“Red nigger moon. Sinner! Blood-burning moon. Sinner! Come out that fact’ry door” (Toomer 652). This moon blazing scarlet in the night sky certainly sets the tone for Jean Toomer’s story, “Blood-Burning Moon.” Not only does it foreshadow the violence that darkens his tale, but it also symbolizes the irresistible forces that tug at the lives of our three main characters, pushing and pulling on the chords of racial inequality that bind the nation. The moral vacuum left by the First World War compelled such writers as Toomer to focus on the individual’s search for meaning in a purposeless society; but this task was made even more complex by the racial tensions that continued to broil beneath the surface of every man’s polite expression. Examining a single situation from three different perspectives, Toomer uses vivid imagery, shifting narration, and characterization to portray the power struggle that plagues society with fear and uncertainty in the early 1900s; by presenting a white man, a black man, and a black woman as the victims of a vicious paradigm shift, Toomer actually proves each person’s power to be an illusion in an attempt to weaken racial and gender barriers.
Acting as a powerful force in the Harlem Renaissance movement, Toomer centers this particular story on the themes of racism, social terrorism, and the search for racial identity in a shaken world. His distinct pride in African American culture is revealed by frequent references to African spirituals and other cultural aspects throughout the narration. In fact, the spiritual refrain from which the story derives its name is used in three different places in this short story. Near the beginning of the tale, Toomer paints a colorful picture that allows the reader a gli...
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..., and the fear of a privileged white male – serve to illustrate a single truth. The end of the Civil War was not the end of slavery, and the conflict would rage on in the lives of befuddled citizens (white and black alike) struggling to make sense of a world that had been turned on its head. They would have to abandon their delusions of grandeur, discover new values, and learn new parts in order to live in harmony with each other. Gifted men such as Jean Toomer sought to use imagery and perspectivism to awaken a compassion in humanity that had long been dormant but, once stirred, had the ability to subjugate every thought of racial or gender inequality.
Works Cited
Toomer, Jean. “Blood-Burning Moon.” The Norton Anthology of Literature of American Literature 8th Edition, Vol. D 1865 – 1914. Ed. Nina Baym. New York: W. W. Norton & Company, 2012. 651 - 657. Print.
Pauline Hopkins’ novel “Of One Blood” was originally published serially in a magazine called Colored American, from 1902-03. Within this novel Hopkins discusses some of the prominent racial and gender oppressions suffered by African Americans during this time. Following the Emancipation Proclamation of 1849 which resulted in African American freedom from slavery, but unfortunately not freedom from oppression and suffering. One of the minor characters, and the only dominant female role, within the novel is Dianthe Lusk. Within the novel Dianthe has many identifiers, which limits not only the readers but Dianthe’s understanding of her identity. Some of these identifiers include: women or ghost, black or white, sister or wife, princess or slave, and African or American. However, the most prominent of these juxtapositions in the novel is the racial identity. This paper will argue that the suffrage of Dianthe through her experiences with racial identity and rape serve to locate racial identity as an agent of politics, rather than of one’s color.
...eir lifehave felt and seen themselves as just that. That’s why as the author grew up in his southerncommunity, which use to in slave the Black’s “Separate Pasts” helps you see a different waywithout using the sense I violence but using words to promote change in one’s mind set. Hedescribed the tension between both communities very well. The way the book was writing in firstperson really helped readers see that these thoughts , and worries and compassion was really felttowards this situation that was going on at the time with different societies. The fact that theMcLaurin was a white person changed the views, that yeah he was considered a superior beingbut to him he saw it different he used words to try to change his peers views and traditionalways. McLaurin try to remove the concept of fear so that both communities could see them selfas people and as equal races.
The story of Toussaint-Louverture, in Phillips' own words, is "the story of a negro who has left hardly one written line." However, as related by Phillips, the story becomes epoch - as significant as the narratives of other legendary heroes. Through his imaginative use of literary devices, the writer allows us to visualize and see for ourselves, rather than just telling us; when we come across a phrase that we cannot interpret literally, we have to think. Using graphic imagery to communicate, Phillips achieves eminence not only in debating in favor of black men serving in the military in the Civil War, but also in conveying an enduring message against discrimination.
Assumptions from the beginning, presumed the Jim Crow laws went hand in hand with slavery. Slavery, though, contained an intimacy between the races that the Jim Crow South did not possess. Woodward used another historian’s quote to illustrate the familiarity of blacks and whites in the South during slavery, “In every city in Dixie,’ writes Wade, ‘blacks and whites lived side by side, sharing the same premises if not equal facilities and living constantly in each other’s presence.” (14) Slavery brought about horrible consequences for blacks, but also showed a white tolerance towards blacks. Woodward explained the effect created from the proximity between white owners and slaves was, “an overlapping of freedom and bondage that menaced the institution of slavery and promoted a familiarity and association between black and white that challenged caste taboos.” (15) The lifestyle between slaves and white owners were familiar, because of the permissiveness of their relationship. His quote displayed how interlocked blacks...
The Civil War era divided the United States of America to a point that many Americans did not foresee as plausible throughout the antebellum period. Generating clear divisions in even the closest of homes, the era successfully turned businessmen, farmers, fathers, sons, and even brothers into enemies. Many historians would concur that the Reconstruction Era ushered in a monumental turning point in the nation’s history. The common rhetoric of what the Reconstruction Era was like according to historians is that it was a euphoric era. Those same historians often write about the Reconstruction Era as a time of optimism and prosperity for African Americans. Attempting to illustrate the era in a favorable light, they often emphasize the fact that African Americans had gotten the emancipation that they were fighting for and they were free to create a future for themselves. Jim Downs, author of Sick From Freedom African-American Illness and Suffering during the Civil War and Reconstruction, is not like those historians at all. Downs takes a completely different approach in his book. He asserts that both the Civil War Era and
What This Cruel War Was Over evaluates the American Civil War through the eyes of both northern and southern soldiers. By examining the conflict through this lens, Chandra Manning delivers a narrative with intricacies that explore an in-depth perspective to a greater degree than other authors have in the past. Revealing how men thought about slavery and the Civil War frames her book, and the examples she utilizes to fulfill her goal in arguing her thesis conveys an original body of work. Additionally, several of the concepts established in the author’s book are also discussed through various methods in other books.
The plight of the civil rights movement stands as one of the most influential and crucial elements to African-American history. We can accredit many activist, public speakers, and civil rights groups, to the equality and civil rights that African-American men and women are able to have in this country today. We see repeated evidence of these historical movements describes in fiction, plays, TV, and many other forms of media and literature. An artistic license is provided to many authors developing these concepts amongst their writing. When examining specific characters and literary works you can see an indirect comparison to the personality traits, actions, decisions, and journey to that of real-life historical figures.
David W. Blight's book Beyond the Battlefield: Race, Memory and the American Civil War, is an intriguing look back into the Civil War era which is very heavily studied but misunderstood according to Blight. Blight focuses on how memory shapes history Blight feels, while the Civil War accomplished it goal of abolishing slavery, it fell short of its ultimate potential to pave the way for equality. Blight attempts to prove that the Civil War does little to bring equality to blacks. This book is a composite of twelve essays which are spilt into three parts. The Preludes describe blacks during the era before the Civil War and their struggle to over come slavery and describes the causes, course and consequences of the war. Problems in Civil War memory describes black history and deals with how during and after the war Americans seemed to forget the true meaning of the war which was race. And the postludes describes some for the leaders of black society and how they are attempting to keep the memory and the real meaning of the Civil War alive and explains the purpose of studying historical memory.
Analyzing the narrative of Harriet Jacobs through the lens of The Souls of Black Folk by W.E.B. Du bois provides an insight into two periods of 19th century American history--the peak of slavery in the South and Reconstruction--and how the former influenced the attitudes present in the latter. The Reconstruction period features Negro men and women desperately trying to distance themselves from a past of brutal hardships that tainted their souls and livelihoods. W.E.B. Du bois addresses the black man 's hesitating, powerless, and self-deprecating nature and the narrative of Harriet Jacobs demonstrates that the institution of slavery was instrumental in fostering this attitude.
...tive on the psychological damages of slavery. White believes “pairing the psychological with the enslaved woman’s means of survival has helped us analyze many patterns that emerged after slavery (10).”
There has been much debate over the Negro during the Harlem Renaissance. Two philosophers have created their own interpretations of the Negro during this Period. In Alain Locke’s essay, The New Negro, he distinguishes the difference of the “old” and “new” Negro, while in Langston Hughes essay, When the Negro Was in Vogue, looks at the circumstances of the “new” Negro from a more critical perspective.
The film observes and analyzes the origins and consequences of more than one-hundred years of bigotry upon the ex-slaved society in the U.S. Even though so many years have passed since the end of slavery, emancipation, reconstruction and the civil rights movement, some of the choice terms prejudiced still engraved in the U.S society. When I see such images on the movie screen, it is still hard, even f...
There are two real conflicts in Jean Toomer's "Blood-Burning Moon." The first is racial, which can be referenced in the very first sentence, and the second is a gender conflict, that subtly unfolds with the main characters' development. In this essay, I will show how Toomer uses vivid descriptions and comparisons of nature to establish these conflicts, and also to offer an explanation of their origin. He writes to argue that these roles, like the earth, are natural and therefore irrefutable. A close reading of the opening paragraph will reveal the sharp contrast between white and black, as it is described in a metaphor of wood and stone.
We remember Mrs. Lithebe's words, "For what else are we born?" and we see that there are some white men who do care. We also learn of James Jarvis's suffering and fear.
...brought with it discrimination of African American women, “They were targets of brutality, the butt of jokes and ridicule, and their womanhood was denied over and over. It was a struggle just to stay free, and an even greater struggle to define womanhood” (162). As the men fought the war the women who were now dependent upon themselves more than ever had to take on the role of the father. The Mammy figure now stood up for herself and would often times leave the white family, the family they left would often have feelings of remorse for their tremendous loss. Women were standing up for themselves and where now the maker of their own destiny, but with that still came the harsh reality that they would be still the most vulnerable group in antebellum America. Many single African American women were faced with poverty and had a really hard time dealing with the war and depending on themselves. Deborah Gray White’s view of slave women shows us that their role was truly unique, they faced the harsh reality that they were not only women or African American, they were both, so therefore their experience was one of a kind and they lived through it, triumphed, and finally won their freedom.