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Test on silent spring by rachel carson
Silent spring rachel carson analysis
Rachel Carson's the silent spring analysis
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“Silent Spring” is a documentary that highlights the background story of a popular environmental science book and how the author of the book, Rachel Carsen, came to write it and publish it. The documentary first started off discussing about Rachel Carsen’s childhood and how she overcame her obstacles to be a successful female biologist and later to be a famous writer. Later in the documentary, it was focused on the growing demand for pesticide use around the U.S., and how advertisements from large chemical companies are propagating the idea that the use of pesticides was safe for direct human contact and ingestion. Then it transitioned to Carsen’s conservation ideals and how she responded to a tragic incident that happened at her comrade’s
In the book Deadly by Julie Chibbaro there were many themes that were analyzed and illustrated throughout the book. There were only three that catches the eye love can be blind, death can hurt and oppression of women. These themes stood out the most because this book take place in somewhere in the 1900’s because in that era there were many disease taking place in New York. Such as the typhoid, Yellow fever, small pox and other contagious diseases that cause many deaths and also when the Germ theory was just a theory not a law. This book mainly talks about Prudence, Mr. Sopher, and Marm especially but there are others such as Dr. bakers, Jonathan this book talks about how typhoid was carried by an Irish Woman named Mary Mallon and the disease
Silent Spring is one of the most important books of the environmental movement. It was one of the first scientific books to talk about destruction of habitat by humans. As a result, one can imagine that Ms. Rachel Carson needed to be quite persuasive. How does she achieve this? In this excerpt from Silent Spring, Carson utilizes the rhetorical devices of hyperbole, understatement, and rhetorical questions to state the necessity of abolishing the practice of using poisons such as parathion. Carson starts out by using the symbiotic nature of hyperbole and understatement to paint the whole practice as dangerous and unnecessary. She further strengthens her argument by using rhetorical questions to make her readers see the ethical flaws and potential casualties caused by deadly pesticides.
Rachel Carson, before publishing Silent Spring, would major in marine zoology at Pennsylvania Women's College, where she would develop her interest in the naturalism and conservation going on at the time (Lear, 23). After graduating, she would take a job at the U.S. Bureau of Fisheries, where she would write about different issues concerning the environment at the time. After writing several books to some success, she would begin work on Silent Spring, as she would find her naturalist causes to be her impetus. She even later on in her life wrote to her friends, What I discovered was that everything which meant most to me as a naturalist was being threatened, and that nothing I could do would be more important. " (Carson, 17)
“The Cold Embrace” by Mary E. Braddon is a wonderfully tragic short story of a young man’s denial and guilt till the end of his life. Braddon accomplishes this by using Omniscient narration to not only showing us his guilt, denial, and struggle; but also able to present his spiral into a depression filled with delusions and guilt that eventually lead him to lose his mind and perish from outside a first person perspective.
Sandra Steingraber, an ecologist and author of the essay “Despair Not”, focuses her essay on the ongoing environmental issues, “In fact, the
By citing credible organizations and offering her own eco-friendly alternatives, she proves to the reader that she takes a particular interest in the environment and is educated to speak on it. Pairing powerful understatements and hyperboles to contrast with one another show the reader that the practice is both needless and selfish. These rhetorical techniques have a powerful impact on the reader, whose ignorance prior to reading the excerpt can no longer suffices to excuse the lack of action. Rachel Carson’s Silent Spring is a deeply persuasive book that not only advocates for an end to pesticides but also speaks to the obligation humans hold to protect their
Saukko , Linnea.“How to Poison the Earth.”The Brief Bedford Reader. Bedford/St.Martin’s Boston: 9th edition ,2006.246-247.
The nonfiction story, “Silent Spring” expresses the idea of how we can change the future of the Earth by destroying it with pollution and not taking care and preserving it. “Everywhere was a shadow of death. The farmers spoke of much illness among their families. In the town the doctors had become more and more puzzled by new kinds of sickness appearing among their patients.” (Carson Page 168) Those few sentences catch attention of the readers and make them ponder what happened to the town and why it is the way it is. We all know from reading the whole story that this town is fictional, but the thought of it intrigued more people to have the desire to take care and clean up the Earth. If we were to all take part in the help to keep our Earth clean and waste as little as possible, it will be far off in the future before towns like this ever exist. That change is something we need to make, yet the majority has no motivation to take a step in doing so. The nonfiction atmosphere of this story makes the facts and predictions in the story more straight forward on why we need to change rather than the fiction since it isn’t true and is less believable. The fact that nonfiction is blunt in saying what needs to happen and why is the main reason it is more effective in expressing the
Silence — the sound of quiet, the state of mind, the lack of meaning — all these pertain to its definition. Communication is expanding, noise is increasing, music is becoming more obtainable as people search desperately for a moment of peace or a breeze of silence. As the scarcity of physical silence increases, its value as a rare commodity increases as well. The idiom “Silence is golden” may perhaps only grow closer to reality as time passes, as exemplified by the white noise machines or silent fans entering the market and fictionalized in Kevin Brockmeier’s short story, “The Year of Silence.” In light of this, Brockmeier explores the value of silence and noise in his story without putting one above the other. Through strange clues and hidden
First and foremost, the novel Hush by Jacqueline Woodson deals with a lot of issues, but if we really look closely at Toswiah/Evie’s internal journey we really understand that the book revolves around Evie/Toswiah and how she needs to about figure out who she is. Toswiah/Evie asks herself questions within the novel about her identity. So, if I were to judge: I believe the uprising theme of Hush is to never forget who you are. I say this because her character keeps reminiscing about how her life was in Denver how she had what she believes is “the perfect life” she had a roof over her head, food on the table, and a best friend who meant to world to her. In the novel Toswiah/Evie begins to question her external circumstances. For instance, being placed in the Witness Protection Program, and being
In 1962, the publication of Silent Spring Rachel Carson captivated the American public. Carson wrote about the harmful effects of chemical pesticides in the environment, and her writing was very reflective of the events occurring at the time. There is a strong connection between Carson’s writing and the Cold War. In fact, if it were not for the war, the American public may not have responded in the same way to Carson’s writing. Carson used tone and content as methods of getting her point across to the public. Silent Spring shined a light on the damage done to the environment as a result of the Cold War, and this issue was finally being recognized by American public.
A graduate of Harvard and the former editor of the Harvard Crimson, Bill McKibben joined the New Yorker in 1982 as a staff writer right out of college. His parents had been writers, and he always thought he would follow in his father’s footsteps as a “newspaper” man. Oblivious as any to environmental predicaments, the course of his career—and life really—changed after writing an extensive piece where he literally tracked down where everything was made in his apartment. Travelling around for this piece introduced him to the “real world,” and in 1987 he left the New Yorker to live in the Adirondack Mountains with his fiancé (“McKibben, Bill”). This is where he wrote his first book, The End of Nature; a book that pushed him into the environmental limelight and provided a basis for all his other works.
Innocence is something always expected to be lost sooner or later in life, an inevitable event that comes of growing up and realizing the world for what it truly is. Alice Walker’s “The Flowers” portrays an event in which a ten year old girl’s loss of innocence after unveiling a relatively shocking towards the end of the story. Set in post-Civil War America, the literary piece holds very particular fragments of imagery and symbolism that describe the ultimate maturing of Myop, the young female protagonist of the story. In “The Flowers” by Alice Walker, the literary elements of imagery, symbolism, and setting “The Flowers” help to set up a reasonably surprising unveiling of the gruesome ending, as well as to convey the theme of how innocence disappears as a result of facing the harsh reality of this world.
“Carson used the era’s hysteria about radiation to snap her readers to attention, drawing a parallel between nuclear fallout and a new, invisible chemical threat of pesticides throughout Silent Spring,” (Griswold 21). She described radiation as the creation of human’s tampering with nature, and warned that similar dangers would become inevitable with the continued use of pesticides (Carson 7). Carson also knew that a large percent of her audience would be housewives, who she could use as example of those who found poisoned birds and squirrels in their gardens. She angled much of Silent Spring towards this audience, which helped her book become the catalyst for environmental change (Griswold
I remember when I first thought about the power one person could have to create change. I was a teenager growing up in the South when I read Rachel Carson’s book “Silent Spring”. This beautifully written book is a powerful indictment of the widespread use of pesticides. Rachel Carson criticized the chemical companies for claiming that pesticides were safe despite mounting evidence to the contrary. And she criticized public officials who accepted the chemical industry’s claims.