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Character analysis of dracula
Essays on dracula by bram stoker
Characteristic of dracula
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Legends and myths are something that has been handed down through ancestors for centuries. These myths are often a way of telling history or creating an image of something in the past to make it seem interesting; some are very realistic while others are not. Horror stems from folk-tales, stories of creatures and monsters from the past told to younger generations to entertain and fear. One the most famous monsters of our time is Count Dracula, he has terrorized hundreds of people throughout the years. Stoker’s vivid imagery of Dracula is what makes the character a classic favorite. The 1992 film “Bram Stoker’s Dracula” is an adaptation of the 1897 novel Dracula by Bram Stoker. What makes Dracula such a unique story is that it does not start out as an evil and horrifying movie but as a start of a romance story. Through comparison of Bram Stoker’s novel Dracula, to its film adaptation “Bram Stoker’s Dracula”, there are differences and similarities between the two although it was very close to the book.
The novel starts off with the history of the Count. It begins with a war and Dracula is going to fight in it; in a war. Many people were killed and in confusion a message was delivered to the Count’s wife the he was killed in battle. After realizing this she
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commits suicide, not actually knowing that her husband actually survived and was returning to her. When Dracula returns, he finds his wife’s body dead and lifeless on the floor; since she had committed suicide the church declares her soul is lost. The Count become enraged of this because he was in battle protecting the church that just condemned his wife’s soul to hell; because of this he renounces God and becomes immortal in hopes of rising from the darkness to save his wife’s soul. After watching the movie there are however some differences between the film adaption and the novel. First of all in the novel (pg. 29) upon arrival Jonathan stayed at the Golden Krone Hotel for an evening. During his stay, he met an elderly woman who told him of the superstitions of the town and warned him to not go ahead with his travels. Before he left the elderly woman becoming more crazed about him leaving to go to the counts castle began to plead with him: “Do you know what Day it is? It is the eve of St. Georges Day. Do you know not that tonight when the clock strikes midnight, all evil things in the world will have full sway? Do you not know where you are going, and what you are going to?” (pg. 31) After this the women took the crucifix and put it around his neck and said “For your mother’s sake”. In the movie the hotel and most of this scene was cut out, all that happened was a girl in the carriage he was in gave it to him when he stepped out to wait for Counts carriage. Another difference between the two is the proposal scene. In the book Lucy writes a letter to Mina about how three men proposed to her at different times throughout the day. In the film all three men showed up and were there together and Mina was there to witness it all. Another difference between the film and novel is the women and inferences we get from the text. In the novel Stoker portrays women in two different ways, the conservative Victorian style like Mina and Lucy, and a more loose style where it takes on the role of a more modern approach such as the three bride vampires. For example, according to spark notes: Because the prejudices of his time barred him from writing frankly about intercourse, Stoker suggests graphic sexual acts through the predatory habits of his vampires. The means by which Dracula feeds, for instance, echo the mechanics of sex: he waits to be beckoned into his victim’s bedroom, and then he pierces her body in a way that makes her bleed. In the mind of the typical Victorian male, this act has the same effect as a real sexual encounter—it transforms the woman from a repository of purity and innocence into an uncontrollably lascivious creature who inspires “wicked, burning desire” in men. Throughout the novel we see sexuality become more prevalent in situations dealing with vampires. For this time period it was unheard of to write about sex, so the way stoker wrote we can infer what he was talking about in certain scenes. Dracula is more than a story of horror, but a story about good vs.
evil, and love vs. hate. I feel Francis Coppola did an excellent job in producing Bram Stoker’s Dracula. Coppola’s analysis of characters and events, psychological and motivational, in the book is one of the reasons the movie was so successful. He stayed as close to the book while making minor adjustments to the historical events as much as it is possible, making the story even more to the plot as possible. One important changed to the plot that was an important factor was destroying vampires stereotype by portraying Count as a capable person of love and compassion and not just a blood sucking monster. According to a student from an online
essay: Originally, Stoker’s “Dracula” is a tale of love. It is a story of love, where love is high above the mortality and death. At the same time it is a novel about the struggle of treachery and sacrifice in the name of love. Count Dracula is ready to do anything to return the love he lost… One aspect of the book Coppola emphasizes is the evil-good relations. In Coppola’s Dracula he takes the story that was always portrayed as a horror myth into a story with underlying messages of love, passion and death meaning, true love lives forever.
Bram Stoker’s Dracula is not only a classic story of men and monsters, but a dramatic reactionary work to the perceived threats to Victorian society in nineteenth century England. In modern times there have been many film adaptations of the novel, each developing a unique analysis or criticism of the literary text within the framework of the society and time period in which it was created. The 1972 film Blacula is one of the most culturally specific variations on the story of Dracula, and highlights many of the themes and messages found in Stoker’s original text. Among the primary similarities between the novel and the film is the portrayal of race, sexuality, nationality, and culture, and the characterization in each work speaks to the fears and ideals of their respective dominant societies.
This fictional character was soon to be famous, and modified for years to come into movie characters or even into cereal commercials. But the original will never be forgotten: a story of a group of friends all with the same mission, to destroy Dracula. The Count has scared many people, from critics to mere children, but if one reads between the lines, Stoker’s true message can be revealed. His personal experiences and the time period in which he lived, influenced him to write Dracula in which he communicated the universal truth that good always prevails over evil. Religion was a big part of people’s lives back in Stoker’s time.
First off, in Stoker’s Dracula the reader’s suspension of disbelief is lower as compared to folklore tales. He is a tall creepy old person when first revealed, but later on in the novel he is shown to be more sinister. This creates a sense of mystery and confusion. Another reason is that he is a well developed antagonist. Often times he outsmarts the main characters creating a sense of suspense and irony because the readers know what is going to happen but the characters do not. But the most important reason of them all is the fact that Count Dracula takes elements from folklore and builds upon it. Stoker uses classic folklore to create a foundation for Dracula, for example; Dracula’s powers give him the ability to live forever, or shapeshift into other creatures as well. They also give him weaknesses such as: holy objects and daylight which mitigates his powers. These powers regularly add to the mysterious tone in the book. Count Dracula climbing down the castle wall upside down or moving slowly across a yard as a cloud of vapor makes the reader question what is happening. He has the ability to control the weather and animals as well. Stoker gives him powers from legend to make him a formidable force in the story. Although his appearance is unpleasant, he is quite the seductive character. He uses this to his advantage when trying to turn Mina and Lucy into vampires. Dracula preys on ‘weaker’ beings in a hierarchical system where he feasts on the women and once the women have turned to vampires, they feed on children. He can also use telepathy to tell where other vampires are, however, this works against him in the final chase of the book. In short his powers are unique and interesting and help to make the Count a powerful
Loosely based on the novel Dracula by Bram Stoker, the film is the story of a
Comparing the 1931 version of Dracula, starring Bela Lugosi, with Frances Ford Coppola's Bram Stoker's Dracula 1993 version yields some similarities. Both films are of the same genre: Horror. Both films are set around the same time period. Also, both deal with a vampire coming to England and causing disruptions in people's lives. Beyond these few similarities are numerous contrasts.
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
Over the years people have given new out looks on the original vampire, Dracula. He was a tall non-attractive looking man who would never come out during the day. Hollywood however has made new vampire stories such as Twilight, True Blood, and The Vampire Diaries/The Originals that have new ideas of a vampire. These novels/books all have differences, but some still have key characteristics of the original vampire.
Peters, Sarah L. "Repulsive to Romantic: The Evolution of Bram Stoker’s Dracula." Henderson State University. N.p., Mar. 2002. Web. 14 Apr. 2014.
Over the course of cinematic history, many filmmakers have attempted to recreate the chilling, unprecedented world of Bram Stoker’s Dracula. Arguably very few have succeeded, for the majority of directors tend to avoid the pervasive sexuality inherent in the novel. It is a difficult task to achieve, considering the blatant imagery surrounding sex and vampirism, such as the reproduction following a vampiric encounter and the phallocentric nature of the violence committed both by and against these creatures: penetration is involved in their hunting, and one must impale them with a stake in order to destroy them. Readers are thereby forced to admit that Dracula is, in fact, a highly eroticized piece of literature, though whether or not Stoker himself was aware of this suggestiveness, we cannot be sure. The most successful effort at capturing that sexual energy on film has been Francis Ford Coppola's 1992 movie, Bram Stoker's Dracula. In fact, it has often been proposed that Coppola’s version is too carnally focused in comparison to the original work, which leads a viewer to wonder about the purpose in this overt sexualization. It can be concluded that adding copious amounts of eroticism to the film is directly related to Coppola’s strive to depict Count Dracula as more human rather than monster, and sexuality in his film serves as a balance so that the lines between good and evil are blurred. Evidence for this deduction is found in three scenes in particular: Jonathan’s seduction by Dracula’s vampiric wives, Lucy’s demonic transformation, and Mina and Van Helsing’s relationship during the climax of the story.
From Transylvania to Hollywood, vampires have transformed from unfamiliar, mysterious personalities to one of the most dominant monsters in the horror genre today. Vampires are one of the oldest and most noted creatures in mythology, with many variations of them around the world. Although the most famous version is Bram Stoker’s Dracula, many variants have come before and after telling of the same legend with their own added ideas and modifications to relate to their cultures. Today, there is a multitude of literary and film works that convey and resurface peoples’ fear of vampires. As gothic works like Dracula, by Bram Stoker and Scooby-Doo! and the Legend of the Vampire directed by Scott Jeralds share certain traits reflective of the genre;
Dracula, by Bram Stoker, is a classic tale of Gothicism. Traditionally, gothic tales only carried single theme of horror. Through Dracula, Stoker breaks this single theme barrier. The theme throughout Dracula is clearly displayed through the characters as they step from ignorance to realization in this tale of horror.
In the book, Dracula by Bram Stoker there are many characters that display qualities of good verse evil. The Count Dracula is a mysterious character who appears as an odd gentleman but the longer the story goes on Dracula shows his true self. Dracula started infiltrating the lives of anyone who crossed his path and he was not stopping his destruction of others’ lives. Many people were affect by Dracula’s actions but there were two people that Dracula caused an impact on during his rampage. Dracula is an evil, cunning, and selfish character who harms the life of a young man and ruins the future of an innocent woman.
The “Otherness” Dracula possesses reinforces our own norms and beliefs through his transgression that separates him from society and the polarity to Western norms and ideals makes him an effective device for extorting revulsion and horror. Stoker’s novel employs Gothic tradition, providing “the principle embodiments and evocations of cultural anxieties” from which the very Gothic mood and horror is produced, establishing the baseline used to distinguish the modern vampires, as part of vampire mythology within the Gothic (Botting Aftergothic 280). Differences Between Dracula and Twilight The similarities between the two novels are namely Gothic imagery and theme, but the Gothic mood predominates in Dracula over Twilight and it is this difference that makes Twilight not belong in the vampire canon. Horror is the element that Dracula possesses that Edward does not, and it is crucial in the interplay between transgression and limit.
The novel Dracula by Bram Stoker has plentiful examples of key concepts we have examined in class including: Purity and impurity, magical thinking, strong emotions such as disgust and shame, , formalization, and myth. In this essay I will summarize events that take place within the novel when the protagonists deal with Dracula and then relate these events to the key concepts to demonstrate why the characters view him as dangerous, and therefore something to be avoided completely.
In Bram Stoker's "Dracula", Dracula is portrayed as a monster made evident by his gruesome actions. An analysis of Dracula shows that: shows his evil nature in his planning, brutally killing Lucy Westrenstra causing a violent response from Dr. Seward and others, and how his evil ways lead to his downfall. To characterize Dracula in one way, he is a ruthless, cunning monster who uses tricks, torture, and wits to manipulate people to his will. However when he trifled with some courageous people, he had no knowledge that it would be his undoing.