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Interpretation of art
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• Rapunzel is innocent, carefree and beautiful young woman. Throughout the story, Rapunzel was an independent women and naïve. The women and husband in this story are happy and in love when they find out, they are finally pregnant. The wife is very dependent on her husband and is not very strong alone. The husband is a loving and caring man who does anything for this beloved wife. The Sorceress is a mother figure who does not show love to her daughter but instead she resist her child’s growth to protect her from heartbreak. The Sorceress is not loved by her child and is not a nice woman. The last character in this story is the Prince, who is entitled to royalty and he is determined to have what he wants and is a hard worker to make sure he does get what he wants.
• The illustrations in this story are of oil paintings that are very warm to the pages of the story. The illustrations are full page and the length of the tower was illustrated well so the reader could visualize how tall it was. The illustrations matched and went well with the setting of the story. The plot of this story is that a woman is pregnant after a hard time trying and her husband and she cannot wait to meet their child, but the worst of the worst happens and the child does not live the best life at her new home and family.
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The theme was mainly about having a selfish love for something that can be disastrous, but love is worth fighting to have. The interaction between the characters was sporadically different, the wife and husband loved each other a lot and the interaction between the husband and the Sorceress was not the best, but he gave her the baby and that was the end of their interaction with each other. The Sorceress and Rapunzel were not good, as she was stuck in the room for her life until she met a man who she loved, but Sorceress and the man did not get
One example of the theme occurs when the author first introduces the story. “But the summer I was 9 years old, the town I had always loved morphed into a beautifully heartbreaking and complicated place.” (pg. 1). The author is saying that the year she turned nine, she found out something about her town that broke her heart and changed the way she saw it. This quote is important because it supports the theme. It shows that now she is older she has learned something about her town that made her wiser than when she was younger. She is now more informed because the new information changed her and caused her to begin to mature.
Celianne, a fifteen-year-old pregnant girl, was raped when a dozen men raided her home and forced her brother and mother to sleep together. She found out she was pregnant and boarded the boat as soon as she’d heard about it. The child represents the hope of a new life, away from the persecution awaiting back in Haiti. Celianne finally gives birth to a baby girl and the acting midwife prays for the baby to be guided by God, “Celianne had a girl baby. The woman acting as a midwife is holding the baby to the moon and whispering prayers . . .
In the small, desolate town of Starkfield, Massachusetts, Ethan Frome lives a life of poverty. Not only does he live hopelessly, but “he was a prisoner for life” to the economy (Ammons 2). A young engineer from outside of town narrates the beginning of the story. He develops a curiosity towards Ethan Frome and the smash-up that he hears about in bits and pieces. Later, due to a terrible winter storm that caused the snow itself to seem like “a part of the thickening darkness, to be the winter night itself descending on us layer by layer” (Wharton 20), the narrator is forced to stay the night at Frome’s. As he enters the unfamiliar house, the story flashes back twenty-four years to Ethan Frome’s young life. Living out his life with Zenobia Frome, his hypochondriac of a wife whom he does not love, Ethan has nowhere to turn for a glance at happiness. But when Zenobia’s, or Zeena’s, young cousin, Mattie Silver, comes to care for her, Ethan falls in love with the young aid. Mattie is Ethan’s sole light in life and “she is in contrast to everything in Starkfield; her feelings bubble near the surface” (Bernard 2). All through the novella, the two young lovers hide their feelings towards each other. When they finally let out their true emotions to each other in the end, the consequence is an unforeseen one. Throughout Ethan Frome, Edith Wharton portrays a twisted fairy tale similar to the story of Snow White with the traditional characters, but without a happy ending to show that in a bleak and stark reality, the beautiful and enchanting maiden could become the witch.
The first effect of the birth imagery is to present the speaker's book as a reflection of what she sees in herself. Unfortunately, the "child" displays blemishes and crippling handicaps, which represent what the speaker sees as deep faults and imperfections in herself. She is not only embarrassed but ashamed of these flaws, even considering them "unfit for light". Although she is repulsed by its flaws, the speaker understands that her book is the offspring of her own "feeble brain", and the lamentable errors it displays are therefore her own.
This story speaks of a married woman who fell in love with a man who was not her husband. She bore this man a child and realized that she could not live without him. In the event, she decides to leave her husband to be with the child’s father. However, there is only one problem and that is that she has two other children by her husband. She has a daughter who is 9 years old and is very mature for her age, and a darling son who is 5 years old. As she leaves to restart her life again with this other man, the 5 year old son is left behind to stay with his dad, and the little girl is tragically killed by a pack of wolves. The little boy is devastated by his mom’s decision to leave him behind. He is constantly haunted by dreams and images that come to his mind surrounding his mother’s...
The familiar story of Rapunzel, as told by the brothers Jacob Ludwig Carl and Wilhelm Carl Grimm, takes on new meaning with a psychoanalytic interpretation. It is a complex tale about desire, achievement, and loss. The trio of husband, wife, and witch function as the ego, id, and superego respectively to govern behavior regarding a beautiful object of desire, especially when a prince discovers this object.
A breathtaking saga of a young girl’s tragic memories of her childhood. As with Ellen, Gibbons’ parents both died before she was twelve-years-old, forming the family. basis of the plot and themes of this novel. The fond memories she possessed of her mother and the harsh ones of her father are reflected in the thoughts and actions of Ellen. The simplistic and humble attitude that both Gibbons and Ellen epitomizes in the novel is portrayed through diction and dialogue.
Few people can grow up within today's society without knowing the tale of Snow White. From the Grimm Brothers to Disney, it has been told and retold to children throughout the ages. However, what is often overlooked are the true meanings within the story. Fairytales typically have underlying messages that can be found written between the lines, generally in terms of the key themes. Snow White discusses the themes of envy and beauty, and shows how humans' obsessions can lead to their own downfall as well as the harm of others. When focusing on the relationship between Snow White and her step-mother the Queen, it is evident that the combination of these two themes results in a power struggle in which beauty is seen as a commodity and is the basis for the step-mother?s envy towards Snow White.
In the book of Narnia (The Lion, The Witch, and The Wardrobe) many themes can be found, Themes such as; Heroism, Good vs. Evil, and Christianity. The main focus is; the three themes, Heroism, Good vs. Evil, and Christianity, and how does the book contain the themes? Most of the themes can be seen or spoken by the characters themselves. The themes will be identified through quotes found directly from the book and, from outside sources.
Though Rapunzel’s lengthy confinement in one room, her home, is convincing evidence of the female’s domestic belonging, it does not adequately demonstrate the connectedness of the woman to the domestic. The ambitious young Prince faces an insurmountable task when he plans to elope with Rapunzel; he must, temporarily, displace the woman from her domestic home. After the Prince decisively wins Rapunzel’s affection, Rapunzel delineates her escape plan: “ 'I will willingly go away with you, but I do not know how to get down. Bring with you a skein of silk every time that you come, and I will weave a ladder with it, and when that is ready I will descend, and you will take me on your horse’” (The Brothers Grimm). First, Rapunzel states she will “go away with [the Prince]” and he will “take [her] on [his] horse,” two statements which reveal both Rapunzel’s dependence upon the Prince and her lack of independence. Though Rapunzel agrees to leave her domestic realm, she does so only to elope in the safe, steady hands of the Prince, venturing from one sphere of domesticity, with her mother, to another sphere of domesticity with a man. Rapunzel also promises to “weave a ladder with [silk].” Weaving, a deep-rooted, traditional female activity arises in Rapunzel because it is both feminine and perfectly accessible within a domestic setting. The woman’s skills, in any patriarchal work, are not
Not only is she the main character in the movie, but she also faces the most trials and tribulations of any other character. When the movie begins, Rapunzel is kidnapped and taken away from her birth parents by a woman who only wants her because her hair has magical properties. She was then locked away in a tower away from everything and everyone except for her pet chameleon and her captor. Rapunzel does not know she is being held captive at first. Mother Gothel, the woman who kidnapped her, has convinced Rapunzel that the world is a cruel place and that if she left the tower, people would hurt her to get to her magical
Rapunzel is an old fairytale that shares some differences with the Italian version. In the German version the father of Rapunzel is present and is the one in the garden caught taking the rampion plant. This is different from the Italian version which only mentions the mother. This difference shows the differences between both countries at the time these fairy tales were written. Germany during the 1800s, was well off and broken up into different kingdoms. It was more common that a couple stayed together during such economic stability. Italy however, suffered during the time that Petrosinella was written which was 1643. Italy faced foreign domination and economic crises during this time which explains why Rapunzel mother was alone during this time. She was symbolizing the dire times that the country itself was facing. The vegetable that was stolen in the fairy tale also varies between both versions. In the German version, the husband goes after rampion radishes. Radishes and dreams of radishes are thought to be ...
...n and fertile part of the country was a symbol of the productive part of the woman and the barren part is the symbol of the man who did not want the baby. And the other readers stated that these two different parts of the land were a reflection of the inner part of the woman. The reason for the man not to want a baby was considered as an obstacle for him to travel. It was observed that the woman readers were supporting the woman in the story and the man readers were supporting the man’s part of the argument...
In many fairy tales, there is always a damsel in distress that is beautiful and the male character always falls in love with her. In Rapunzel the short story, Rapunzel is put into a tower and lives there most of her young life by her ‘mother’ before her prince comes to recuse her. The difference between Tangled and Rapunzel the short story is that, Rapunzel is the princess and her prince is actually a thief, which ends up falling in love with her. Tangled illustrates how a naïve and beautiful heroine, evil mother figure, and a shallow egotistical hero can make a fairy tale story end with love and marriage.
Hay’s "Rapunzel" begins as a true worshiper, and finds her plight to be too disconcerting to communicate even to her Creator. So, she devolves into her own imaginings with groans so deep that only her soul can commune at this level. Prayer turns to song, song turns to fantasy, and in her heart, fantasy reveals tragic reality. Her only true hope is found in first heart cry: "Oh, God..."