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Bob Marley is known globally for countless topics that range from becoming a symbol to the messages he attempts to spread in his songs. Being born in Jamaica, the struggles of his life helped him to realize what his purpose in life was, however, I believe even Bob Marley himself would be slightly shocked at how greatly his music impact the world. Because he was born in 1945, he was able to see the civil rights movement progress and in some cases helped it by integrating his foreign, Rastafarian culture into America’s music market. Bob Marley was also born a couple of months before World War II ended so, in addition, he knew how separated the world actually was, so he tried to encourage messages of peace and positivity for everyone throughout …show more content…
Several lyrics from some of his songs includes countless Jamaican traits that helped Americas civil rights movement by integrating his Jamaican culture into American culture by using the power of music. The song ‘Buffalo Soldier’ helps Americans visualize how some people in Jamaica looked like, and how they were actually living rather than just an image fictionalized in their heads. The first stanza of the song states that a “Dreadlock Rasta” was ‘stolen from Africa, and brought to America’ which illustrates the struggles and hardships some Jamaicans had to deal with to people that don’t have the resources to see it firsthand. Some lyrics in the song ‘Jammin’ gives context to some of the Rastafarian beliefs that he thought to be true regarding a higher being. In the song, he wrote the lyrics ‘Jah sitteth in Mount Zion and rules all creation’ that informs most Americans, who are typically Christian or Catholic, on a different Religion which allowed people to me more open-minding in controversial topics. The song ‘African Herbsman’ is directed mostly towards the Jamaican people but also allows Americans to get another glimpse on what life over there actually consists of. The song goes, “Can't see the right roads when the streets are paved. The old slave men might grind slow, but it grinds fine, yeah. African herbsman, why linger on?” which demonstrates an excellent example of the lifestyle/occupation that a good portion of the people in Jamaica possess in a way that still reaches people in other countries who are not related to that lifestyle at all. This globally connects Jamaica to the rest of the world and, therefore, meshing their culture with other cultures globally. Last but not least, the song ‘Get up, Stand Up’ motivates people globally not to be oppressed by anyone and
The human race is an incredible group that expresses their feelings in numerous ways! Singers and rappers express their feelings through song; poets express their feelings through their poetry, and artist express their feelings through their art. Dwayne Michael Carter, Jr., better known by his stage name Lil Wayne, is a 33-year-old American hip hop recording artist from New Orleans, Louisiana, he produced a political and controversial rap song entitled “Georgia …Bush” An incredible seven and a half minutes of music as a tribute to New Orleans, and to criticize the way president George bush handled hurricane Katrina, the war in Iraq, and the way he was governing the country. The setting for this song takes place in New Orleans; right after Hurricane, Katrina destroyed most of the city. The music video featured a large pool of water, destroyed communities, as well as human remains. This song was a massive controversy. Did Lil Wayne go too far when he published this song? Did he let his feeling get the best of him?
Marcus Garvey, and the ideology of Garveyism, was crucial in creating a movement of Revivalism and the reinvigoration of Africa-first religions. Marcus Garvey is one of the most influential people in the movements of Revivalism and Rastafarianism. Garvey took to the streets of Kingston to proclaim his message about an Africa-first ideology that begin to resonate with a Jamaican population that was slowly beginning to understand the breadth of the oppression they experience. He emphasized this connection with Africa and the desire for a black-controlled African homeland as a unifying characteristic of all black people in Jamaica. Chevannes notes Garvey’s position was largely centered on “the dignity and equality of blacks… [and] their ability to claim a land they could call their own, one in which they could be their own master” (p 95). The concept of “being their own master” is key to the Revivalism and then later the Rastafarian movement; it encouraged a unification of black people everywhere, not only in
Robert Nesta Marley, musically known as Bob Marley is Reggae’s most iconic and transcendent figure, “Get up, Stand up,” is a song that demonstrates elements of transcendentalism. The song explains about how people should not live their lives expecting to go to heaven after dying. Rather, they should have a purpose in their lives. The song also talks about how people should stand up for their morals and follow what they believe rather than believing others. Bob Marley chose to encourage people to depend on their beliefs and not let others to negatively interfere with their lives. The song also criticizes religious hypocrisy and instructs listeners to make their own choices.
The exploitation and eventually liberation of the Jamaican people have produced a very unique social condition. Reggae music is an optimistic answer to the history of oppression that draws upon the past, and uses it as a resource. In order for there to be a good future, the past must be considered and accepted. There is no way to right the wrongs of Jamaican history, but there is a way to promote awareness of these wrongs.
“Most people think Great God will come from the skies Take away everything And make everybody feel high But if you know what life is worth You will look for yours on earth”; Get Up, Stand up was written by Bob Marley and Peter Tosh, this song was influenced by their upbringing in Jamaica where they had to fight for the acceptance and respect of their Rastafarian culture, they are telling people to stand up and never stop fighting for what they
Masters of War by Bob Dylan is a song which protests against the Cold War. Dylan comes to strongly emphasize the amount of lives lost during war and the ignorance of powerful individuals; who seem to promote war with the development of weapons of mass destruction. The war between the United States and the Soviet Union greatly emphasized the competition to develop superior weapons. The lyrics “You that build the guns…death planes… and bombs” can represent the arms buildup which occurred during the Cold War; as well as those who helped manufacture weapons. Furthermore, the song comes to depict the people who have power, the government as the “Masters of War” in a negative way where they start war without being involved physically. This can be
The impact of Mob Marley’s songs remains great examples of the way Rastafarian ideologies and beliefs have been capable of breaking down barriers that had at one time separated a society from a culturally established religion. His song “Smile Jamaica” was immensely moving because it was created for a concert to bring people together no matter the political party they represented. Jammin’ was also made for the same purpose but was more in depth about how political violence was causing division and tension amongst society. Bob Marley use proverbs and Jamaican folklore in his song “Rat Race” to describe political corruption. In addition his song, Get up, Stand up was made to empower people to make peace and stand up for their rights. All together Rasta’s have demonstrated a successful revolution by resisting the dominant ideas and beliefs.
The spirit of resistance is a powerful force in reggae music. In this essay I will explore the ways that resistance is manifested in reggae music and describe examples of indigenous resistance in Jamaica and Mexico. A strong example of indigenous resistance can be found in the Maroon communities of Jamaica. The Maroons were a thorn in the sides of white plantation owners and an inspiration and expression of freedom and autonomy to the Africans. The history of the Maroons describes a group of diverse people who bonded together beyond the fringes of the colonial system to form their own autonomous nation.
The origins of African American religious music are directly linked to the Negro spirituals of enslaved Africans. One cannot research religious music of blacks in this country without first exploring these spirituals. The spirituals were part of a religious expression that enslaved people used to transcend the narrow limits and dehumanizing effects of slavery. It was through the performance of the spirituals that the individual and the community experienced their God, a God who affirmed their humanity in ways whites did not and a God who could set them free both spiritually and physically. These “sacred songs” were also used as secret communication. That is not to say that all spirituals functioned as coded protest songs or as some sort of secret language. The structure of the spirituals and the way in which they were created and performed allowed for flexibility in their function and meaning.
Bob Dylan’s “Blowing’ in the wind” was considered to be a civil rights national anthem, a more folky spin on Sam Cooke’s “ A change is gonna come” The asking of open ended questions made the song catchy and relatable to the era’s racially charged demeanors. According to the 1976 issue of Christianity Today magazine “Early in his career Dylan wrote many finger-pointing songs about man's inhumanity to man. He sang out against racial prejudice, hatred, and war. Freedom and sin are major themes in a number of Dylan's songs. "With God on Our Side" (1963) is a satirical justification of war. In "Masters of War" (1963) he lashes out at the war profiteers who make money from young men's lives. Bob Dylan was ultimately considered to be an unauthenticated front man for the civil war, Dylan touched on humanitarian aspects such as racism, poverty, corruption and the war. “Me, I don’t want to write for people anymore – you know, be a spokesman. From now on, I want to write from inside me …I’m not part of no movement… I just can’t make it with any organization”(Dylan, 1964)
...Songs" Du Bois wonders, "Would America have been America without her Negro people?" Apparently he concludes it would not. In his aim to represent the African-American people to mainstream America, Du Bois offers his own narrative, in a variety of voices, to represent the whole. His various means of expression represent his particular experience, which is in many ways exceptional and outside of the norm for his time. This sets him apart from the mainstream of black America, yet also highlights his experience of dualism as an African American. Despite the fact that as a cultured Northerner he has access to the resources of white America, his testimony shows that he is "bone of the bone and flesh of the flesh of them that live within the Veil."
One of the many adversities he had to adapt to was the feuds of the East and West Coast. This influenced his songs and the way his fans depicted the East Coast, Bad Boys. He also had to deal with the way blacks were treated and looked at by the white community. Although his music brings up many controversy, he is undoubtedly a big part of the way African Americans are being depicted today. He reached the people not just through his music but by the constant protests for equality also while striving for the betterment of his the African American community. The way that society and media looks at African American people and hip hop music are all rooted from
In 2016, Bob Dylan won the Nobel prize for literature. Dylan was a famous musician who was always considered to not be the best at playing any one instrument. Dylan was also noted for not being the best vocalist either. So how is it that a musician like Bob Dylan who wasn’t known to be the best at any one instrument or the best vocalist; remain relevant and continue to release music from 1962 all the way until present day, 2018? Many people claim that Dylan’s long lasting fame is due to his ability to move people through his song writing. Bob Dylan attributes his ability to write to inspirational artists such as; Buddy Holly, Lead Belly, early folk musicians, and the book’s; Moby Dick, All Quiet on the Western Front, and The Odyssey. Dylan’s
Tupac expresses his dissatisfaction with the difficulties African Americans encounter in the song and calls for constructive social change. It also highlights how important community empowerment and cohesion are. His songs offer a potent commentary on the hardships faced by the underprivileged and their aspirations for a better future. At the song's conclusion, Tupac opens to us about his thoughts and the things he sees every day. He stresses the importance of resisting "them" beating you.
Marley was born into Jamaica’s poverty and it is where he developed a strong love of reggae and became a Rastafari. Reggae, evolved from another musical style called Ska in the late 1960’s, is considered the voice of the ‘oppressed’ peoples. Many reggae lyrics are politicalised and centre on themes of freedom and fighting for it. (Cooper, 2014)