Brian Clark uses a number of techniques to dramatise the Euthanasia

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Brian Clark uses a number of techniques to dramatise the Euthanasia

Debate in his play, Who's Life is it Anyway

Brian Clark uses a number of techniques to dramatise the Euthanasia

Debate in his play, "Who's Life is it Anyway". Euthanasia is the means

by which a person has the freedom of choice over whether they live or

die. In the play there are two main arguments concerning this issue.

One argument saying that a patient has the right to make this decision

of life and death and on which disagrees and says the patient should

not have this choice.

Two characters in the play represent the two central arguments. First

of all there is Ken, Ken believes that he should have the right to

choose to die, it is his life, he says that his whole life before his

accident was sculpture, and now that he cannot sculpt because he is

paralysed below his neck, he will never be able to sculpt again: 'I'm

almost completely paralysed and always will be. I shall never be

discharged by the hospital.' According to Ken his life is already

over: 'Of course I want to live but as far as I am concerned, I'm dead

already…I cannot accept this condition constitutes life in any real

sense at all.' 'Any reasonable definition of life must include the

idea of it being self-supporting.' Ken only wants the dignity in

death: 'each man must make his own decision. And mine is to die

quietly with as much dignity as I can muster'. Ken also argues that he

is not asking his lawyer to make a choice over his life or death, just

to represent his views to the hospital: 'I'm not asking you to make

any decision about my life and death, merely that you represent me and

my views to the hospital.' Ken argues that the real matter to be

discussed is the ind...

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...ise the full impact of what he has been

fighting for. He will no longer be there once he has won his case. Ken

will cease to exist. This helps us to understand why some people are

anti-euthanasia, and what grave consequences it has and why euthanasia

is an extreme solution to take.

The theatre offers many possibilities of visualising and dramatising

this debate, the medical and legal jargon used in the two acts of the

play, the physical space of the stage and the lighting in combination,

the black comedy of Ken, the exits and entrances of different

characters that are used as mouthpieces of different views on the

debate. Issues are raised in the play as they could not be in prose.

There is a suspension of disbelief, a contract between the playwright

and the audience makes sure that the issues are well explored and

continue to be in a 30 year-old debate.

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