Indubitably, the themes found within Bruce Dawes critical poems “Homecoming” and “Weapons training” cultivate a profound relationship with each other. This is achieved as the influential poems highlight and reprobate the process of war, with contrasts. The former provides an emotional analysis through the return of deceased soldiers, and the latter through the confronting reality of violence in war preparation. Dawe effectively employs the fundamental themes of war's futility and humiliation-stemmed dehumanisation to develop sophisticated, thought provoking commentaries, which will be explored and compared further throughout this response. The Vietnam War has often been regarded as inordinately brutal and barbaric. Bruce Dawe impactfully employs …show more content…
Bruce Dawe has effectively demonstrated the theme of humiliation-stemmed dehumanisation within the iconic “Weapons Training” to provide commentary on the degradation soldiers face from drill sergeants. Dawes criticism of this system can be illustrated through the blunt "Why are you looking at me, are you a queer”, in which the technique of rhetorical question has been utilised to highlight toxic masculinity. Rhetorical question has been employed to provide the soldier with an uncomfortable question, ridiculing him and effectively stripping him of his perceived ‘masculinity’. In contrast, something which “Homecoming” achieves through the act of not calling soldiers by their name. Further, while the word ‘Queer’ in modern times does not hold extreme negative connotations, during the time of publishing, this word was viewed as ridicule and humiliating, a vital theme within ‘Weapons Training’, and “Homecoming”. Furthermore, the inclusion of this line is reminiscent of the American “Don't Ask, Don't Tell" initiative, which creates equality discrimination in the military. This quote demonstrates a clear similarity to Dawe's “Homecoming” as it displays the dehumanisation and lack of respect soldiers faced. Whilst ‘Homecoming’ demonstrates this feature through deceased soldiers, “Weapons training” provides the context of first hand experience. Moreover, the writing style within “Homecoming” is one of poise and elegance. This contrasts with “Weapons Training” harsh, explicit vocalisation of the drill
Guy Sajer’s The Forgotten Soldier is a work notable not only for its vivid and uncompromising account of his experience as a member of the Wehrmacht in World War II, but also for its subtle and incisive commentary about the very nature of war itself. What is perhaps most intriguing about Sajer’s novel is his treatment of the supposedly “universal” virtues present within war such as professionalism, patriotism, camaraderie, and self-sacrifice. Sajer introduces a break between how war is thought about in the abstract and how it has actually been conducted historically.
From the mothers and fathers of the daughters and sons in the military to the friends that are left back home when someone enlists and prepares on their journey, this film provides a starting point to influence conversation’s about the sexual violence and injustice prevalent across the DOD. The film speaks out to the audience’s emotions by delivering jaw-dropping statistics all while providing a strong ethical basis of trustworthy resources, interviews, and statistics. This documentary is a great example of how using pathos, ethos and logos to implore an audience to question how the DOD reacts to MST. By combining all these rhetoric appeals, Kirby is able to convince the audience that there is sexual misconduct in the military and there is no evidence to prove that they are doing anything about
Bruce Dawe is considered to be one of Australia’s most influential poets of the 20th century. Dawe’s poems capture Australian life in numerous ways, whether it is our passion for AFL in Life-Cycle or our reckless nature towards war as in Homecoming. Dawe creates very complicated poems reflecting the author’s context relevant to the time period, your context is based upon your reading of the poem, where you may gather different meanings, to that of the original intent, hidden within the text.
The three narratives “Home Soil” by Irene Zabytko, “Song of Napalm” by Bruce Weigl, and “Dulce et Decorum Est” by Wilfred Owen all have the same feelings of war and memory, although not everyone experiences the same war. Zabytko, Weigl, and Owen used shifting beats, dramatic descriptions, and intense, painful images, to convince us that the horror of war far outweighs the devoted awareness of those who fantasize war and the memories that support it.
The powerful poem ‘Weapons Training’ showcases a sergeant, through malicious words, guiding his troops. However it is through ‘Homecoming’, where Dawe exposes the brutal hopelessness brought forth by the futility of war. Therefore it can be seen that war has an emotional toll on both families and the soldiers. Both poems have a recurring message that all war does is bring loss, death and mourning, showcasing Dawes strong opinions about a futile
Bruce Dawe is strongly opposed to consumerism, as shown through his poem, Americanized. The poem is written in a predominantly bitter and ironic tone. The title itself is ironic. Bruce Dawe is Australian and has spelled the title using American spelling rather than Australian spelling, with the ‘s’ being replaced by a ‘z’.
Many war pieces express a distinct sense of truth, hatred, and anger that can be found in the style, tone, and imagery they possess. Incredible images are created in ones mind as war writings are read and heard. Works written by such writers as Siegfried Sassoon, Wilfred Owen, and Tim OBrien really reach out to the audience by way of the authors choice of words and images that they use in their writing. These talented writers create very touching and heart-felt images as they write about the true occurrences, problems, feelings and emotions that soldiers encountered throughout times of war. It is by way of these writers words that the bloody truth of war is heard, rather than the glorified victories heard which overlook the pain that soldiers went through.
Tim O’Brien states in his novel The Things They Carried, “The truths are contradictory. It can be argued, for instance, that war is grotesque. But in truth war is also beauty. For all its horror, you can’t help but gape at the awful majesty of combat” (77). This profound statement captures not only his perspective of war from his experience in Vietnam but a collective truth about war across the ages. It is not called the art of combat without reason: this truth transcends time and can be found in the art produced and poetry written during the years of World War I. George Trakl creates beautiful images of the war in his poem “Grodek” but juxtaposes them with the harsh realities of war. Paul Nash, a World War I artist, invokes similar images in his paintings We are Making a New World and The Ypres Salient at Night. Guilaume Apollinaire’s writes about the beautiful atrocity that is war in his poem “Gala.”
War is a brutal, bloody battlefield from which no one returns unscathed. Nonetheless, there are those who believe war to be a glorious honor, a bedtime story filled with gallant heroes, a scuffle fought an ocean and several countries away. In “An Occurrence at Owl Creek Bridge” by Ambrose Bierce and “August 2026: There Will Come Soft Rains” by Ray Bradbury, the authors seek to convey the devastation that comes from romanticizing war by using impersonal and ironic diction.
Many of the young officers who fought in the Great War enlisted in the army with glowing enthusiasm, believing that war was played in fancy uniforms with shiny swords. They considered war as a noble task, an exuberant journey filled with honor and glory. Yet, after a short period on the front, they discovered that they had been disillusioned by the war: fighting earned them nothing but hopelessness, death and terror. They had lost their lives to the lost cause of war, which also killed their innocence and youth. They were no longer boys but callous men. Wilfred Owen's poem "Dulce et Decorum Est", Pat Barker's novel Regeneration, and Erich Maria Remarque's All Quiet on the Western Front, all portray the irony between the delusive glory of war and the gruesome reality of it, but whereas Owen and Sassoon treat the theme from a British point of view, Remarque allows us to look at it from the enemy's.
From sunrise to sunset, day after day, war demolishes men, cities, and hope. War has an effect on soldiers like nothing else, and sticks with them for life. The damage to a generation of men on both sides of the war was inestimable. Both the novel All Quiet on the Western Front by Erich Maria Remarque, and the poem “I Have a Rendezvous with Death,” by Alan Seeger, demonstrate the theme of a lost generation of men, mentally and physically, in war through diction, repetition, and personification.
‘Poetry can challenge the reader to think about the world in new ways.’ It provokes the readers to consider events, issues and people with revised understanding and perspectives. The poems Dulce Et Decorum Est (Wilfred Owen, 1917) and Suicide in the Trenches (Siegfried Sassoon, 1917), were composed during World War One and represented the poets’ point of views in regards to the glorification of war and encouraged readers to challenge their perspectives and reflect upon the real consequences behind the fabrications of the glory and pride of fighting for one’s nation.
Wilfred Owen can be considered as one of the finest war poets of all times. His war poems, a collection of works composed between January 1917, when he was first sent to the Western Front, and November 1918, when he was killed in action, use a variety of poetic techniques to allow the reader to empathise with his world, situation, emotions and thoughts. The sonnet form, para-rhymes, ironic titles, voice, and various imagery used by Owen grasp the prominent central idea of the complete futility of war as well as explore underlying themes such as the massive waste of young lives, the horrors of war, the hopelessness of war and the loss of religion. These can be seen in the three poems, ‘Anthem for Doomed Youth’, ‘Dulce Et Decorum Est’ and ‘The Last Laugh’, in which this essay will look into.
Within this poem Bruce Dawe dramatizes the homecoming of Australian veterans' bodies from Vietnam. This is clearly an anti-war poem, reproducing the sentiments of those who opposed the time when this war occurred.