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Analysis of jane austen books
Victorian literature
Victorian literature
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Eliza Haywood is a visionary. In her set of love letters, Love Letters on All Occasions, Haywood distinctly uses select words, such as metaphors, to subconsciously drive home the message to the reader. Whether it be re-enforcing the relationship between the two writers, or rather undercutting it, the reader understands their relationship more fully thanks to Haywood’s choice words. In Haywood’s collection Love Letters on All Occasions from her novel Fantomina and Other Works, two letters in particular, “Letter XXV” and “Letter XXVII”, Haywood’s use of metaphors and select word choices help to reinforce the sentiment between the writers to the reader.
In “Letter XXV,” Haywood writes a letter from Theano to Elismonda. Reading the letter, the reader can clearly tell that Theano is madly in love with Elismonda. The fact that Haywood ends the letter with Theano writing, “My most loved, most Ador’d Elisamonda’s Constantly Zealous Votary, Theano” (Haywood 196) might as well be the final decal in the room Theano has built for Elismonda in his heart. Haywood’s use of the phrase “zealous votary” is one of the occasions where she re-enforces Theano’s love for Elismonda. Apart, the words “zealous” and “votary” don’t mean much. The Oxford English Dictionary defines zealous as “having or showing zeal,” (Oxford 1) which is “great energy or enthusiasm in pursuit of a cause or an objective” (1). Votary is defined as “a person, such as a monk or nun, who has made vows of dedication to religious service” (1). Haywood’s combination of the two terms is a metaphor for Theano’s devotion to Elismonda. He is constantly showing great enthusiasm in pursuit of Elismonda, who he views almost as a religion. He is a “votary,” but not as a monk or nun making ...
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... her and knows he would never cross her. Haywood’s response letter written from Elismonda to Theano uses select language and references to his letters to re-enforce the readers apprehension of the complete and utter love these two writers feel for each other.
Haywood uses metaphors and select word choices to help reinforce the sentiment between the writers to the reader in two letters, “Letter XXV” and “Letter XXVII” in her collection Love Stories on All Occasions from her novel Fantomina and Other Works. Unlike many works from this time frame, both Theano and Elismonda are madly in love with each other and desire each other greatly. This is a rare case of a happy couple in the age of Seduction Fiction, where most tales often ended in tragedy. Haywood’s account of Theano and Elismonda could be considered one of the bright stars in an otherwise cloudy night sky.
It is nearly impossible to understand everything the first time around, especially when it comes to stories that are as detailed as The Bright Forever. When reading stories the first time, I believe we don’t understand every element that the author is trying to portray to us. When reading The Bright Forever for the first time, we all anticipated how it was going to end. With each page, we all tried to put the pieces together and tried to figure out who, how and why it all happened the way it did. The first time around, we were all clueless, but after going back and reading the book again for a second, you are able to pick up on things a lot easier. By doing this, you can figure out the meaning of the authors imagery and clues throughout the book.
As the reader examines "Prophyria's Lover" by Robert Browning, one recognizes the complete effort of the speaker to disguise his feelings toward the murder of his wife. The speaker goes through different thoughts in relation to the life he has with his wife. Many thoughts include the positive and negative parts about her and their relationship. Throughout the monologue, the speaker tells the readers of his struggles of coming to the conclusion of murdering his wife and the reasons to do so. In “Prophyria’s Lover”, the speaker is faced with many types of insanity before, during, and after the murder of his wife, Prophyria because of the love he has for her.
“Like a river flows so surely to the sea darling, so it goes some things are meant to be.” In literature there have been a copious amount of works that can be attributed to the theme of love and marriage. These works convey the thoughts and actions in which we as people handle every day, and are meant to depict how both love and marriage can effect one’s life. This theme is evident in both “The Storm” by Kate Chopin and “The Yellow Wallpaper” by Charlotte Gilman; both stories have the underlying theme of love and marriage, but are interpreted in different ways. Both in “The Storm” and in “The Yellow Wallpaper,” the women are the main focus of the story. In “The Storm” you have Calixta, a seemingly happy married woman who cheats on her husband with an “old-time infatuation” during a storm, and then proceeds to go about the rest of her day as if nothing has happened when her husband and son return. Then you have “The Yellow Wallpaper” where the narrator—who remains nameless—is basically kept prisoner in her own house by her husband and eventually is driven to the point of insanity.
How emotion may exist in a studious and solemn man, having only acquired knowledge of books for a score of years, seems impossible. But desire for Esmeralda arrived after Frollo had “discovered that a man needs affection ...
In the two texts “My Last Duchess” and “Porphyria’s Lover” both by Robert Browning describe the horrific events of two doomed lovers and their mistresses. The text of Duchess tells of a jealous lover who is suspicious of his lover’s smile. His jealousy consumed his life to where the point of where his wife died, either from a murder from her lover or from suicide, that we will never know. In the text of Porphyria by Robert Browning also, describes the suspicion he has when his wife comes home from a night on the town, to which the jealous husband strangles her with he own hair. These disturbing texts reveal the jealously of men when it comes to loving their women. Both of these texts of “My Last Duchess” and “Porphyria’s Lover” both share extreme similarities and major differences.
In Bright Star, Keats utilises a mixture of the Shakespearean and Petrarchan sonnet forms to vividly portray his thoughts on the conflict between his longing to be immortal like the steadfast star, and his longing to be together with his love. The contrast between the loneliness of forever and the intenseness of the temporary are presented in the rich natural imagery and sensuous descriptions of his true wishes with Fanny Brawne.
However, the speaker is aware of her passionate attempt to conceal her pride and vanity. Her beauty, pride, and conceit prevent Porphyria from completely loving the speaker. The unnamed speaker realizes that Porphyria cannot make a true commitment to a serious relationship of love. He is overcome by his passion and desire to be her only lover. As the couple embraces one another, the speaker is unable to restrain overwhelming desire to make Porphyria his only lover. He has terrible thoughts about how he could make her devoted only to him. He suddenly realizes what he must do to gain her total devotion and love. Debating what action he should take, the speaker gazes into her eyes and believes that Porphyria loves only him. In an instant, she belonged only to him. She was totaling devoted to the speaker. At that particular moment, her love was perfect, pure, and good. Suddenly, the speaker understands what he must do in order to gain Porphyria's faithful love. He takes her long yellow hair and repeatedly wraps it around her little throat. He strangles Porphyria until she dies. The speaker states that she felt no pain. He is certain that her death was painless. He opens her eyelids and again sees the laughter reflected in her blue eyes. As he loosened her hair from around her neck, Porphyria's cheek brightly blushes as he kisses her passionately. They couple continue to hug each other with Porphyria's head resting on her lover's shoulder. The speaker notices a smile upon her little rosy face and believes she is blissfully consumed by his grotesque love. The speaker and the lifeless Porphyria sit together all night. The speaker makes an unexpected declaration in the finale verse of the poem. The speaker concludes the poem believes there are no witnesses who observe his bizarre behavior. The mysterious speaker feels no shame or guilt regarding his wicked and selfish conduct. He boasts that even God did not speak a word against him. Robert Browning reveals rare insights and an unusual interpretation concerning the concept of love. The two romantic relationships described in "My Last Duchess" and "Porphyria's Lover" is comparable in certain areas, however each poem reveals contrasting ideas about the concept of love.
“Porphyria’s Lover” by Robert Browning is a poem, which deals with the subject of love. However, unlike most of his Victorian contemporaries, Browning wished to challenge the perceptions of his readers, in this case having the speaker of poem driven increasingly mad by his obsessive love for Porphyria. The reader witnesses the speaker’s obsession growing throughout the poem, from sitting in the cold and dark awaiting Porphyria’s arrival, his manipulative behavior towards her, his desire for more than love from her and his eventual need to possess her. Browning’s skillful use of word choice and imagery throughout the monologue encourages the reader to consider some of the darker consequences of an obsessive love.
In literature, both new and old, one of the most popular themes is love. Many novels, poems, and short stories explore this theme in every imaginable way. Henry James’s Washington Square and Steve Martin’s Shopgirl are worthy additions to this timeless tradition. The twist for these two novels is that both heroine’s, Catherine in Washington Square and Mirabelle in Shopgirl, fall for men that do not love them in return. At least the ladies’ love is not returned in the manner they expect. The novels were written more than a century apart. Thus the dialogue, settings, and characters are different, but the central theme of unrequited love is present in both novels.
Many puritan authors are inspired by the guiding of their religion and the belief in ¨heaven rewards¨(Bradstreet 10). Nevertheless, there is an author that was inspired by the restraints of it and her need to (express) certain feeling. In the poem ¨To My Dear and Loving Husband¨, Anne Bradstreet expresses the romantic love that, due to her religion, is impermissible to manifest in certain ways. Not that religion forbids the expression of romantic love, but rather it constraints the author's raw expression of it. As a result, Bradstreet satisfies her desire to express her love through the poem using anaphora to emphasize her certainty about such love and (introducing) a hyperbolic metaphor to convey the amount of love she keeps for her husband. The use of literary devices, like hyperbolic metaphor, give intensity to the poem, fulfilling the reader's understanding of the extent of the author's love.
Elements are often referred to as the building blocks of matter, combining to create not only life but everything surrounding it. However, these elements are not created on their own. They are forged deep within the cores of massive balls of gas dispersed throughout the universe and blasted through the vastness of space in their immense, self destructive explosions. Stars, through their violent birth to their even more violent death, manufacture the elements necessary for life. These giant balls of superheated gas begin their lives as nebulas, slowly evolving into the magnificent lights we see burning in the night sky and eventually dying by gravity, the same force that helped create them, scattering the plethora of elements they created across the universe, allowing life as we know it to occur. Stars are the source of human existence and life on Earth because through their life cycles, they create the basic elements necessary for life to occur and thrive.
... are usually welcome, but are often nonetheless apparent. It becomes insolent and presumptuous, forcing uncertainty and sallow heartbreak on those who dare to reach into its depths, leaving a residual taste that is bittersweet in reflection. Like Elizabeth and Felipe, I too have felt the smarting prick and warming sensation of the truth fluttering to light. I am a Lazarus of love’s epic and have felt the bane of its desire; surviving to reflect upon my exile in these pages, which I believe to be my correspondence in the air.
In this essay I will explore the ways writer’s present characters in different circumstances. The three main female characters I will contrast will be Lady Macbeth by William Shakespeare, Havisham by Carrol Ann Duffy and The women in laboratory by Robert Browning. I will analyze the choices made by the three protagonists and the unescapable consequences of them. The three texts create powerful imagery and through use of language and structure devices evoke strong perceptions from the audiences.
As seen in many stories throughout history, love and relationships have perpetually been complicated. The themes of tragic sacrifices in the relationships of Marc Antony and Cleopatra, King Edward VIII and Wallis Simpson, and Layla and Majnun are continued in modern literature. Sacrifice is a theme that has, and forever will be prevalent in literature because it is an admirable deed, yet requires a perfect balance. Careful analysis of the relationships in the post-modern short stories Coda by Will Boast, How We Handle Pain by Evan James Roskos, and Okeechobee by Claudia Zuluaga, produces a rich understanding of the universal truth that relationships require not just sacrifice, but harmonious immolation.
Szymborska, Wislawa. “True Love.” Making Arguments about Literature: A Compact Guide And Anthology. Ed. John Schilb and John Clifford. Boston: Bedford/St. Martins, 2005. 725-726.