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Metaphores in the poem the road not taken
Analyzing the theme of the poem the road not taken
Metaphores in the poem the road not taken
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Robert Frost “Design” 2. The poem starts off with a white spider on a white heal-all which holds onto a white moth. Just the knowledge of knowing that it is a spider, not to mention a fat spider, it has a negative connotations because no one really likes them to be honest. Spiders symbolize death and mystery. As for the heal-all, it is a plant that is commonly used for medicinal purposes. The rhyme scheme and vowel sounds emphasized that they are ‘characters of death and blight.’ 3. The first stanza has an observative tone to it. The narrator is telling their observation of a spider, plant, and a moth. The tone turns cynical in the third line where the narrator describes the moth as a “rigid satin cloth.” It describes its fragility when compared to a satin cloth but the rigidness conflicts with it frailty as well. The second simile that compares the subjects of the poem to a witches’ broth turns into a disgusting connotation. 4. The lines goes as “Then steered the white moth thither in the night?/What but design of darkness to appall?” The speaker asks what has to design things that resembles death but is ironically containing a sense of purity. If something that is pure is able to be cynical, it put wonders about how God may design much more complex organisms that are able to feel emotions and such. 5. Unlike the traditional Italian sonnet, the questions at the end of the poem are never answered which leaves the audience to answer it themselves. The design that God has made on everything shows within everything. If there was evil within something so small, it puts wonders of how God has design something more complex like humans. The ‘design of darkness’ is probably inherited by all things existing. 6. The last l... ... middle of paper ... ...stove. He wasn’t really disturbed by the fact it’s dead, but instead he says that the rooster tasted better than store bought chicken. After dinner, he played with the dead cat’s claws which sounds pretty cynical. Although he plays with its claws, he cries over it. 4. The poem’s theme relates to the idea of death and mortality. It is pretty much everywhere and exists in everything. The depressing thing about it is that people seem to overlook it or choose to ignore it. It is a possibility that the event of death has become a thing to be unnoticed and a norm. They boy knew at least four deaths during that day and witnessed some sickly horrifying stuff about the animals in his neighborhood. Knowing that he and his brother played with the cat’s corpse is really disturbing. The arrogance and attitude of death is so casual that it becomes something that is overlooked.
I think the main idea the narrators is trying to emphasize is the theme of opposition between the chaotic world and the human need for community with a series of opposing images, especially darkness and light. The narrator repeatedly associates light with the desire to clear or give form to the needs and passions, which arise out of inner darkness. He also opposes light as an idea of order to darkness in the world, the chaos that adults endure, but of which they normally cannot speak to children.
The diction surrounding this alteration enhances the change in attitude from self-loath to outer-disgust, such as in lines 8 through 13, which read, “The sky/ was dramatic with great straggling V’s/ of geese streaming south, mare’s tails above them./ Their trumpeting made us look up and around./ The course sloped into salt marshes,/ and this seemed to cause the abundance of birds.” No longer does he use nature as symbolism of himself; instead he spills blame upon it and deters it from himself. The diction in the lines detailing the new birds he witnesses places nature once more outside of his correlation, as lines 14 through 18 read, “As if out of the Bible/ or science fiction,/ a cloud appeared, a cloud of dots/ like iron filings, which a magnet/ underneath the paper
...veryone else. He wakes up every day ready to crow his symbol to bring on that day. In the poem he is ready to protect all the female chickens, from another cock that could be in there house. He is ready to battle to the death for what he thinks is his. In this poem he uses ridicule, when he is talking about the old man in a terminal ward, and he also uses connotations. Some example of connotations are when he uses words like; enraged, sullenly, savagery, unappeased and terminal.
The first two lines of the poem set the mood of fear and gloom which is constant throughout the remainder of the poem. The word choice of "black" to describe the speaker's face can convey several messages (502). The most obvious meaning ...
The characters of the poem are also some very meaningful keys in showing the hidden meaning. The first stanza describes the crowd that has gathered to watch the enactment of our human lives. Lines three and four states "an angel throng, bewinged, and bedight in veils, and drowned in tears." Poe is stating that a group of angels is going to watch the spectacle put on for them, although they are already drowning in the tears from plays before. The orchestra that plays for them is another set of characters that have meaning. They represent the background in everyone's life by "playing the music of the spheres." A third set of characters that show hidden meaning is the "Mimes, in the form of God on high." They denote the people that inhabit the earth. Poe describes them as "Mere puppets they, who come and go at bidding of vast formless things." The vast formless things are the ideas that we have. Ideas like the things that we think we have to do for ourselves to survive and succeed. They also make up drama of the play. A final, prominent figure in this dramatic performance is the conqueror worm. Poe illustrates it as "a blood-red thing.
Gilbert, Roger. "Robert Frost: The Walk as Parable." Poetry Criticism, edited by Lawrence J. Trudeau, vol. 173, Gale, 2016. Literature Resource Center, proxy.campbell.edu/login?url=http://go.galegroup.com/ps/i.do?p=LitRC&sw=w&u=nclivecu&v=2.1&id=GALE%7CH1420120652&it=r&asid=ce43321a2e99d7cd8ccbc328976c3726.
Regarding the stereotypical power humans have over smaller beings, the speaker practices moral judgment: she cannot harm the defenseless creature. In the first line she states this, committing to her discernment, “No, helpless thing, I cannot harm thee now”(1). This refers to the human responsibility, having a conscious mind that leads to better judgment. Curiously, she holds and inspects the caterpillar, as it pleads for protection in a silent yet demonstrative manner(13-14). The speaker chooses not to be violent but compassionately willing to care for this animal as she “swears perdition to thy race”(14). The speakers ethical code is not entirely pure however, as she has previously “swept them from the tree/And crushed whole families beneath my foot” at some point in the past(19-20). The then seemingly positive enforcement of the moral implications turns darker as the dialogue of the caterpillar begins, “So the storm Of horrid war, o'erwhelming cities, fields.. And urges, by no soft relenting s stopped, The work of death and carnage”(20-35). As seen, the poem applies ethics to change the readers perspective in order to practice
Stanzas one and two of the poem are full of imagery. The first stanza sets the scene for the poem “in a kingdom by the sea” (Poe 609) which makes you feel as if the story is going to have a “romantic” (Overview) feel to it. Then Annabel Lee comes into the story with “no other thought than to love and be loved by me” (Poe 609); This sentence is full of imagery in the sense that it makes you feel the immense capacity of love Annabel Lee had for the speaker if that was her only thought. In the second stanza the imagery takes a turn that shifts from loving and inviting to pain; The love between Annabel and the speaker was so strong that
Not only the words, but the figures of speech and other such elements are important to analyzing the poem. Alliteration is seen throughout the entire poem, as in lines one through four, and seven through eight. The alliteration in one through four (whisky, waltzing, was) flows nicely, contrasting to the negativity of the first stanza, while seven through eight (countenance, could) sound unpleasing to the ear, emphasizing the mother’s disapproval. The imagery of the father beating time on the child’s head with his palm sounds harmful, as well as the image of the father’s bruised hands holding the child’s wrists. It portrays the dad as having an ultimate power over the child, instead of holding his hands, he grabs his wrists.
In “A Noiseless Patient Spider”, Walt Whitman compares the images of a spider creating a web to catch its prey to his own soul. In the first stanza, he describes the spider creating its web. In the second stanza, he begins to describe his own soul searching for something it needs. Throughout the poem, Whitman is relating the spider to the human soul by showing how both would pursue and capture what they need to continue to exist in this life.
The main event is the death of the child, which has happened previously to the beginning of the poem. This event foreshadows the death of the marriage which will happen after the poem. The husband and wife go through the grief process in many different ways. The wife believes that her husband does not understand her or the grief in which she feels. Online 10, she shouts at him, “You couldn't care!...
In the poem Birches by Robert Frost, Frost portrays the images of a child growing to adulthood through the symbolism of aging birch trees. Through these images readers are able to see the reality of the real world compared to their carefree childhood. The image of life through tribulation is the main focal point of the poem and the second point of the poem is if one could revert back to the simpler times of childhood. The language of the poem is entirely arranged through images, although it contains some diction it lacks sound devices, metaphors, and similes compared to other published works by Frost.
The consistent pattern of metrical stresses in this stanza, along with the orderly rhyme scheme, and standard verse structure, reflect the mood of serenity, of humankind in harmony with Nature. It is a fine, hot day, `clear as fire', when the speaker comes to drink at the creek. Birdsong punctuates the still air, like the tinkling of broken glass. However, the term `frail' also suggests vulnerability in the presence of danger, and there are other intimations in this stanza of the drama that is about to unfold. Slithery sibilants, as in the words `glass', `grass' and `moss', hint at the existence of a Serpent in the Garden of Eden. As in a Greek tragedy, the intensity of expression in the poem invokes a proleptic tenseness, as yet unexplained.
There are several death related motifs present in the poem. For instance, the poem opens with a passage from Dante’s Inferno, foreshadowing the theme of death in the poem. The speaker says “I know the voices dying with a dying fall.” He also references Lazarus from the Bible, who was raised from the dead, further developing the death motif. The speaker also seems to be looking back on life, referring to past experiences and his aging, as if he believes his death is imminent. He seems to have an obsession with hiding his age. According to the Psychoanalytic Criticism Chapter, the greater our fear of something is, the greater our obsession becomes (24). The speaker's fear of death has lead him to wear clothes that are fashionable for young people, such as rolling his trousers, and goes to great lengths to cover his age in other ways, such as parting his hair behind to cover a bald spot. The last stanza of the poem has a rather depressing and sad ending, a result of fear of
Robert Frost is considered by many to be one of the greatest poets of the twentieth century. Frost’s work has been regarded by many as unique. Frost’s poems mainly take place in nature, and it is through nature that he uses sense appealing-vocabulary to immerse the reader into the poem. In the poem, “Hardwood Groves”, Frost uses a Hardwood Tree that is losing its leaves as a symbol of life’s vicissitudes. “Frost recognizes that before things in life are raised up, they must fall down” (Bloom 22).