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Fight club themes and analysis
An essay on film noir
Essay analysis of fight club the movie
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David Fincher’s 1999 noir film Fight Club, managed to shatter the barriers between reality and fantasy; while simultaneously expressing ideas against the massive consumer culture. The lack of this barrier allowed the film to maintain a psychotic uncertainty for both the characters in the film and the spectators. Fincher achieved the psychotic theme through noir thematic and stylistic devices such as the narration and disorientation of the film. These devices allow the film to be classified as noir.
Fincher established a “nemesis trope” by figuratively expressing the inescapable agent of the unnamed narrator’s downfall through another character, Tyler Durden. The unnamed narrator is presumed to be the protagonist antihero of the film, Jack. Jack, who is portrayed in the earlier scenes of the film as a typical consumer is later “saved” by Tyler; an anti-consumerist who takes it upon himself to destroy all of Jack’s belongings. Durden strongly believes that the things you own, end up owning you, and that it is only after you've lost everything that you are free to do anything. It is through Tyler’s act of salvation that Jack is lead to his impending doom. Tyler helps Jack live his life through “fight club”, a place where men can figuratively liberate themselves from the consumerist culture by fighting each other. The ideas of fight club escalate into a national “gang” of radical men, who take it upon themselves to free the rest of the nation through crime. Jack begins to hate the person Tyler has turned him into, and attempts to terminate the grand radical scheme. Through this attempt Tyler ultimately becomes Jack’s nemesis trope.
Fincher uses noir thematic devices to maintain a psychotic theme within the film and also to express t...
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... time line of events. Which also goes hand in hand with Jacks insomnia, which shatters the barriers between reality versus fantasy, and memory versus dream for the spectator. Lastly the vast and bizarre camera angles from which the film was shot in help maintain the uncertain feeling for the spectator.
David Fincher’s 1999 noir film Fight Club combines both thematic and stylistic devices to maintain a psychotic uncertainty for both the protagonists and the spectator. Furthermore, the devices shatter certain barriers which overall support the psychotic theme of the film. This constant theme in the film is also presented in Jack’s alter ego who later reveals himself to be the narrators “nemesis trope”. These devices tie into the expressed ideas against the consumerist society and societies inevitable doom due to the belief that the things you own, end up owning you.
In the current age of technology and capitalism, many people get caught up in trying to define their individuality with mass produced goods. In David Fincher's movie Fight Club, the narrator, who is commonly referred to as Jack, invents an alter ego to serve as a source of substance in the hallow world of corporate America. This alter ego, named Tyler Durden, is portrayed as a completely psychologically and physically separate being throughout the movie. The inherent polarity in personality between these two personas proves to be a crucial point of interaction between the two characters, and is the basis for most of the action in the movie. Thus, Fight Club depicts the necessity for a balance between the passive and aggressive aspects of the human psyche, which parallels the main theme and insights that are illustrated in Judith Cofer's "The Other."
“You’re not your job. You’re not how much money you have in the bank. You’re not the car you drive. You’re not the contents of your wallet. You’re not your fucking khakis. You are the all-singing, all-dancing crap of the world.” This is the underlying message in Fincher’s Fight Club (1999), which satirically analyzes and critiques consumerism. The films characters vividly depict society’s immersion in materialism and presents viewers with the harsh reality regarding the irrelevance of material possessions.
“In philosophy, or religion, or ethics, or politics, two and two might make five, but when one was designing a gun or an aeroplane they had to make four” (Orwell 250). Winston lives in a time where a set of rules preventing him to be free are imposed on him – the Party defines what freedom is and is not. “Freedom is the freedom to say that two plus two make four. If that is granted, all else follows (Orwell 103)”. Winston expresses his views on The Party within his diary even though he knows it is not accepted by The Party or the Thought Police. The narrator in Fight Club uses fighting as a form of escapism from his anti-consumerist ideologies revealed by his alter-ego, Tyler Durden. “Fuck off with your sofa units and strine green stripe patterns. I say never be complete, I say stop being perfect, I say let’s evolve—let the chips fall where they may. (Fight Club)” Tyler urges the narrator to stop conforming to consumerist-imposed views of perfection and break barriers to evolve. Tyler and the narrator create a medium for people in similar positions to escape from societal bound norms; it is aptly named “Fight Club”. In comparison, both Tyler Durden and the narrator from Fight Club and Winston Smith from 1984 share
If you have watched the film Fight Club in regards to the early 1990’s and it’s American Consumerism it has a major effect on the countries early audiences which are males between 15 and 34 primarily all white. This led to a huge problem and was considered a controversial film. A film that would impact the world and the society in which people lived in leading to a public response. The huge question towards fight club is if the society would allow such in tolerant actions and if it’s possible to be controversial over the actions of rebellion. Fight Club has nothing to do with revolution but it is about the impossibility of it. This film criticizes the corporations and media and even pushes to criticize any big organizations looking to react against them. When the term Project Mayhem is introduced you noticed that a disorganized number or chaos, a group of men all wearing the same clothes chanting in unison in an anarchy way. The idea of individualism is terminated which is a major attribute of any revolution. For example fascism, communism or whatever idea you can think of. Some can argue that in this film the idea of individualism as it in introduced to us growing up is not the same but it’s a homogenization of the self, which is served to benefit the powers. This of it like this, you have the option to choose out of the two cars a land rover or a range rover. That is your freedom right there. This film helps open up the eyes of all values leading to individualism and has a strange complex with the main character and his different personality disorders. Fight club focuses on the ideas and the values of anyone who has power and those that are seeking to rebel against it.
Fight Club is a novel written by Chuck Palahniuk. This is a story about a protagonist who struggles with insomnia. An anonymous character suffering from recurring insomnia due to the stress brought about by his job is introduced to the reader. He visits a doctor who later sends him to visit a support group for testicular cancer victims, and this helps him in alleviating his insomnia. However, his insomnia returns after he meets Marla Singer. Later on, the narrator meets Tyler Durden, and they together establish a fight club. They continue fighting until they attract crowds of people interested in the fight club. Fight club is a story that shows the struggles between the upper class and lower class people. The upper class people here undermine the working class people by considering them as cockroaches. In addition, Palahniuk explores the theme of destruction throughout the book whereby the characters destroy their lives, body, building and the history of their town.
The Fight Club, directed by David Fincher, constructs an underground world of men fighting with one and other to find the meaning to their lives. Ed Norton and Brad Pitt are the main characters who start the fight club. They make a set of rules in which everyone must follow.
The film also plays with a lot of psychological elements, due to its main character “Scottie” Ferguson having Vertigo, a medical condition that is considered as the most common type of dizziness and causes things like nausea and vomiting to happen. One of the main plots of the film revolves around Scottie trying to overcome and cure his Vertigo for the betterment of his health and well-being as he starts to get older. Probably the most major thing “Vertigo” is known for was popularizing the dolly zoom, which is a camera effect that moves away from the thing it’s filming but the camera still zooms in, which creates a dizzying effect for the viewers. In many cases, the work of just the camera alone tells the story. There are certain scenes that last several minutes that have no dialogue whatsoever,
The narrator in the film Fight Club is questioned about his devastated condo and declares, "That condo was my life, okay? I loved every stick of furniture in that place. That was not just a bunch of stuff that got destroyed, that was me!" This attitude of defining self-identity through a consumer culture has become institutionalized in the American society. The film Fight Club addresses the excessive consumerism as a sign of emotional emptiness and as a form of self-distinction. While the title suggests that it is just another cliché action movie, it is not so shallow or narrowly focused. It instead provides the viewer with a provocative view on American society and it raises valid questions about the values embraced by that society. As the film American Beauty dubbed, "...look closer."
To give a basic synopsis of the movie Fight Club, it is about an insomniac salesman, also known as the Narrator, who uses support groups as an outlet to free himself from his insomnia and sorrows. This continues until he meets Tyler Durden, a man with many issues of his own, who soon becomes his mentor. After creating a fight club together, they use fighting as their new method of therapy. Along, the way the Narrator becomes closer to a woman named Marla Singer who has just as many issues as he does. Just as things begins to look up for the Narrator, his life and everything around him continuously become worse once again (Fincher, Fight
Others often use masculinity, most often associated with strength, confidence and self-sufficiency to define a man’s identity. The narrator perceives Tyler Durden as a fearless young man who is independent and living life by his own rules. So is Tyler Durden masculine because of his no nonsense attitude or are his law breaking antics and unusual lifestyle seen as a failure because he is a man with neither family, money nor a well respected job? These typical aspirations are commonly defined as the male American dream, but does following life by the rulebook placed on males by society really make a male masculine? Fight Club specifically debunks the male American dream. It challenges’ the idea that the masculine identity is defined by material items and instead embraces the idea that masculine identity can be found in liberation from conformity and the ability to endure pain.
"Fight Club" by Chuck Palahniuk is a novel representing how a young man seeks out to become this masculinity that the world betrays every man to want and needs to be. Palahniuk focuses on an average man, who wants to seek out and become something he is not; by doing this he creates a character called Tyler Durden. Tyler Durden was there to help the narrator to escape the boring life, and explore "toxic" masculinity. Masculinity was what every man wanted which started the idea of a fight club, so men could show their strength. The urge of wanting to explore and create masculinity has to play a huge part in Tyler and the narrator's personal life. In this novel Tyler and the narrator expresses they did not have father figures in their life; which now is understood to why the crave this "men hood" so much. Fathers play a huge role in this novel, and shows how not having a role model of masculinity effects the average man in this world.
The film Fight Club is presented in first person with a narrator speaking throughout. This unnamed narrator is a man struggling with an identity crisis which is fueled by his raging insomnia, weak masculinity, and utter hate for his rigid life. Throughout the course of the film the narrator loses himself in an alter ego, Tyler Durden. Other characters and job related obstacles acts as a catalyst to fuel his insanity. The narrator struggles with balance, reality, and masculinity.
In Fight Club it is clear the narrators lack of sleep is a result of feeling artificial. As he goes to cancer group and fight clubs he begins to feel more free but the looming torture of society is still around. The readers learn that the narrator is actually Durden. This split personality is a result of the narrators’ lack of identity and feeling like he must live partially with society and partially rogue. When Project Mayhem is created he begins to entirely lose himself, and becomes Durden entirely. He believes that if society is not stopped space will be filled with Starbucks and Microsoft. He sets bombs in major credit card companies in hopes of erasing debt and having society be forced to start over. He is incredibly dissatisfied with self-preservation and believes that everything has to be lost in order to be free. This image is done beautifully in the film when Durden kisses the narrators hand showing the burning skin to symbolize the pain needed despite advertisement companies constantly trying to numb the pain. As Project Mayhem grows out of control some readers may become concerned with the message being told. It seems like there is no end to the violence. This repetition and desire for pain physically is also used to represents the emotional pain as the characters all try to figure out what their masculine
Psychological disorders are widely represented in films, as well as in other media texts such as novels, television shows, etc. One film that portrays more than one example of a psychological disorder is Fight Club, a Twentieth Century Fox movie released with an R rating in 1999. Directed by David Fincher; and produced by Art Linson, Cean Chaffin, and Ross Grayson Bell, the movie mainly introduces Dissociative Identity Disorders (also known as Multiple Personality Disorders), but also hints at insomnia and depression. The movie is adapted from the book Fight Club written by Chuck Palahniuk. Fox marketed the movie using a “myriad of merchandise, including posters, the soundtrack, and even email addresses (yourname@fightclub.com)” (CNN). The movie’s production budget was set at $63,000,000 with the movie grossing $37,030,102 (Daily Box Office). The characters of the movie refer to themselves as the “middle children of history” with the feelings of having no purpose or place in life. They convey that they have no history-making events or real set goals and/or destiny to look forward to. They were brought up by society to believe that one-day they would be rich, famous and loved just as those depicted on television. This is symbolic of society during the surrounding time of the movie’s release. It is prevalent in modern society to strive to become someone/something that one sees in the media. The movie is directed towards Generation-X, but the “…hope was that the film would demonstrate the themes of the story to a larger audience. It would offer more people the idea that they could create their own lives outside the existing blueprint for happiness offered by society” (Palahniuk). This message was one that demanded that its viewers put all that drives them aside, and rethink what they had been taught from childhood. After the film’s release, instead of delivering the message that was intended, it was met with criticism and misunderstanding. This was due partly to the fact that it was scheduled for release shortly after the Columbine shootings. The movie became an easy target for those upset by the blatant violence which surrounded the Columbine incident. Although Fight Club is a film full of violence it is in reality one that promotes anti-violence, and points out to the audience the human impulses that cause violent behavior. Ironically, despite all of the med...
Taxi Driver is an extraordinary explicit film displaying a piece of American vigilante to the extreme. “The end sequence plays like music, not drama: It completes the story on an emotional, not a literal, level. We end not on carnage, but on redemption, which is the goal of so many of Scorses’s characters” (Ebert 455). Taxi Driver is considered to be a psychological thriller with neo-noir elements. “The film is regularly cited by critics, film directors, and audiences alike as one of the greatest films of all time”