films. Accordingly, New York City is one of the famous metropolises around the world. Besides the attractions and places that belong to this urban jungle, its undeniable fame is due to its appearance as an arena in production films. One of my favorites movies filmed in New York City is “Carlito’s Way”. Carlito’s Way, starring Al Pacino, tells the story of Carlito Brigante, a Puerto Rican ex-convict who has been behind the bars for five years. After his release, he come back to his neighborhood and wants to stay away from illegal activities but his shady past of drug dealings haunts him. In the movie, he finds himself trapped by his …show more content…
past connections; Carlito has to confront his lawyer and also best friend in order to keep alive. In his career, he wants to leave his shady past in New York, so Carlito takes the job of running a nightclub, but his best friend drag him back into a world of violence when a boss of the Italian mafia is murderer by him because he was unable to pay back a debt.(Wikipedia) Filmed in the Spanish Harlem in Upper Manhattan, the movie capture the essence of the Hispanic community in New York, businesses, music and Spanish accent are added ingredients in the film to highlight the growing population and the emerging presence of the Hispanic population in the city at that time. In my opinion, there is a particular scene that it’s remarkable because this is where a persecution against Carlito takes place. A group of Italian gangsters try to take revenge the death of one of their relative at the hands of Carlito’s friend. So they start a persecution on the subway of New York. The train A section was where the scheme of the plan got executed. One of the best scenes of the film took place in the iconic Grand Central Station. Located at 42 street and Park Avenue this subway station served as a shelter of Carlito when he was trying to escape from the Italian mafia, unfortunately he got executed before boarding the train where his girlfriend was waiting for him. There are three important places of point of interest to highlight in the movie.
At first the Spanish Harlem or also called “El Barrio”. An unsafe neighborhood with social issues that remains up to day as one of the most dangerous neighborhoods in New York where the story for the movie begin (Nelson). Later, we can observe the famous subway of the city of New York, that is one of the most used mass transportation in the world operating in a 24/7 basis with 34 lines and 469 stations around the five boroughs(Itzkowitz). And lastly, the Grand Central Station is captured in the film, which is one of the busiest train stations in the world serving every day around 200,000 commuters (NYC Tourist) In conclusion, from my perspective, the movie is presented in the middle 70’s, showing a portrayal of a City of New York overcrowded. The violence presented is the primary ingredient, drugs, betrayals and murderers are also included in this film that shows the city from a perspective of the streets and the world of the mafia, probably something that happened in those days and remains part of an unseen
underworld.
Before reading or watching the film, I knew little about Cesar Chavez. I only knew that he fought for the rights of farm workers, but had no idea of how he achieved it. I was surprised to learn about some of his innovations that later lead to his success. Especially since some were already used by other strong leaders previously from him. The two innovations that stood out to me the most were the use of nonviolence and boycotting. Both innovations helped Cesar Chavez in achieving fair rights for other farm workers. These innovations are still used and seen today since they have been effective in accomplishing change.
As the 1920’s came to a close and America was in the midst of the Great Depression, a new genre of film was becoming popular. With 1928’s Lights of New York the “gangster” film genre as we know it today was born. Little Caesar and The Public Enemy (1931) were also highly influential and set the scene for the modern gangster film. The culmination of the gangster genre came about a year later. Howard Hawks’ Scarface (1932), is one of the boldest and most political gangster films ever made. Many changes were made by industry censor boards due to the diabolical nature of the film. Most notably, all scenes that contained shots of blood were removed and a subtitle was tacked onto the film denoting it as Scarface: The Shame of the Nation. Considered
3. Throughout the movie, it was apparent that Dr. Francis and Dr. Gallo, displayed the same objective of wanting to discover the cause of AIDS; however, in terms of critical thinking, it’s obvious that they utilize different styles of critical thinking. To further explain, in one segment of the movie, Francis compares and correlates already known viruses that cause cancer, damage t-cells, and exhibit the same symptoms with what he thinks might be the cause of AIDS. However, Francis is comparing his fields of expertise in which he already knows and thinks might be true, not with what has been scientifically proven; therefore, he is using wishful thinking, a speed bump of critical thinking. There are also times in the movie, where Francis thinks
Amsterdam is then led into an orphanage where he grows to be a man, all while Bill Cutting runs the Five Points, and most of New York. The Five Points is a district of New York City and obviously the most corrupt. Crime is all to common, and sickness runs rampant in the area.
The Importance of Being Earnest film produced in 2002 compares to the original version reveal different changes. The change modify the motion which the author would like to transmit in the original document. The important changes are the modification of some stage of direction. The actors changed some stages of direction and created their own. The second change is skipping of some sequences. The actor of the film choose to ignore some sequences which were in the original version. Moreover, the actors added some stages which were not in the preview version. The other point is the incapacity of transmitting all the motion which we can perceive in the reading. Finally, the actors did not show enthusiasm in their performance as we can feel it in
There is no secret that films in the genre of biopic can often stretch the truth. These types of movies are frequently mere depictions of myth that is loosely based on factual accounts rather than being accurate representations of history. Many ethical dilemmas arise from these circumstances. Among those are the damaging representations that may skew a viewer’s perception of how history may have actually played out. Should filmmakers warn viewers that certain historical details of their forthcoming motion picture have been changed for the purpose of film? What are the editorial ethics when important details pertaining to vital pieces of history are left on the proverbial cutting room floor? The brand new film “Cesar Chavez” does a lot of work to bring about the often untold story of the California migrant farmworkers labor activism and organizing, yet in the process, manages to erase the pertinent contributions of the Filipino who many consider as the pioneers of these movements.
Aside from its acting, the other major influence which Mean Streets had upon American film-makers was through it's use of a rock n' roll soundtrack (almost perfectly integrated with the images), and in its depiction of a new kind of screen violence. Unexpected, volatile, explosive and wholly senseless, yet, for all that, undeniably cinematic violence. The way in which Scorsese blends these two - the rock and roll and the violence - shows that he understood instinctively, better than anyone else until then, that cinema (or at least this kind of cinema, the kinetic, visceral kind) and rock n' roll are both expressions of revolutionary instincts, and that they are as inherently destructive as they are creative. This simple device - brutal outbreaks of violence combined with an upbeat soundtrack - has been taken up by both the mainstream cinema at large and by many individual `auteurs', all of whom are in Scorsese's debt - Stone and Tarantino coming at once to mind.
At the start of the film was to the camera goes through the streets of
The gangster genre within films in America has accomplished numerous positive criticisms and constant willing audiences due to containing outstanding spectacles and mind-blowing action. The Godfather, being second on the IMDb Top 250 Movies, has set a new popular concept to life within the Mafia from their point of view. Doing so, creating a positive association. Yet within Italy, the same topic contains a complete different view. Movies such as I Cento Passi demonstrate unenthusiastic view by those whom are outside yet negatively affected by those members. Unlike American films, the gangsters are not as often viewed at the protagonist and are the main causes for the problematic events. But how different is Italian Mafia and American Mafia in cinema?
Specifically, Riis’ photos speak to the overwhelming violence and crime that took place in the Lower East Side in the 1880s. To put it simply, Riis made the decision to publish this book in order to document crime in this area as well as bring attention to the horrible living conditions. As stated by the Tenement Museum, “Rather than blame the poor for these deplorable conditions, he asserted that the environment itself contributed to poverty.” Additionally, the prior theory to Riis’ was that the poor were to blame for their own suffering. However, the Progressive Era soon challenged this notion by examining the economic structure at the time. Author Clayton Patterson comments on the issue of the time: “Two decades ago New York’s loss of housing and jobs, and increase in violence and drugs, created an unforeseen crisis in the Lower East Side, setting the stage for political, social and artistic upheaval.” All of this corruption and turmoil for the citizens eventually affected New York greatly in later years to come. However, focusing on the 1880s and 1890s, lots of gangs were emerging partially due to the influx of immigrants. Cultures clung and stuck together, traveling as one and competing with one another for territory. The tension was prominent, especially among gangs such as the Jewish gang, the Black Hand, and an Italian gang also known as the
The film outlines crooked cops from the perspective of the cops involved and the drug dealer they decided to work for. The film is set in Brooklyn, New York where officer’s Michael Dowd and Kenny Eurell worked for the 75th precinct which serves that specific area. Michael Dowd joined in 1982, during which time criminal activity in the area was at an all-time high. Cop killings were prevalent and officers were only making a salary in the low 30’s which was barely enough to support a man with a family and a mortgage. An expensive taste for life made it merely impossible
The movie is about A mother that leaves her son in Mexico and she goes to the Unites States of America illegally so she could work and her son could have a better life. Her son stayed with his grandma for 4 years until she died, when she died he decided to cross the border so he could go with his mom. Once he was able to cross the border he had different difficulties trying to look for his mom, while looking for his mom he found his dad that he had never met and he asked him if he could take him to Los Angeles so he could be with his mom, his father told him he would, but he never showed up. He met a guy along the way and he decided to help him find his mom, once they arrive in Los Angeles they were caught by the police buy the guy help the
The New Hollywood era occurred in the seventies that, “…signified generational change as well as a nod toward the influence and artistic ambitions of the ‘New’ European cinemas of the 1950s and 1960s” (Kirshner, 2). This era, also referred to as the American New Wave, thrived on films that represented, “…the political, social, and cultural concerns of its day” (Kirshner, 3). The Godfather: Part II, Chinatown, and The Conversation are three films made in the New Hollywood era that represent those certain characteristics.
There are some media that show the hardships that the city and the people of New York go through, which brings the true image of the city to light. Others like Sex and the City that uses only certain parts of the city but very rarely do these parts focus on the things a big city would normally bring, it seems to focus on mostly good qualities. This show is unsuccessful in portraying the real New York because even if the show is in the city very little attention is on it throughout the city. Some media lets us see the opposite of this American Dream, even if it is just a glimpse into that unwanted life; that even when all hell breaks loose we still want to keep this image, the perfect life, the only thing we recognize as what New York is. The show displays only the women’s life, is does not really go into detail on what the city ...
In this episode, New York City is portrayed in a very noir fashion, with the episode almost exclusively taking place at night. This echoes the way New York City was represented in “The Angels Take Manhattan”.