Caroline Gorman Short Essay #2 CST 800 2/26/2024. In Evelyn Waugh’s masterful novel Brideshead Revisited, the titular Brideshead Castle serves not only as a setting and backdrop for the characters and their conflicts, but a symbol in itself, representing its inhabitants, the Flyte family, and their history and way of life. In particular, the grand fountain of Brideshead symbolizes the deep, complex Catholic faith of the aristocratic family and stands as a touchstone in the conversion arc of Charles Ryder throughout the novel. Charles views Brideshead Castle with a sense of awe and artistic appreciation, and this extends to individual aspects of the estate as well, in particular the fountain. On Charles’ first visit to Brideshead, Sebastian …show more content…
When he returns the next summer to visit a supposedly gravely injured Sebastian, he properly views the fountain for the first time: “In the center, dominating the whole splendid space rose the fountain; such a fountain as one might expect to find in a piazza of southern Italy; such a fountain as was, indeed, found there a century ago by one of Sebastian’s ancestors; found, purchased, imported, and re-erected in an alien but welcoming …show more content…
The use of the word “conversion,” while merely referring here to aesthetic sensibilities, is nonetheless critical, as it implies that Charles is exiting one era of his life and entering another (though this “conversion” era itself will last over a decade). He feels awakened and renewed by the fountain, as though a “new system of nerves” in his body are unlocked by his hours of contemplation and drawing. Here, Charles uses the language of Scripture and calls the fountain “a life-giving spring,” echoing John 4:14 and Revelation 21:6, as well as the language of Baptism. The water of the fountain represents something new and not yet comprehendible to the young agnostic Charles— repentance, conversion of heart. The whole of his conversion centers around this fountain, both symbolically and literally, as he returns to it time and again. He himself recognizes this later in the novel, though he still is unable to fully capture it: “Act three, moonlight; the characters keep assembling at the fountain for no very clear reason” (334). Though perhaps unmoved by the chapel of Brideshead or the words of Lady Marchmain, Charles, who has an artist’s heart, responds in a deep, unspeakable way to the beauty and complexity
“It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mourning notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro, down its whole length, without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the glittering circlet.
In the novel Graceling there are many important characters including the main character Katsa, her uncle King Randa, and her friend Po. Kristin Cashore uses symbolism in many cases to provide more information about these characters without telling the reader directly, so the individual could form their own opinion on the information given. Symbolism, when used in the right book and the right context, could prove to be an extremely useful tool for the author. Throughout the novel Graceling, author Kristin Cashore uses many symbols to give insight on the growth and portrayal of the characters.
This poem dramatizes the conflict between love and lust, particularly as this conflict relates to what the speaker seems to say about last night. In the poem “Last Night” by Sharon Olds, the narrator uses symbolism and sexual innuendo to reflect on her lust for her partner from the night before. The narrator refers to her night by stating, “Love? It was more like dragonflies in the sun, 100 degrees at noon.” (2, 3) She describes it as being not as great as she imagined it to be and not being love, but lust. Olds uses lust, sex and symbolism as the themes in the story about “Last night”.
There is no safe place in the world. “Ballad of Birmingham” proves that by telling the tragic tale of a young girl and her mother. No matter what a building symbolizes or how much determination is spent on keeping love ones safe, life or destiny will occur. “Ballad of Birmingham” approaches the bombing of Birmingham in 1963 from a sentimental point of view, providing a unique insight into the story. The story of a mother and daughter, as described in the “Ballad of Birmingham,” cannot be understood unless the loss of a loved one has been experience first-hand.
Authors use literary elements throughout short stories to give an overall effect on the message they give in the story. In his short story, “Doe Season” by Michael Kaplan, illustrates a theme(s) of the hardships of not wanting to face the reality of death, losing of innocence and the initiation of growing up. Kaplans theme is contributed by symbolism, characterization, setting and foreshadowing.
“I was crying and all, I don’t know why, but I guess it was because I was feeling so damn depressed and lonesome” (53), Holden says. As humans, we have a hard time belonging in society. This is the same case for Holden Caulfield, the main character from the Catcher in the Rye. The Catcher in the rye, a novel by J.D Salinger, is about Holden, a lost boy in desperate need of help. Throughout the novel, Holden seems to be excluded by the world around him. He continually attempts to try and belong in a world in which he is isolating from. In this novel, Salinger uses symbols such as the red hunting hat, the ducks and Allie’s glove to support the theme, belonging and isolation.
Innocence lies within everyone in at least one point in their lives, but as reality consumes them, that purity begins to vanish slowly as they learn new experiences. In the coming of age novel set in the nineteen-forties, J.D Salinger writes about a sixteen-year-old boy named Holden Caulfield who stands between a road that separates childhood from adulthood and is confused about which path to take. On a three-day trip in New York away from his family and fellow peers at school, Holden encounters many situations in which lead him to think twice about who he wants to become and how he wants to guide others who are in the same situation he is in. In The Catcher in the Rye, J.D Salinger utilizes symbolism, vivid imagery, and slangy diction to expose Holden’s struggle to preserve the innocence of the people that he loves while alienating himself from the adult world he calls “phony.”
In Margaret Atwood 's The Handmaid 's Tale, society is meant to have overcome the sinful tendencies of modern culture. People who would rebel against the new status quo are broken through torture and conditioning. The character Moira acts as a symbol of the main characters, Offred 's, hope and need for rebelliousness. The perceived loss of this hope causes Offred to begin a spiral of indifference which leads her to cling to Nick as a replacement and a way to find meaning in an extra meaningless life. Moira 's attitude and statements in the beginnings of her and Offred 's conversation in the club, instead of showing her to be a broken woman, reveal the remaining fire and rebelliousness of someone with little room or freedom to express.
How is symbolism used in ‘All I Ever Wanted’ to convince readers that appearances can be deceiving?
In Margaret Atwood's The Handmaid's Tale, Offred recounts the story of her life and that of others in Gilead, but she does not do so alone. The symbolic meanings found in the dress code of the women, the names/titles of characters, the absence of the mirror, and the smell and hunger imagery aid her in telling of the repugnant conditions in the Republic of Gilead. The symbols speak with a voice of their own and in decibels louder than Offred can ever dare to use. They convey the social structure of Gileadean society and carry the theme of the individual's loss of identity.
Dinaw Mengestu’s novel The Beautiful Things That Heaven Bears is a story about an immigrant from Ethiopia named Sepha Stephanos that discovers the freedoms he travels to the United States for are not easily accessible and that sometimes you can lose yourself trying to figure out who you are. The passage that most clearly represents this notion comes as Stephanos is reflecting at the end of the novel, he says: “What was it my father used to say? A bird stuck between two branches gets bitten on both wings. I would like to add my own saying to the list now, Father: a man stuck between two worlds lives and dies alone. I have dangled and been suspended long enough” (Mengestu, 228). This paper will examine the metaphor of the two worlds Stephanos
The Princess Bride is a fiction within a fiction, toying with the levels of reality. To accomplish the ingenious insanity that is The Princess Bride, author, William Goldman, brought together a variety of variables. The book is literally layers of information to analyze. Everything is questionable and made to leave you in controversy. Though the book had many things that make it an outstanding piece, from Goldman's interruptions to its unique beginning, the thing that plays the biggest part is Goldman's use of symbolism. Every aspect of the book seems to stem from somewhere or have some deeper meaning. This could just be our own imaginations or Goldman's intent, but one thing is for sure- Goldman wrote the book to force our imaginations to take over and think for themselves in this fictional fairytale where everything you read is false.
In the real world, different symbols are used to help people understand things, and to add different effects onto people’s lives. For example a pendent a women or man wears from the army helps someone understand what they’ve been through and helps portray them as a strong individual. In novels which may have complex story lines like The Handmaids tale it is important that these novels have some symbolism to help the reader decode what some details in the novel represent, helping them understand the plot more in-depth. Through the novel of the Handmaid Tale by Margaret Atwood, symbolism is present and that helps to enhance the story line, as well as contribute an important factor in which is helping the reader understand
...-like symbols are fading--“black once but faded now to that fierce muted metallic green of old peacock feathers”--revealing the length and magnitude of the struggle (142). The contrast is apparent by the mention of the peacock feathers, which in their natural state are lively and radiant. There is an inability for the woman to reconcile with the man because “the indomitable woman-blood ignores the man’s world in which the blood kinsman shows the coverage or cowardice, the folly or lust or fear, for which his fellows praise or crucify him” (123). One must follow the male characteristics to the roots of their southern heritage to acknowledge the full tragic beauty of the female.
Myra, who is dying of illness, escapes the confinement of her stuffy, dark apartment. She refuses to succumb to death in an insubordinate manner. By leaving the apartment and embracing open space, Myra rejects the societal pressure to be a kept woman. Myra did not want to die “like this, alone with [her] mortal enemy” (Cather, 85). Myra wanted to recapture the independence she sacrificed when eloping with Oswald. In leaving the apartment, Myra simultaneously conveys her disapproval for the meager lifestyle that her husband provides for her and the impetus that a woman needs a man to provide for her at all. Myra chose to die alone in an open space – away from the confinement of the hotel walls that served as reminders of her poverty and the marriage that stripped her of wealth and status. She wished to be “cremated and her ashes buried ‘in some lonely unfrequented place in the mountains, or in the sea” (Cather, 83). She wished to be alone once she died, she wanted freedom from quarantining walls and the institution of marriage that had deprived her of affluence and happiness. Myra died “wrapped in her blankets, leaning against the cedar trunk, facing the sea…the ebony crucifix in her hands” (Cather, 82). She died on her own terms, unconstrained by a male, and unbounded by space that symbolized her socioeconomic standing. The setting she died in was the complete opposite of the space she had lived in with Oswald: It was free space amid open air. She reverted back to the religious views of her youth, symbolizing her desire to recant her ‘sin’ of leaving her uncle for Oswald, and thus abandoning her wealth. “In religion , desire was fulfillment, it was the seeking itself that rewarded”( Cather, 77), it was not the “object of the quest that brought satisfaction” (Cather, 77). Therefore, Myra ends back where she began; she dies holding onto