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Beauty standards around the world research paper
Beauty standards around the world research paper
Beauty ideals in different cultures
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A Modern Descendent of Bound Feet: The High Heel Conundrum
In an age where virtually everything can be improved, our bodies are spared none of the pressure. In fact, whether addressed through permanent modifications or temporary accessories, such pressures to “be beautiful” have always existed. Cross-cultural variations of this recurring human phenomenon are quite fascinating. Moreover, though these variations may seem to be independent of each other, they are not without similar patterns and trends. When considering such overlap, the highest-profile beauty practices are among some of the most interesting to consider. For example, the iconic western high heeled shoe is in many ways analogous to bound feet, which originated in ancient China.
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First, it is important to note that the ideas of the school of feminist thought which I cite in my arguments heavily contradict those espoused by a newer wave of feminism. Scholars like Sue-Ellen Case, who belong to this school of thought contend that beauty practices are simply another mode of expression, which may very well be true1 (though I will elucidate caveats to this argument later). Claims made regarding the value of high heels as empowering tools for women, in the workplace or otherwise, are also derived from this new wave feminism: “…we are told nowadays that high-heeled shoes are emblematic of a confident, powerful femininity, a femininity that is ‘out and proud’ – indeed, a daring rejection of what is frequently presented as ‘feminist orthodoxy’ in relation to beauty” (Gill 37). It is not my intention to discount the opinions presented by these scholars. Though reconciling my arguments with these opinions is beyond the scope of this paper, neither will I rely exclusively on the opposing view. The interpretive traditions I’ve elected are preferred on the basis that they are more compatible with my argument, not only as a matter of evidence, but also of structure. For example, every feminist source I have chosen engages with high heels, bound feet and patriarchy. However, no feminist contends that bound feet were empowering, though new wave feminists may argue this of high heels. Thus, incorporating such arguments would necessarily exclude any discussion of bound feet, a problematic condition for my
In the article “Beating Anorexia and Ganing Feminism,” Marni Grossman shares her experiance of how she overcame her struggle with anorexia through understanding the feminist movement. Marni objectafies the ways in which society’s expectations and ideas of what it means to have “beauty” is having and negitaive impact. I had a very similar experiance to Marni, in fact the first time I hated my apperance was in the seventh grade. I have olive skin and bold brows, features which i was often complamented on, yet hated. Shawn and Lee argue that “there is no fixed idea of beauty”, suggesting how social ideals from society differs depending on the culture (183). I remember A male student was bullying all the females in the class by Inscribing Gender
In recent headlines, an American businesswoman was sent home from work without pay for not wearing the required heel height shoe to work. This woman quit her job to take a stand for women’s rights, and within a matter of days, other women began sharing stories of how it was required by their offices to wear a minimum heel height also. This is just a small example of the unfair stipulations placed on women in today’s patriarchal society. Lucille Clifton, an avid women right’s advocate, has dedicated the majority of her life to the progression of women’s rights through her writing. In her poem, “homage to my hips,” Clifton uses “hips” to symbolize women and their desire for equality in today’s male dominated world. Clifton’s poem attempts
It seems if a woman does not follow what the television or magazines do, they will be considered a ‘disgrace’ to society. “By the 1930’s, mass advertisements on radio and in magazines persuaded women to purchase cosmetic products by appealing to her fear of growing old or being rejected by social acquaintances,” (Gourley 56). The beauty industry specifically targeted women, using the ideas of an often highly feminine related idea of vanity. This also talked about women’s apparel in clothing and how they weren’t able to dress casually since they would be titled, slob. As looks represent a lot in a woman, the body type of a woman has always struggled with maintaining since the ‘perfect’ body types are not what everyone has. “In the 1890’s women had full bosoms, round hips. In actual measurements they were probably no rounder than Miss Cox but they seemed so because they were shorter, tightened their waists into an hour-glass effect … Now, though, the ideal figure must have a round, high bosom, a slim but not wasp-like waist, and gently rounded hips” (“This is What…”). Ideals women that society has pushed onto women to be for them to have any chance in romance. Though many women can drift away from this the women, though they won’t admit to it, had struggled to meet the ‘set standard’ for women. This shows how after women have gained the rights of voting, gender roles
Women are told that in order to get anywhere in life they must constantly worry about their outer appearance. In Jennifer Weiner’s article, “When Can Women Stop Trying to Look Perfect?” she delves deeply into how today’s society women’s worth is based on how they look. Weiner believes that women who do not meet the standards of beauty do not have as many opportunities.
Chimamanda Ngozi describes a feminist as “A person who believes in the social, political, and economic equality of the sexes.”During her Ted Talk from April 12th, 2013, She talks about how since she knew she was female she would have to try and prove her worth in school. She states that “I was worried that if I looked too feminine I would not be taken seriously. I really wanted to wear my shiny lip gloss and my girly skirt, but I decided not to. I wore a very serious, very manly, and very ugly suit.The sad truth of the matter is that when it comes to appearance we start off with men as the standard, as the norm. Many of us think that the less feminine a woman appears, the more likely she is to be taken seriously.” Her words ring true especially
In conclusion, it is significant to recognize the revolution of the female silhouette throughout history along with women’s roles in today’s society and also, the physical restrictions imposed on them. The silhouette of women’s fashion has changed as the idea of the perfect female figure has reformed. Nevertheless, in the early twentieth century the concept of women leading more active and lively life meant that fashion also needed to become more cooperative to physical action and less limiting.
Women have made great advancements in improving their rights and roles within society and are now less likely to be viewed as inferior by males. Nevertheless, they are still facing many challenges including being perceived as objects and being expected to dress and behave a certain way. In his essay “Looking at Women,” Scott Russell Sanders analyzes how men often perceive women as objects because of their indecent wardrobe and their willingness to put their bodies on display. In her essay “Why Women Smile,” Amy Cunningham explains the value of a smile and how it does not always reflect how a woman is truly feeling on the inside. Both essays spend much time looking at women and how they are under the constant scrutiny from those around them. What the essays of Sanders and Cunningham illustrate is that, while trying to shake old stereotypes, women find their identities constructed from their external appearance. The problem is and remains that women are complicit in the shallow construction of female identity that trades depth for surface because they have bought into the idea that a woman must trade on her external appearance to succeed in her public life.
“Body Art as Visual Language” by Enid Schildkrout talks about the different forms of body modifications, and their meanings within different cultures. For example, Schildkrout says “Head shaping may be a sign of high status in one culture and low status in another, but to a total outsider, these practices may appear to be simply mutilation.” In this quote, the author talks about how one body
Body modification is defined as any deliberate alteration to ones’ physical appearance. Most people think that only tattoos and piercings fall into this classification, but this is barely grazing the surface of the extents that body modification can lead to. Anything from a simple ear lobe piercing to breast implants, or tattoos and scarifications are all considered as some form of modification. In western cultures, modifications are made for aesthetics and self-expression, but every culture is different. Native American tribes find spiritual clarity or vision in body suspension, where the body is literally hung on hooks, and in Imperial China's practice of binding the feet of women to represent wealth and beauty. In this paper we will not only look into different piercings, but the history behind them and tattoos as well, also the different modifications that various cultures practice, and why. I will explore tribes such as the Mursi tribe in Ethiopia and the Apatani tribe of Arunachal Pradesh, India. By the end you will have learned about various cultures and traditions, and have a whole new perspective of the art of body modification.
An elevation of beauty is treated as a form of improvement, both for men and for women. Simply put, women emphasize their differences in order to gain a sense of equality and avoid comparison from men. However women are limited in the sense that beauty in itself is very restricting. And the fact that women direct their beauty towards men shows us that men are the basis and the end means of beauty. In which this beautification is not really a form of self-improvement; there is no real flourishing...
The article “Post-feminism and Popular culture” by Angela McRobbie(2004) befittingly deals with post-feminism, defining it as ‘’an active process by which feminist gains of the 1970’s and 80’s come to be undermined.’’ In this insightful article, McRobbie envisages post-feminism in a positive way, raising feminism and achieving equality. She associates 1990 as a year of change, “the moment of definitive self-critique in feminist theory” (McRobbie, ). In this period, post-colonialist feminists interrogate the claims of the second-wave-feminism, and popular feminism could express itself. Ultimately McRobbie suggests that by means of tropes of freedom and choice that are now connected with the category of ‘young women’, feminism is decisively aged and made to seem redundant. McRobbie demonstrates how 21st century post –feminism challenges the ideology of feminism by using the example of the “Wonderbra” advertisement (1994) picturing the model Eva Herzigova, to emphasize the work of the “undoing” feminism (post feminism) or third wave feminism. In this advertisement, Eva admiringly looks at her body and is inviting the audience to look at her. She does it out of her own choice, not caring about anything or anyone. She seems to be in an active position and makes her a subject rather than an object. In doing so, this advertisement gives a sense of seeing feminism as a past matter, not being relevant anymore. The advertisement provocatively presents sexism. To me it seems that women present themselves in an ironical way and consequently, they are the subjects with power, or their body is the sight of power. Women have control over their body and hence, are
Being a lady also means dressing like a lady. But since when has the portrait of a woman relied on what she wore? I have been told all my life that high heels are a woman’s best friend, and a true treasure is finding just your shade of lipstick. The pain that women endure for a small amount of vanity will be forever a mystery to me.
As a result of this we can question if we are seeing a shift from third wave feminism to fourth wave feminism. As a result of third wave feminism women realise that they are modern women and accept femininity and embrace it, rejecting the chins in which religious beliefs think that being attractive is wrong. Femininity is our generation’s battle with women needing to accept it without having social stereotypes placed upon then, many in which have thought women to fear their bodies. Fourth wave feminism is our generation and future generations crying out to fight for what is right, not what society deems as acceptable. Women have the right to vote as well as equality, therefore they should also have the right to be accepted for whom they are and what they choose to wear, as it is their femininity not for others to place judgement
As women, those of us who identify as feminists have rebelled against the status quo and redefined what it means to be a strong and powerful woman. But at what cost do these advances come with?... ... middle of paper ... ... Retrieved April 12, 2014, from http://www.feminist.com/resources/artspeech/genwom/whatisfem.htm Bidgood, J. 2014, April 8 -.
16.)Utt, Jamie. "Navigating The Difference Between The Appreciation of Beauty and Sexual Objectification." Everyday Feminism 18 Apr. 2013: n. pag. Web. 19 Apr. 2014. .