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Native American Stereotypes in Film
Native American Stereotypes in Film
Stereotypes about indian topic
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Buffy the Vampire Slayer: Colonial Imaginary & “Pangs”
The cult show, Buffy the Vampire Slayer has been often heralded as groundbreaking and feminist; however, the show is not without its faults. Throughout the show’s seven-year run, the cast was predominantly white, with little cultural diversity represented. Various episodes depict the colonial imaginary, from a hypersexual Incan princess who comes back to life to seduce men , to the primitive and aggressive African Slayer . Perhaps the episode most engrained with colonial imaginary is the Thanksgiving episode, “Pangs”. In this episode, the spirit of a vengeful Native American is released when construction begins on a new Cultural Center. Centered around the story of Thanksgiving and Native Americans, “Pangs” epitomizes the features of colonial imaginary, with a racial hierarchy represented, a sense of Otherness, and dehistoricalization among others.
The episode “Pangs” stresses a sense of Otherness by stereotypically representing Hus, the Chumash Native American as savage and primitive. Beginning with his appearance, he is dressed in what Western culture believes is traditional Native American garb: a headdress, loincloth and war paint. To further accent his Otherness, Hus speaks in broken English and uses simple gestures to relay meaning. The writers have made Hus a vengeful spirit, intent on righting the wrongs of his past by murdering authority figures. This causes him, and the other Chumash spirits in the episode, to be depicted as savage. Further, it is assumed that because he is Native American he is savage; in a discussion about whether they should forgive Hus because of his past and what Americans did to Native Americas, Giles, Buffy’s guardian, exclaims, “No,...
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...rism:
Multiculturalism and the Media (London: Routledge, 1994) 119.
“Inca Mummy Girl,” Buffy the Vampire Slayer, WB, United States, 6 Oct. 1997.
“Pangs,” Buffy the Vampire Slayer, WB, United States, 23 Nov. 1999.
Paula Butler, “Orientalism and the Imperial Imaginary,” Wmst. 210, Trent U, 3 Feb.
2010.
“Primeval,” Buffy the Vampire Slayer, WB, United States, 16 May 2000.
Works Cited
Ella Shohat & Robert Stam, “The Imperial Imaginary” in Unthinking Eurocentrism:
Multiculturalism and the Media (London: Routledge, 1994) 119.
“Inca Mummy Girl,” Buffy the Vampire Slayer, WB, United States, 6 Oct. 1997.
“Pangs,” Buffy the Vampire Slayer, WB, United States, 23 Nov. 1999.
Paula Butler, “Orientalism and the Imperial Imaginary,” Wmst. 210, Trent U, 3 Feb.
2010.
“Primeval,” Buffy the Vampire Slayer, WB, United States, 16 May 2000.
Respect is shown to the laws and guidelines provided by their ancestors. Every morning Neena expresses to Ruby while she sits beneath the tree and connects to her spiritual ancestors, ‘Whitefellas call it meditation, but for us it’s remaking our spiritual connection to the country every day’. It is extremely important that there are people that are very close to their culture, so the tribe remembers their ways. Archie and Tjilpi are exceptional illustrations of...
...e, history, and blood. The specific commingling that emerges, however, has common roots in its very diversity. Throughout her tale Menchaca's allegiance is clearly to her race, and while the bias comes through, the history she traces is never the less compelling. The strongest achievement of this book is that it fundamentally shifts the gaze of its reader by reifying race and celebrating its complexity.
In Thomas King’s novel, The Inconvenient Indian, the story of North America’s history is discussed from his original viewpoint and perspective. In his first chapter, “Forgetting Columbus,” he voices his opinion about how he feel towards the way white people have told America’s history and portraying it as an adventurous tale of triumph, strength and freedom. King hunts down the evidence needed to reveal more facts on the controversial relationship between the whites and natives and how it has affected the culture of Americans. Mainly untangling the confusion between the idea of Native Americans being savages and whites constantly reigning in glory. He exposes the truth about how Native Americans were treated and how their actual stories were
One of the hardest realities of being a minority is that the majority has a thousand ways to hurt anyone who is part of a minority, and they have but two or three ways to defend themselves. In Sherman Alexie’s short story The Toughest Indian in the World, Roman Gabriel Fury is a member of the Native American minority that makes up less than two percent of the total United States population (1.2 percent to be exact). This inherent disadvantage of being a minority, along with various cultural factors, influences the conflicted character of Roman Gabriel Fury and his attitudes toward the white majority. Through his use of strong language, demanding tone, and vibrant colors, Roman Gabriel Fury is able to reveal his complex feelings about growing up Indian in a predominately white world.
In chapter six of her book Making the White Man 's Indian: Native Americans and Hollywood Movies, Ange Aliess explores the topic of how Western have begun to change recently. The changes that she references in the film Dances With Wolves are also present in the film Winter in the Blood as well as in the 1491s shorts, even though the 1491s are a comedy group and not a Western genre. Aleiss describes the ways in which Native Americans reacted to Native portrayals in the film Dances With Wolves, and they tended to see the film’s better sides in contrast with critics. In Winter in the Blood, there are many stereotypes that are explored in ways that make the characters seem more real and less stereotypical as the backstories are revealed, despite
What defines an individual’s racial characteristics? Does an individual have the right to discriminate against those that are “different” in a specific way? In Octavia Butler’s works, which are mostly based on themes that correlate to one another, she influences the genre and fiction in ways that bring light to the problems of societies history. Through Kindred and the Parable of the Sower, Octavia Butler examines themes of community, racial identification, and racial oppression through the perspective of a black feminist. In each novel, values and historical perspective show the hardships that individuals unique to an alien world have to face. Through the use of fictional works, Butler is able to delve into historical themes and human conditions, and with majority of works under the category of science fiction, Butler is able to explore these themes through a variety of settings. This essay will discuss two of Butler’s popular works, Kindred and the Parable of Sower, and will interpret the themes of women, race, independence, and power throughout the two novels.
In the 1930's Native Americans and women were viewed as inferior races. The films produced during the early part of the 20th century, particularly those starring John Wayne reflected these societal attitudes. The portrayal of minorities in Stagecoach and Fort Apache clearly reflect the views of society at that time. The depiction of the West is similar to that which is found in old history textbooks, em...
The White Savior Complex is a trope where an ordinary ethnically European character meets an underprivileged non-European character. Taking pity on the other characters situation, the White Savior ‘selflessly’ volunteers themselves as their tutor, mentor, or caretaker, to help them rise above their predisposition (White Mans Burden, 2004). The White Savior, at their core is the application of colonialized ideals, which casts people of colour as incompetent, and hopeless, until the White Savior comes to rescue them (White Mans Burden, 2004). A common destructive trait of this trope involves white people conquering non-white people, and eliminating their culture under the prefix of 4helping them (White Mans Burden, 2004). The conception of this trope took place in the 18th and 19th century in adventure fictions. During the period of European exploration, the trope has since modernized and has become problematically common (Kings...
While Rowlandson’s narrative was highly read throughout the American colonies, the narrative of the Native became her description of them. Rowlandson’s words are considered to reflect “triumph of faith over adversity,” while at the same time solidifying the preconceived notion that Natives are uncivilized savages. This narrative gives rise to her credibility as an author, and at the same time ensures that the voice of women moved further from the realm of the oppressed, and into that of the oppressor. My second insight was how stereotypes and misconceptions in literature are a powerful means by which to change the fate of an entire
The Buffy the Vampire Slayer series is a very popular show that engages well with most youthful audiences, including teenagers and young adults. Teenagers are quickly captivated by the show’s great amount of comedy, adventure, and science fiction. Although it is remarkably entertaining, the show also teaches important life lessons pertaining to love, friendship, and family. In the episode “Hush” from the series Buffy the Vampire Slayer, the theme that through clear acts, one can develop clarity in relationships is presented.
The viewpoint of the European invasion of Africa, as seen through the eyes of Marlow in Joseph Conrad's Heart of Darkness, takes a dramatic turn. At first, Marlow sees through the European viewpoint, where the invasion is a heroic attempt to tame a mysterious culture, while reaping the rewards of the ivory trade. The descriptions of the natives are inhuman, monstrous and fearful. The shift in perception occurs as Marlow begins to see through the eyes of the natives. The result is compassion for an ancient civilization that is very much human in there fear of being conquered.
For example, in the local school, stereotypes such as the image of the ‘wild man’ are consolidated by claiming that there was cannibalism among the indigenous people of the northwest coast (Soper-Jones 2009, 20; Robinson 2010, 68f.). Moreover, native people are still considered to be second-class citizens, which is pointed out by Lisamarie’s aunt Trudy, when she has been harassed by some white guys in a car: “[Y]ou’re a mouthy Indian, and everyone thinks we’re born sluts. Those guys would have said you were asking for it and got off scot-free”
Buffy The Vampire Slayer has broken many barriers in its seven-year stint, creating new genres and enabling innovation in a previously barren area of television. The largest leap the show has taken though, has been in the way it has embraced its fandom, creating a symbiotic relationship between Buffy the show and Buffy the fanfiction. Not only does Buffy fanfiction seize upon unexplored areas and inconsistencies inherent in the text, these forays are often paid homage to by the show, and in some cases, even made part of the canon itself. Ideas and fantasies created by the fans can impact upon the show in a way that has never been seen before.
Late in Lone Wolf’s life, American Indians whose histories have been rendered all but unrecognized and invisible shared a common aspiration to rediscover their cultural heritage and repossess their civil liberties. Lone Wolf had sought throughout his life to participate in the cultural determination of his Blackfeet tribe. Art historian W. Jackson Rushing III argues that artists of mixed heritage working in the twentieth-century appropriated “styles associated with the ‘dominant’ culture – Post Impressionism, Expressionism, and Pop Art – to probe the personal and social dilemmas of authentic, but non-traditional Indian cultures.” Through American Indians’ depictions in the popular culture, media, film, literature, and the arts, their passive
The Effects of Colonialism on Things Fall Apart In the novel, Things Fall Apart, the effects of colonialism were extremely evident in the Igbo society. As the white Englanders moved into the native land, their cultural values changed. Examples of these changes were evident in all aspects of the Igbo people's lives, in their religion, family life, children, and the dead. Many of the Igboians were upset by the colonialism of their society, but in the end they were completely incapable of doing anything to reverse the changes that had already taken place in their society.