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Basic concept of literature
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Everyone is fated to die; the real question is, how and why this phenomenon occurs. Markus Zusak, author of The Book Thief, articulates what is already known from the begging, the fact that we will all die. In this book, Zusak makes it clear which characters will perish from the very beginning, but leaves out real mystery for the end, how and why we will die. Foreshadowing is used on many different occasions throughout this novel. During The Book Thief, serving as the narrator, Death performs the literary device of foreshadowing on various distinctive incidents to permit the reader to have just a peak into what the future of the book contains. Also, it ensures that the journey of how a character dies rather then the actual event is far more significant. Death states the end before the begging to exemplify how there is no overcoming fate while the plethora of this foreshadowing adds to the meaning of the work. The message Zusak is portraying through Death’s narrative appears to be the concept that there is no evading Death himself.
Death states the end before the begging to exemplify how there is no overcoming the dominant force of fate. As used in Death’s side notes, foreshadowing the end of the story appears to be Death’s favorite part of narrating the story. An instance when Death suggests the passing of Rudy Steiner is when he states, “***A SMALL ANNOUNCEMENT ABOUT RUDY STEINER*** He didn’t deserve to die the way he did” (Zusak 241). While analyzing this quotation, Zusak clearly says Liesel’s best friend Rudy, is going to die. The mystery of this statement appears to be how and why this affair transpired. Yet, Rudy’s outcome is still identified, the question now remains, why did Death reveal this information prior ...
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...ative appears to be the concept that there is no evading Death himself. All along, it is believed that Death is trying to show the importance of the journey rather then the destination. The fact that everyone is going to die someday is undefeatable. So rather then conclude with that uninteresting conclusion, Death throws it out from the beginning leaving the reader in suspense while wondering how and why this happened to a specific character. This abundance of foreshadowing adds meaning to the text by connecting future symbols with the present. Lastly, Deaths message seems to be that there is escaping him or his result. Everybody is fated to die. So when we are faced with choices in life, are we really making these choices? If everything is already predestined, aren’t we just fated to make that choice? Do we not have any say in our own lives at all…?
“The Book Thief” by Markus Zusak is narrated by death and begins when Liesel’s brother dies on a train with her and her mother. At her brother’s burial, she steals her first book, “The Grave Digger’s Handbook” and soon after is separated from her mother and sent to live with foster parents, Hans and Rosa Hubermann, in Molching, where the majority of the book takes place. At school, Liesel is teased because she can’t read so Hans teaches her to read when she wakes up from her frequent nightmares about her brother’s death. Hans is a painter and an accordion player and also plays the accordion for her after her nightmares. Liesel grows very close with Hans and also becomes close friends with her neighbor Rudy Steiner who constantly asks her to
In The Book Thief, author Markus Zusak tells the tragic story of Liesel Meminger and her experiences in 1939 Nazi Germany. Zuzak incorporates compelling literary devices such as toe curling foreshadowing, personification, and vivid imagery in the form of simile and metaphors to grasp the readers’ interest. Zusak’s use of various literary devices helps to deepen the text and morals of the story, and makes the dramatic historical novel nearly impossible to put down.
In the novel The Book Thief by Markus Zusak the narrator is Death, who shows itself as sympathetic and sensitive towards the suffering of the world and the cruel human nature, through its eyes, we can get to know the heartbreaking story of Liesel Meminger an ordinary, but very lucky nine-year old German girl; living in the midst of World War II in Germany. In this book the author provides a different insight and observation about humanity during this time period from a German view and not an Allied perspective, as we are used to.
’’Liesel observed the strangeness of her foster father's eyes. They were made of kindness, and silver. Like soft silver…..upon seeing those eyes,she understood Hans Hubermann was worth a lot.’’ (Zusak,34) Liesel saw kindness in Hans Hubermanns eyes which made her feels more comfortable with him rather than Rosa Hubermann.
True to his character, Death seems to be able to look right into the souls of the individuals in The Book Thief. After Hans examines The Shoulder Shrug, Death generalizes and predicts Hans reaction: “Like most humans in the grip of revelation, Hans Hubermann stood with a certain numbness. The next words would either be shouted or would not make it past his teeth” (126). This statement implies that Death is quite attuned to human nature. He has clearly witnessed this pattern in people before. In a similar way, as the group of thieves disperse after finishing off the contents of the stolen basket, Death uses human analysis and foreshadowing: “In years to come, [Rudy] would be a giver of bread, not a stealer- proof again of the contradictory human being. So much good, so much evil. Just add water” (164). Using Rudy’s situational irony, Death emphasizes the unpredictability and broad range of human behavior. It is the perplexing concept that people can go from one extreme to the other, altering their personalities and mindsets even just for one moment: the precarious balance of light and
The presence of death in the novel looms over the characters, making each of them reflect on the
Death has feelings as much as any human, imagining, getting bored, distracted, and especially wondering (350, 243, 1, 375 respectively). Odd, one could say for an eternal metaphysical being. But then again, not that queer once having considered how Death spends his time. He is there at the dying of every light, that moment that the soul departs its physical shell, and sees the beauty or horror of that moment. Where to a human witnessing a death first hand (even on a much more detached level than our narrator) can easily be a life changing event, Death is forced to witness these passings for nearly every moment of his eternal life. Emotional overload or philosophical catalyst? Death gains his unique perspective on life through his many experiences with the slowly closing eyelids and muttered last words. Yet in this...
Liesel’s slow development of the power of words causes her to experience the negative effects of words and misery on many occasions throughout her lifetime.
In the free verse poem "When death comes" by Mary Oliver, the speaker contemplates what the inevitability of what death means to humans. Structurally, the poem bears no rhyme scheme as it depicts the free thought of the speaker. The voice of the speaker in this poem resonates with curiosity and the idea of life after death. Through the utilization of rhetorical devices such as repetition, alliteration, symbolism, and personification, the reader will come to understand that underlying tone that death is imminent regardless of how one 's life is spent. Within the poem, the source of tension resides in the constant internal struggle to oust the cycle of life and death. In some instances, Oliver’s curiosity and acceptance of death allows her to
We are all condemned to death; it is inescapable. Even if a person doesn’t believe in the concept of destiny, it is undeniable that every person is fated to die at some point. Most people, however, are not aware of when exactly the inevitable will approach. Often in works of fiction, the reader, or sometimes even the character, is aware of their fate. There are many different understandings of destiny, which is one of the reasons why it has played such a large role in so many different literary works throughout the world and history. Fate is one of the principal literary devices used in Homer’s epic poem, The Iliad, Shakespeare’s tragic play, Antony and Cleopatra, and Tolstoy’s pedagogical novella, The Death of Ivan Ilych.
Death states that, “I’m always finding humans at their best and worst. I see their ugly and their beauty, and I wonder how the same thing can be both” (Zusak 491). This book shows us human doing things that weren’t even imaginable before this point. Many people give into ideas that were lies. But, we also watch a few people go out of their way and sacrifice everything for a man they barely even know. They do everything they can to keep him safe and alive. They work harder, the get another job, and they even steal. In Markus Zusak’s The Book Thief, death examines the ugliness and the beauty of humans.
He begins by looking at the very common views of death that are held by most people in the world, and tells us that he will talk of death as the "unequivocal and permanent end to our existence" and look directly at the nature of death itself (1). The first view that
In The Book Thief, by Markus Zusak, the narrator uses foreshadowing, irony, and symbolism. “Here’s a small fact, you are going to die” (3). As readers, we are engaged in the story because we are part of the story. The narrator, who is a personified death, is referring to the readers when he says “you”. Here, it is foreshadowed that many people, including the reader, will die in the near future. This is verbally ironic because death refers to this as a “small fact”, even though the subject of death is usually considered a significant and sensitive topic. This statement symbolizes the insignificance that narrator feels towards human life. In The Book Thief, death lets us know about crucial events that will happen later in the book to keep the readers interested. Literary devices such as foreshadowing, irony, and symbolism keep the reader engaged in the story and portray certain thematic ideas.
Death is depicted as an individual’s affair, in which, neither one’s closest friends or closest blood relatives can give a hand in. Upon receiving the tragic news Everyman first approaches his friend Fellowship. At first he is hesitant to reveal his sorrow to Fellowship for he considers it too tragic a plight. After cajoling and assurances by Fellowship to stand by him in whatever situation, Everyman finally pours out his sorrow to Fellowship. Upon realizing that Everyman has been summoned by death, fellowship turns his back on Everyman ...
The slow feeling of the ending life is shown when the poem states, “we paused before…” with other terms like “and immortality” having its own line to emphasize the destination. The writer narrates the cause of death in the six-stanza poem in a journey form that depicts some interesting life experiences that people should have fun of during their lives. It is common that many individuals cannot stop for or wait for death that is if they can “see