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Who is Brent Staples
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Publication Information Staples, Brent. “Black Men and Public Space.” Reading Critically, Writing Well. Sixth edition Eds. Rise B. Axelrod and Charles R. Cooper. Boston: Bedford/St. Martin’s, 2002. 134-136. Print. Brief Summary In this reflective essay, Brent Staples tells us about the times he has been judged by his skin color.Mr. Staples was a student at the University of Chicago at the age of twenty-two. He was a young colored man who was six foot two with a scruffy beard. He often missed his home which made him have troubles sleeping during the night. So every night he went on walks through Hyde Park and the streets. As he walks down the streets at night others always assume he is causing trouble. Many women have ran from him thinking …show more content…
he was going to murder, kidnap or, even rape them.
Although he would never be able to do such a thing. Mr. Staples could hardly take a butterknife to a raw chicken. Nevertheless, the only reason these women assumed these awful things were because he was a colored man. A few women have even ran away from him in fear. These women's actions embarrassed him. Her flight made him feel like an accomplice in tyranny. Women were not the only ones to think he was causing trouble. The police stopped Mr. Staples frequently to harass him. Brent's skin tone often made him a target. Mr. Staples was not used to people acting this way around him. There were times when he would cross the street in front of a car at a stop light. While crossing all he could hear was the doors lock on the cars. Mr. Staples noticed that he could turn a corner and make it seem like a dangerous situation. Even though it was never a hazard. Also, he learned that where fear and weapons meet, there is always a possibility of death. To change these choppy situations he decided to change himself. He started to walk farther away from people and waited …show more content…
for people to go into buildings before he entered. He also began to whistle melodies of classical music. It made him seem less threatening. His whistling was his equivalent of the cowbell that hikers wear when they are in bear country. Response To Content Mr.
Staples had it rough starting off as a new student in the University in Chicago. He was very uncomfortable in this new place which is completely understandable. Although being this young of a student he did not realize how he presents himself to people on his early night walks matters. On the nights he couldn't sleep he would go on walks around the park and around a few blocks. He always wore sweats and a hoodie. This made him very sketchy. A six foot black man slumping around a park sometimes walking behind a woman sets off the wrong idea. How you present yourself in every situation matters. He could have possibly had less confrontations with the police. Although the fact that people of a different race are criticized by their looks is awful, it is the truth. When you see a black man wearing a suit you perceive him as successful. Although when you see a black man wearing sweats and a hoodie you assume he lives in the ghetto. Although when Mr. Staples follows another person it does seem creepy. I do not understand why he would not just take another avenue. If it was me walking around in the middle of the night I would stay away from other people as much as I could. I believe that some of those women over reacted when he was walking behind them. Running away was not necessary. As a woman myself I would have been scared but I believe the situation is what you make it. When it came to the confrontations with the police I do not understand why he would have been so rude
with them in the beginning. Especially if he was never doing anything wrong. Although I am glad that he learned to be at ease when he was questioned by the police. As society I never noticed that the violence was drawn to black males. It honestly makes me disappointed. Any human is able to do crimes that others are. The fact that these men are targeted upsets me. Brent Staples was correct when he said “ Where fear and wepons meet- there is always a possibility of death.”
Staples successfully begins by not only admitting the possible faults in his practiced race but also by understanding the perspective of the one who fear them. Black males being opened to more violence because of the environment they're raised in are labeled to be more likely to cause harm or committing crime towards women but Staples asks why that issue changes the outlook of everyday face to face contact and questions the simple actions of a black man? Staples admits, "women are particularly vulnerable to street violence, and young black males are drastically overrepresented among the perpetrators of that violence," (Staples 384) however...
In Brent Staples “Just Walk on By: A Black Man Ponders His Power to Alter Public Space” (Published Version in Ms. Magazine in 1986):
America have a long history of black’s relationship with their fellow white citizens, there’s two authors that dedicated their whole life, fighting for equality for blacks in America. – Audre Lorde and Brent Staples. They both devoted their professional careers outlying their opinions, on how to reduce the hatred towards blacks and other colored. From their contributions they left a huge impression on many academic studies and Americans about the lack of awareness, on race issues that are towards African-American. There’s been countless, of critical evidence that these two prolific writers will always be synonymous to writing great academic papers, after reading and learning about their life experience, from their memoirs.
It is clear that often times he can not be separated from another dangerous people. Staples says,”Then there was the standard unpleasantries with police, doormen, bouncers, cab drivers, and others whose business it is to screen out troublesome individuals before there is any nastiness” (52 Staples). The keyword before is italicized to emphasized there is a generalization that is made first. In order to prevent trouble those in power unfairly assume who they believe are trouble makers. Generalizations against African Americans cause for there to be extra attention towards him because they are supposed to be the criminals that cause trouble. Gladwell talks of making the wrong kind of generalizations. Generalizations that are based on race and gender are bound to change and can lead to ineffective profiling. Gladwell takes an example to drug smugglers and the New York Police Department’s methods of trying to stop these criminals. Gladwell says,”It doesn’t work to generalize about a relationship between a category and a trait when that relationship isn 't stable -or when the act of generalizing may itself change the basis of the generalization”(59 Gladwell). A drug smuggler can be of any race, gender, or religion and generalization such as these are unstable. Stable generalizations on how they act, and if there is alarm
Ethnic group is a settled mannerism for many people during their lives. Both Zora Neale Hurston, author of “How It Feels to Be Colored Me; and Brent Staples, author of “Just Walk On By: A Black Man Ponders His Power to Alter Public Space,” realize that their life will be influenced when they are black; however, they take it in pace and don’t reside on it. They grew up in different places which make their form differently; however, in the end, It does not matter to them as they both find ways to match the different sexes and still have productivity in their lives.. Hurston was raised in Eatonville, Florida, a quiet black town with only white passer-by from time-to-time, while Staples grew up in Chester, Pennsylvania, surrounded by gang activity from the beginning. Both Hurston and Staples share similar and contrasting views about the effect of the color of their
There is no doubt that black culture is full of eloquent and intellectual writers. During the Reconstruction and Harlem Renaissance, many would arrive at the forefront of modern literature that would begin to unravel stereotypes and reframe the black experience of being human in every genre. But none was as sophisticated and truly committed to using every platform of writing available to him than W.E.B. Du Bois. He made it a mission in his writings to attend to what it was to be black: to be black in black skin; to be a black intellectualist versus a non-intellectualist black, to be a black living in economic, social and political deficiency and discriminatory neglect; and to be black, and viewed essentially
Mahony, Mary. "Critical Essay on 'Black Boy'." Nonfiction Classics for Students: Presenting Analysis, Context, and Criticism on Nonfiction Works. Ed. David M. Galens, Jennifer Smith, and Elizabeth Thomason. Vol. 1. Detroit: Gale, 2001. Literature Resource Center. Web. 23 Feb. 2010.
Margolies, Edward. “History as Blues: Ralph Ellison’s Invisible Man.” Native Sons: A Critical Study of Twentieth-Century Negro American Authors. J.B. Lippincott Company, 1968. 127-148. Rpt. in Contemporary Literary Criticism. Ed. Daniel G. Marowski and Roger Matuz. Vol. 54. Detroit: Gale, 1989. 115-119. Print.
Brent Staples published an article titled “Black Man in Public Spaces.” In this essay he uses a mixture of satire and frustration to emphasize issues with today's society, but also not make it as serious as it could be. Some would argue that this mix between satire and frustration could distract from the seriousness of the matter, but I believe it is important to understand that perspective. It is important for individuals to realize that those issues that were prevalent during that time period, are unfortunately still prevalent today. Not only does this bring an heir of humor to see how ridiculous these issues are, but also it bring these issues to light make them readily available, and open for discussion. With hope that newfound ideology
In his article “Just Walk on By: Black Men and Public Space”, which first appeared in the women’s magazine Ms. Magazine and later Harpers, Brent Staples explores the discrimination he faced as a black man living in Chicago and New York. In writing this piece, Brent Staples hoped to use a combination of pathos and ethos to demonstrate to the women that read Ms. Harper’s that Staples is actually the victim when the women treat him the way they do and to get these women to view him, and other black men, differently and to make them realize that they are people too. Staples use of his ethos and pathos serve well to support his position and convince others to take a new perspective. Staples uses ethos in multiple ways
In the short essay, “Black Men in Public Space” written by Brent Staples, discusses his own experiences on how he is stereotyped because he is an African American and looks intimidated in “public places” (Staples 225). Staples, an intelligent man that is a graduate student at University of Chicago. Due to his skin complexity, he is not treated fairly and always being discriminated against. On one of his usual nightly walks he encountered a white woman. She took a couple glances at him and soon began to walk faster and avoided him that night. He decided to change his appearance so others would not be frightened by his skin color. He changed the way he looked and walked. Staples dressed sophisticated to look more professional so no one would expect him to be a mugger. Whistling classical music was referred to the “cowbell that hikers wear when they know they are in bear country”(Staples 226). The cowbell is used to protect hikers from bears. But in Staples case, it was to not be stereotyped and show that he is harmless. The general purpose of Staples essay was to inform the readers that stereotypes could affect African Americans and any other races.
Brent Staples focuses on his own experiences, which center around his perspective of racism and inequality. This perspective uniquely encapsulates the life of a black man with an outer image that directly affects how others perceive him as a person. Many readers, including myself, have never experienced the fear that Staples encounters so frequently. The severity of his experiences was highlighted for me when he wrote, “It also made it clear that I was indistinguishable from the muggers who occasionally seeped into the area from the surrounding ghetto.” (135) Having to accept that fact as a reality is something that many people will never understand. It is monumentally important that Staples was able to share this perspective of the world so others could begin to comprehend society from a viewpoint different from their
The author was born in Washington D.C. on May 1, 1901. Later, he received a bachelor’s degree from Williams College where he studied traditional literature and explored music like Jazz and the Blues; then had gotten his masters at Harvard. The author is a professor of African American English at Harvard University. The author’s writing
Staples, Brent. “Just Walk On By: A Black Man Ponders His Power to Alter Public Space.” Patterns for College Writing: A Rhetorical Reader and Guide. 12th ed. Ed. Laurie G. Kirszner and Stephen R. Mandell. Boston: Bedford, 2012. 240-3. Print.
Over the course of the century chronicling the helm of slavery, the emancipation, and the push for civil, equal, and human rights, black literary scholars have pressed to have their voice heard in the midst a country that would dare classify a black as a second class citizen. Often, literary modes of communication were employed to accomplish just that. Black scholars used the often little education they received to produce a body of works that would seek to beckon the cause of freedom and help blacks tarry through the cruelties, inadequacies, and inconveniences of their oppressed condition. To capture the black experience in America was one of the sole aims of black literature. However, we as scholars of these bodies of works today are often unsure as to whether or not we can indeed coin the phrase “Black Literature” or, in this case, “Black poetry”. Is there such a thing? If so, how do we define the term, and what body of writing can we use to determine the validity of the definition. Such is the aim of this essay because we can indeed call a poem “Black”. We can define “Black poetry” as a body of writing written by an African-American in the United States that formulates a concentrated imaginative awareness of an experience or set of experiences inextricably linked to black people, characterizes a furious call or pursuit of freedom, and attempts to capture the black condition in a language chosen and arranged to create a specific emotional response through meaning, sound, and rhythm. An examination of several works of poetry by various Black scholars should suffice to prove that the definition does hold and that “Black Poetry” is a term that we can use.