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The Important Of Photography To The Society
Relevance of photography
The Important Of Photography To The Society
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Sekula explores how individuals, such as Galton and Bertillon, have employed photography to combine people into categorical classes, which then enable pseudoscientist to “discover” demarcations of deviancy and the subsequent “intentions and capabilities of the other” (12). The use of photography to construct an archive of people that is then used to divide, define, and regulate them makes me think of the motivation behind Bryan Stevenson’s second point from his incredible Wallenburg Lecture last night. Stevenson argues that we must change the narratives that permit the notion of racial differences to persist. Photos, and the generalizations ascribed to them by a defining (white) class, have allowed them to construct a deconstruction of our
humanity. The narrative from a photo of a “deviant body” (alternative facts) has set forth a hateful, hierarchal caste system. This layering of humanity extends continued inequitable public policy that aims to harm the “deviant class” in order to justify its foundational narrative. In other words, the rationale for the false narratives created from 19th-century photography comes from a system that actually aims to create the exact narratives that fuel it. Where, currently, the designation of a criminal often does not come from criminal action, but from visual interpretation. Our job, according to Stevenson, is to disrupt the system’s continuation by disallowing it to refashion the narratives it needs. And a solid space to begin is with this archival photography, where we can begin to understand how it informs opinion and influences decision.
A lack of communication between parent and child can lead to insufficient development of language skills, limited emotional bonding, and behavioral concerns. In Chaim Potok’s The Chosen Reb Saunders isolates himself from his son Daniel by raising him in silence. Seldom few words pass between them unless they are debating the Talmud. Over time, their lack of verbal expression results in a decline of their vigor and energy and an unloving relationship. Reb Saunders does not make a reasonable decision by raising Danny in silence because it forms a problematic relationship between the two and presents each of them with numerous mental and physical issues.
All blondes are dumb. Gingers have no soul. All Jews are greedy. All Asians are bad drivers. Imagine living in a world where people are put into a category simply because of their appearance, race, or religion. It limits a person’s chance of expressing individuality through categorization. Desmond Cole’s article, “The Skin I’m In” introduces the struggles faced by black people through racial stereotypes in Canada— a country known for its diversity. Cole reveals the experiences of black people who are stereotyped as dangerous; as a result, they are victimized with prejudice, discrimination, and injustice by society.
Stevenson then went on to put a scary touch to the story by telling us
Literature is a powerful force, allowing the writer to express their opinions through their own perspective. In the source, “What I’ve Learned From Writing,” the author Shauna Singh Baldwin, portrays the idea of literature as a non-violent socially-acceptable weapon. Someone like this can influence the views and ideas of readers by conveying emotions. Personally as an athlete, I feel as though I can change the perspectives of individuals, and my interests give insight to others without any boundaries. Along with the author, I admire her courage from within, and we learn to pursue our passions and interests in what we believe and love in ways such as originality, hard work, and confidence.
As the camera’s popularity grew, the use of it shifted from an art form into a social rite, a statement of authority and security. The act of taking photographs, and the photos produced, act as mementos or proof of the past. Photographs summarize an event all within itself, creating an immortal piece, allowing the people to grasp onto the ownership of area in which they feel insecure. On the other hand, Sontag states that the deed of taking photographs occupies the same need for “cosmopolitans […] as it does for lower-middle-class [citizens]”(177). With that being said, how can there be any power at all in photography, but a fake sensation we created from the act of photography to fill our insecurities. By tapping into the insecurities of the readers, Sontag forces them to connect with the words and consider their actions relating to photography more
Many people think that reading more can help them to think and develop before writing something. Others might think that they don’t need to read and or write that it can really help them to brainstorm things a lot quicker and to develop their own ideas immediately (right away). The author’s purpose of Stephen King’s essay, Reading to Write, is to understand the concepts, strategies and understandings of how to always read first and then start something. The importance of this essay is to understand and comprehend our reading and writing skills by brainstorming our ideas and thoughts a lot quicker. In other words, we must always try to read first before we can brainstorm some ideas and to think before we write something. There are many reasons why I chose Stephen King’s essay, Reading to Write, by many ways that reading can help you to comprehend, writing, can help you to evaluate and summarize things after reading a passage, if you read, it can help you to write things better and as you read, it can help you to think and evaluate of what to write about.
The meaning, significance, and definition of race have been debated for centuries. Historical race concepts have varied across time and cultures, creating scientific, social, and political controversy. Of course, today’s definition varies from the scientific racism of the eighteenth and nineteenth centuries that justified slavery and later, Jim Crow laws in the early twentieth. It is also different from the genetic inferiority argument that was present at the wake of the civil rights movement. However, despite the constantly shifting concepts, there seems to be one constant that has provided a foundation for ideas towards race: race is a matter of visually observable attributes such as skin color, facial features, and other self-evident visual cues.
She focuses on snapshots of a person’s daily life. hooks discusses the significance of these snapshots in the time of post-segregation; when negative stereotypes of African-Americans were rampant. For black people, these snapshots allowed others to see that in reality, black and white people were not all that different. Snapshots allow people to “look at ourselves with new eyes…create oppositional standards of evaluation” and now “[black people] saw [themselves] represented in these images not as caricatures, cartoon like figures; [they] were there in full diversity of body, being, and expression, multidimensional” (hooks, 61). hooks believed that the snapshots broke down the mental barriers between black people and white people in the minds of white people. What the whites learned through the images was that although they believed that the blacks were almost subhuman, in reality, they were no different from them. They both did normal, human activities such as playing games, loving their family, or celebrating. Tsarnaev’s selfie classifies as a snapshot, which is unusual for a magazine cover. Most magazine covers are professionally done photos that are edited and photoshopped to look flawless however the image of Tsarnaev is raw and taken with a cellphone camera. A selfie is more raw and candid than a
In 1998 a man named James Byrd was drug from a pickup truck in Texas and dismembered. Ashraf Rushdy wrote an essay to examine the moral authority of photography and the effect it has upon a population’s view of a tragedy. Rushdy’s argument is that in 1955 when Emmett Till was murdered his mother allowed photographs of her son’s mutilated corpse to be shown across the nation. These photographs had a significant effect upon the course of the civil rights movement. Rushdy asks why the photographs of James Byrd were never displayed to the public and provides a compelling answer to this question. He provides the answer through the use of persuasive appeals, diction, and the visual effects provided through the use of photographs throughout the essay.
About a month ago, a rather unique woman became the topic of discussion in millions of homes and social network accounts across the world. Rachel Dolezal, a former chapter president of the NAACP (the National Association for the Advancement of Colored People), now claims to be a “transracial” woman that was recently exposed for pretending to be black for so many years. While she has gained many supporters, the naysayers were the ones that have really made her story a controversial one. What really seems to be the concern is why her story is such a big deal. Every day, we see people of different social and cultural backgrounds trying to pass off as a member of a community that they were not born into. This paper will be addressing why the media
we deny our bad side. It looks at a doctor called Dr Jekyll who feels
J. Simpson was arrested for the murder of two people, Nicole Brown, his ex-wife, and Ron Goldman, a waiter. Simpson was a football star, actor, a public icon. He was only shown in sports media, advertising, and news only pertaining to celebrities. Once arrested, his mug shot was all over the media. Both Newsweek and Time magazine's’ front cover was Simpson’s mug shot. But there is a clear difference between the two covers. The two magazines were placed next to each other on every newsstand and the public immediately saw that TIME’s cover had noticeably darkened Simpson’s skin. The photo, representing a case, already dealing with racial tension, caused massive public uproar. Simpson's mugshot recreation made his blackness both unambiguous and threatening. The murder case was already involved with race — Simpson, the black defendant, accused of murdering his blonde white wife and white waiter. Time magazine's controversial cover could've probably gone unnoticed if Newsweek hadn't put their issue out at the same time, allowing viewers to compare the two mugshots. These two magazine covers made the viewers study and analyzed the differences, the untouched and the blackening. Though the CEO of Time had made a statement stating their intentions were not to influence race in any way, but why change the contrast that obviously made his skin darker than usual? It was stated that this was not meant to be taken in any way, but us as viewers, we made it into something, because of ideology. We interpreted the covers and we proceeded it as racism. This shows how much power we as viewers have when we see one little thing as the differences in magazine covers. This is the power of
Racial profiling within the media can be seen and directed at all races and ethnicities. Although, there are many common ideologies specifically targeting mixed race individuals that are significant due to how ironic they are in demonstrating the repressive and regressive ideologies within our society, through a group that should represent the opposite. Some such ideologies are that of "the dark skin vs. light skin complex", and the importance of the use of physical features to determine ethnicity/character. Commencing with the colour controversy that has emerged within media outlets, such as Twitter, Instagram, and Facebook, in order to establish beauty standards based on skin colou, the dispute of light skin versus dark skin is evidentially based off remnants of the racist hierarchy that once existed and was thought to be abolished within Canada(Adekunle & Williams, 2010; "Light Skin Vs. Dark," 2014; "Mixed Race," n.d.; Pears, 2013). Surprisingly, the most prominent group of individuals on the side of light skin would be mixed race people, who through starting this debate are promoting what the cultural unison of their existence had begun to remove(Adekunle & Williams, 2010; "Light Skin Vs. Dark," 2014; "Mixed
In this video, a man by the name of Hennessy Youngman focuses mainly on “cultivating an ‘angry nigger exterior’” as a mode to success (2014, p. 23). Hennessy’s use of anger as a mode to gaining notoriety feeds into the trope of the “angry black,” a stereotype we constantly see applied to Serena Williams. In the larger picture, racializing black citizens- more specifically, racializing black women- acts as a way to delegitimize resistance by people of colour against unfair treatment by writing them off as short-tempered and irrational. This process of attributing angry reactions to the character of the individual rather than as a reaction to injustices, allow colonialism and Euro-centrism to continue
The discourses of Sex and Whiteness can be defined as “structural entities of difference where anyone discourse is constituted as an attempt to arrest the flow of differences and dominate the field of discursivity” (Kakar, N.D). Foucault wrote of when there is power, there is resistance, as he interestingly took the position that power struggles do not oppress individuals, it produces communities and relationships. Each produces their own “rules and practices that produce meaningful statements and regulate behaviors and institutions”. Each discusses the topic with very similar manner despite the distinction in discourse, genre and approach, utilizing colloquial terms and anecdotal language. Therefore disseminated ideas through the media and related presumptions aid in their social dominance – in its quest for societal hegemony and power. A core idea to be drawn from this is the fundamental importance of the systematic relationships that meaning (through language and discourse) is intrinsically based upon. It provides communication with a social capacity to influence behavior and the preconceptions and opinions, which motivate that action. (Frow,