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Overview of reggae music
The evolution of reggae music
Overview of reggae music
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Bob Marley and Reggae
Bob Marley was a Jamaican singer, guitarist and songwriter who
achieved international stardom.
What are the origins of Reggae?
The origins of Reggae start with African music as the people of
Jamaica are descendants of the African slaves who were brought to the
island. African music is based around rhythm patterns, and rhythm and
beat are the most important features of Reggae. Also there is the
influence of other Caribbean music such as Calypso and the associated
instruments such as steel drums which can be heard on Bob Marley songs
such as 'One Love.'
When did Reggae begin?
Reggae developed in the 1960s, and later in 1968 Bob Marley took the
Ska music of the shantytowns in Kingston, Jamaica, slowed the tempo
and introduced a much heavier bass whilst retaining the strong upbeat.
Ska music has similar typical offbeat rhythms, but is less melodic
than Reggae.
What is the structure of Reggae?
Reggae structure is not complicated - there are usually only 3 chords,
which are chords 1, 4 and 5. This is the same as the 12 Bar Blues, but
the chords do not go in a set pattern, like Blues.
The chords are played on the 2nd and 4th beats of the bar, and the
drums on the 1at and 3rd beats. This gives a typical Reggae sound.
There is usually a bass riff. The bass line is very important in
Reggae and is turned up loud in the mix. The bass riff is also usually
syncopated.
Bob Marley and the Wailers
Bob Marley was learning the welding trade in Kingston when he formed
his first harmony group, the Rudeboys, in 1961. The group later became
known as the Wailers. The Wailers included vocalists ...
... middle of paper ...
...ntinued to
symbolize the hopes of the downtrodden for a better life outside urban
slums. The clarity, conviction, and sincerity of Marley's
performances, and his unique, melodic style of song writing, have
influenced many pop-music artists, including songwriter Stevie Wonder
and rock guitarist Eric Clapton.
How has Reggae influenced music?
Reggae has had massive influences on pop music. With regard to the
music of the 80s, Reggae did not become widely known in Britain until
Eric Clapton recorded a cover version on Bob Marley's "I shot the
sheriff" in 1974. Within a few years, groups such as the Clash, the
Police and Madness were drawing on ideas from Reggae. The music of
Sting has sometimes been described as 'white Reggae.' More recent
influences can be detected in the music of Ragga artists such as
Shaggy.
Some scholars theorize that the Middle Passage to the Americas was so traumatic that most African influence was eradicated, and that few traces of Africa exist in African-American music. This “cultural tabulala [sic] rasa” theory is rightfully rejected by many scholars (Wilson 3). The inflow of African people to the New World was brought on by the existence of slavery, and resulted in the creation of a sort of extension of the African continent in a different hemisphere. In his article “The Significance of the Relationship Between [sic] Afro-American Music and West African Music,” music scholar Olly Wilson refutes the tabula rasa theory, and provides extensive examples of the ties that continue to exist between the two distant geographical regions. Another prominent scholar who recognizes the integration of African elements in American musics is Henry Louis Gates, Jr. Though his much deeper and more analytical approach to African musics is divergent from Wilson’s, both scholars acknowledge African diaspora musics and examine them in different ways based on different criteria.
The second characteristic of 12 bar blues, that both of these songs obtain is rhymed couplets. Song lyrics like chill and will, blues and shoes, and blue and you are all examples of this element in “Walking Blues”. Elvis also rhymes with words such as bright and tonight and high and bye. 12 bar blues is not the only similarity that this duo has, though.
The fifth song was a ballad called “Last Night When We Were Young.” This song had a relaxing and romantic sound. It had a steady and constant tempo. The bassist also used the pizzicato technique during his solo in this piece.
The instruments used for this song is of a standard rock band; lead vocalist, electric guitar, bass guitar and drum kit. The genre for this song is determined by the steady and yet simplistic instruments used in this version. An interesting note is that the chorus is in the genre of rock but the verses combine the genres tango and reggae. This could be because merging these three different styles of music attracted the attention of youth more with rock being rebellious at that time and tango and reggae having a heavy beat for that time period. ...
African American religious music is the foundation of all contemporary forms of so called “black music.” African American religious music has been a fundamental part of the black experience in this country. This common staple of the African American experience can be traced back to the cruel system of slavery. It then evolved into what we refer to today as gospel music. The goal of this paper is to answer three main questions. What are the origins of African American religious music? How did this musical expression develop into a secular form of music? What is the future of African American religious music? These questions will be answered through factual research of African American traditions, artists, and various other sources.
successful lyricist. Also, it was Ira’s interest in music that made their parents purchase the
The term Ska is used to describe a style of Jamaican popular music between 1961 and 1965 as noted by Kenneth Golang, a traditional ska band consisted of piano, guitars, bass, drums, saxophone and brass.
This song tended to sound like a bossa nova piece with a mixture of hard bop included. During this performance, the trumpet player, Josh Holland, tends to vibrate at the ends of the notes, which seemed to have a slight vibrato, with a linear tone to it. The drummer, Ryan McDaniel, used the technique of ‘drum bombs’ in the performance as well. The pianist, J. Paul Whitehead, played with his right hand giving the ‘oom-pah’ sound and his left hand doing the comping. There were solos played by the trumpets, pianist, bass player, and drummer, in that order. This piece of jazz tended to get us in the feel of era of music they were
“the man who did to popular music what Einstein did to physics,” while initially sounding like hyperbole, really isn’t (Gates, cited in Detmarr, 2009,p.20)
Perry Henzel's The Harder They Come is credited with a significant and unique role in introducing American audiences to reggae. Whereas earlier cinematic crossmarketed films like A Hard Days Night or Help! were adjunct to and dependent on a group's previous commercial musical success, Henzel's film was for many an introduction to reggae and both precursor and impetus for its international impact and commercial popularity. The film's status as a cult classic and phenomenon, to the extent a phenomenon can be explained, perhaps rests on its lack of commercial pretentions or promotional glitz, and thus its authenticity. The rhetoric of this film -- its images, words, and music in complementary array -- is rhetoric in the best sense because it uses the power of language to reveal, not to disguise, the unconscionable constraints on the lives of poor Jamaicans. Principally it's a film by a Jamaican artist about some musically and culturally significant events happening in Jamaica at the time, and though it is formulaic as films tend to be, it also encompasses all of the majors themes and conflicts that define and swirl around reggae music: spirituality, sensuality, commercialism, social justice, the messiah, and even Armageddon, though its tenor is decidedly secular
As a child Dylan was comfortable being the center of attention, often writing creative poetry for his mother and on occasion singing. Dylan had no formal music lessons, but none the less he began to compose. Later at age 14, he took up the guitar and shortly after formed a band, one of many he played the guitar in. Always plunging ahead, performing to his up most potentional, Dylan absorbed his surroundings as a source of inspiration. Even during his early efforts Dylan responded very positivly to mainstream musicians, such as country star Hank Williams. Yet, he responded especially well to early rock stars such as Little Richard, Elvis Presley and Jerry Lee Lewis. In the summer of 1959, after graduation Dylan began to work at a cafe, where he began to pay increasing attention to folksingers such as Judy Collins and Jesse Fuller. Finding an instant connection with their songs, songs relevant to social issues. Dylan was drawn into both the musical style and the social message of these indivisuals.
bar 1 and bars 59-61 in the clarinet part. Bar 3 and bars 62-63 in the flute part.
The track only features two actual instrumentations: saxophone, played by Branford Marsalis, and scratches provided by Terminator X, the group's DJ and turntablist. (Rider Polly, 2017) This track has great influence in my creativity and my mindset. Because of this song I started sampling from vinyl’s to DAW.
Bob Marley was never taught how to sing he simply had a generous voice that was lovely to hear. In his voice there are many timbres that add to the style of the song. He uses different dynamics in his voice to enhance soulful vocals. The piece is written in 4/4 times, but his voice is largo therefore the piece is extended to be an ample amount of time. The key signature is D major containing F Sharp and C Sharp this is important because F comes between beats 2 and 3 during the chorus, this is recognized as offbeat syncopation. It was impressing to find the use of a coda. The coda is commonly found in classical music but can be seen on other genres of music. The connection that is seen through the elements of music was a remarkable observation for me. Bob Marley pioneered the development of reggae, a highly syncopated musical style that take influences from horn parts of American rhythm and Blues as well as funky electric bass guitars that embodies a Caribbean beat at the same time. It is my view that Bob Marley intended for his music to have a message of unity symbolized by the simplistic sounds yet, but the complicated underlying patterns and beats to his work symbolize the controversies the social and political
In the opening prologue, Bernstein quickly establishes the tension between the American Jets and the Puerto Rican Sharks with the use of syncopated staccato major and minor third chords. This is intensified when the Jets start clicking their fingers in time to show unity within the gang. The upbeat to bar 12 marks the entry of the Jets’ leitmotif consisting of an octave jump, a falling minor 3rd, a falling major 3rd, and finally a falling augmented 4th.