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How does shakespeare portray love
Twelfth night ending analysis
Analysis of Shakespeare's Twelfth night
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Blindness of Love in Twelfth Night by Shakespeare
In the play "Twelfth Night" Shakespeare shows how anyone can be blinded by love and act so impulsively to satisfy their appetite for love, that often they fall in love with a façade rather then the person behind the disguise. Also Shakespeare also shows how people are apt to ignore the evidence that disproves the disguise they have fallen in love with. Almost all of the characters in "Twelfth Night" fell in love with a disguise; I will detail the confusing relationships and disguises used in the play to show the blindness of love.
Olivia is easily the largest victim to love and disguise. Olivia quickly falls in love with Viola, who is disguised as "Cesario". Olivia realizes how far from manly "Cesario" is, he has very effeminate features and lack of any facial hair. Olivia disregards these features and believes that he maybe just a eunuch. Olivia is obviously blinded by love in this case for a number of reasons; she ignores the evidence that points to "Cesario" as actually being a female. Second she justifies his features as him just being a eunuch, but never really addresses the issue that she is in love with a eunuch who of course would never be able to sexually please her or give her children. Whether "Cesario" is really a woman or if he is a eunuch, the love that Olivia has is futile and unrealistic. When Sebastian, Viola's brother, encounters Olivia for the first time, she believes that this is "Cesario" and gains the courage to ask for his hand in marriage. Once again this is evidence of how blinded by love Olivia is, she believes that Sebastian is the person she is in love with when really he is a stranger and she disregards his comments about not knowing her. Later in...
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Orsino may be the only exception to my thesis because he looks past the disguise of "Cesario" and falls in love with Viola regardless of her dressing as a boy. When Orsino learns the "Cesario" is really Viola his actions though are pretty hasty. Orsino gives no second thought to the fact that he has fallen in love with a woman while she was disguised as a man. Orsino is mostly happy because now his love can be accepted and Viola, who also loves him, can happily marry.
In conclusion the characters in "Twelfth Night" are very quick to fall in love with the surface disguise of a person rather than looking any further and questioning their love. Also the characters often disregard any evidence that destroys the disguise they love. Although this practice may often be very shortsighted in the time frame of the play most of the characters are happy at the end.
During the weeks leading up to matrimony, Olivia fell madly in love with Cesario, who though looks and sounds just like Sebastian, is truly Viola dressed as a man. Sebastian does not realize this as he meets Olivia for the first time. He is amazed that a woman of her statue and beauty would feel so strong for him and he wastes no time.... ... middle of paper ...
Deceiving and irrational, love can be a challenging emotion to endure. It can be difficult to find happiness in love, and on the journey to find that happiness, love can influence one’s thought process. Shakespeare uses specific wording in his play, A Midsummer Night’s Dream, to poke fun while exploring the individual’s quest for love. The desire to find love and a happy ending with a lover is so strong in the foundation of mankind, that people will not accept a life without it. In fact, they would rather give up their attribute of rationality than their opportunity to find a significant other. The heart’s control of the mind can make a foolish man.
The play opens with Orsino, the Duke of Illyria, expressing his deep love for the Countess Olivia. Meanwhile, the shipwrecked Viola disguises herself as a man and endeavors to enter the Duke’s service. Although she has rejected his suit, the Duke then employs Viola, who takes the name of Cesario, to woo Olivia for him. As the play continues, Cesario falls in love with the Duke, and Olivia falls in love with Cesario, who is really Viola disguised. Maria, Olivia’s servant woman, desires to seek revenge on Malvolio, Olivia’s steward. “To the delight of Sir Toby, Olivia’s uncle, and his friend Sir Andrew, Maria comes up with a plot to drop love letters supposedly written by Olivia in Malvolio’s path. When she does, they observe him, along with Fabian, another servant, as Malvolio falls for the bait. Believing that Olivia loves him, he makes a fool of himself” (Napierkowski 3).
Although Viola might be able to relate to Olivia's grief at first, her love for Orsino is so great that she cannot understand why Olivia would deny him. When Olivia expresses affectio...
In Twelfth Night, the character Viola, who cross-dresses as a man named Cesario, is used to show how true love is capable of breaking gender barriers. Viola is an amiable character who has no severe faults. The audience can clearly detect that Viola's love is the purest because unlike Orsino and Olivia, her character's love is not narcissistic and does not jump from one person to the next. In other words, her actions are motivated by deep and abiding passion rather than whimsical choices. Viola's main problem, however, throughout the play is one of identity. Because of her costume, she must be both herself and Cesario. Thi...
Shakespeare’s play Twelfth Night revolves around a love triangle that continually makes twists and turns like a rollercoaster, throwing emotions here and there. The characters love each another, but the common love is absent throughout the play. Then, another character enters the scene and not only confuses everyone, bringing with him chaos that presents many different themes throughout the play. Along, with the emotional turmoil, each character has their own issues and difficulties that they must take care of, but that also affect other characters at same time. Richard Henze refers to the play as a “vindication of romance, a depreciation of romance…a ‘subtle portrayal of the psychology of love,’ a play about ‘unrequital in love’…a moral comedy about the surfeiting of the appetite…” (Henze 4) On the other hand, L. G. Salingar questions all of the remarks about Twelfth Night, asking if the remarks about the play are actually true. Shakespeare touches on the theme of love, but emphases the pain and suffering it causes a person, showing a dark and dismal side to a usually happy thought.
Viola, as Cesario, manages to win the favour of Orsino He truly believes that she is a he. Orsino, still convinced of my majesty, believes that he can win the love of a woman, via a proxy. By having Viola merely read the words he has prepared, he thinks that Olivia will fall immediately in love with him. But while Orsino had his head in the clouds about his love, Viola is attempting to conceal from him, her love for him.
to get involved in a scuffle, for which Viola is unjustly blamed. Finally Sebastian and Viola are reunited, but only after they have already caused a large amount of chaos and confused everyone. It is only then that everyone begins to discover the extent of Viola's trickery. More disorder is created when Olivia, who Orsino is hopelessly in love with. with, falls for Cesario, who is secretly in love with Orsino.
In the play Twelfth Night, Shakespeare employs a plot filled with contradictions to portray love as an insurmountable force, and with the use of symbols insinuating deception, along with dolefully forthright metaphors and similes, Shakespeare further demonstrates that deception and suffering are the true fueling entities of this puissant force known as love. The extreme actions of Olivia and Sebastian exemplify the power of love and depict how this force can blind an individual to the point where their actions display high levels...
William Shakespeare’s Twelfth Night, which is commonly believed to criticize society’s romanticized idea of love, demonstrates that even though love may seem unachievable, it is still possible to find it even in the most unlikely places. Shakespeare illustrates this idea in Twelfth Night through the characters Antonio and Sebastian by subtly suggesting that Antonio and Sebastian are more than just friends. It is Sebastian’s physical beauty that attracts Antonio to him, which leads him to devote himself to Sebastian as a sign of love. Antonio’s love for Sebastian grows to obsession; however Sebastian considers their friendship to be completely plutonic. In addition Sebastian generally tries to save Antonio from his own desire; however he does a bad job by leading him on unintentionally due to his passive nature.
Many of the expectations surrounding male identity, especially at Shakespeare’s time, had to do with a man’s ability to control and impress women. Further, women at the time were expected to be affectionate and subservient to men, and the majority of their youth was focused on finding a husband. Shakespeare upsets these norms in Twelfth Night through hints of homosexuality, although these are more subtle than the motifs of gender roles and gender performance. The most explicit hints of homosexuality come from Sebastian’s friend and savior Antonio, who shows enough affection for the young man to be suspicious. Although Antonio’s sexuality remains ambiguous his affection also seems stronger than friendship. For example, Antonio is willing to escort Sebastian through the city even though he could be killed if he was caught, and gives Sebastian all his money in order to buy souvenirs. When he is caught and pleads to Cesario to help him, believing it is Sebastian, he appears to be more upset with the betrayal than his potential death, saying “’His life I gave him, and did thereto add/ my love, without retention or restraint/ all his in dedication. For his sake/ did I expose myself—pure for his love—‘” (5.1.66-69). Though Antonio’s sexuality is the most ambiguous in the play, there are undeniable hints of homosexuality in the main characters as well. Although Olivia denies the courtship of many men, she is instantly attracted to Cesario based on his looks and compliments his more womanly features when she says “’O, what a deal of scorn looks beautiful/ in the contempt and anger of his lip!’” (3.1.126-127). This suggests that she is not attracted to the male body, but the female form. Viola rejects the woman’s advances and is attracted to Orsino; however, she falls in love with him as she is playing a masculine role, complicating her sexuality as well. Throughout the play Viola hints at her love for
Twelfth Night consists of a large number of love triangles, however many characters are too indulged in love that they are blind to the untrue, and the weakness of their relationship, they are deceived by themselves and many people around them ( ex. Malvolio is tricked by Sir Andrew, Feste ,Sir Toby and Maria),but there are certain incidents where the love is true and two characters feel very strongly about one another. In the play, Viola and Orsino have the most significant relationship. The way they interact with each other causes the complexity on which the play is all about, their relationship turns from strangers to friends then lovers .In the First Act Viola is not honest with Orsino because she disguises herself as a male servant named Cesario in order to get closer to the duke. Orsino. Orsino quickly trusts Cesario and sends him to Olivia to declare Orsinos Love for her, the girl he most dearly loves. This quick bond is the fast example of their relationship. At the beginning of the play, Viola thinks her brother (Sebastian) is dead (after they’re deadly boat crash, where they get separated) when actually he is alive and thinks she is dead, Viola always seems to have a part missing from her which shows her bond with Sebastian is strong, and a part of her but in a brotherly/sisterly way rather than a proper relationship like viola and orsino, At the end of the play they meet and both fall in love , Viola with Orsino and Sebastian with Olivia.
Situational irony and the love triangle give big laughs to the viewers. The audience becomes engrossed as they observe Violas transformation into Cesario, the Duke’s servant. Suspense is built as Viola begins to realize that she is falling in love with Duke Orisno, but in order for her to survive; she has to keep pretending to be a man and is unable to reveal her love. The irony settles in when Orisno, asks his close servant Cesario to go to Olivia and make her understand how deeply he loves her. Shakespeare shows her helplessness in this situation because she has to help her love, try to woo someone else. The irony builds into a love triangle as Olivia begins to fall in love with Cesario as “he” loved Orisno. Olivia’s love is confirmed when she says “Yet come again, for thou perhaps mayst move that heart, which now abhors, to like his love” (III.i.153).
Viola/Ceasario's disguise hides most of her past: the shipwreck, her lost brother, and the fact that she is a woman. Her identity now as a man, is to move on in life and get a job. Her love for Orsino is hidden with her original identity, as though she works for him as his servant. She is a very strong character in the play. "I prithee (and I’ll pay thee bounteously)/ Conceal me what I am, and be my aid/ For such disguise as haply shall become/ The form of my intent. I’ll serve this duke." (1.2.52-55). After the shipwreck and the loss of her brother, Viola decides to move on using a disguise as her shield. Viola’s secret love for Orsino is different than the way Olivia loves Ceasario. Olivia is in lo...
Throughout Twelfth Night, disguise and mistaken identity works as a catalyst for confusion and disorder which consistently contributes towards the dramatic comic genre of the play. Many characters in Twelfth Night assume disguises, beginning with Viola, who disguises herself as a man in order to serve Orsino, the Duke. By dressing his protagonist in male garments, Shakespeare creates ongoing sexual confusion with characters, which include Olivia, Viola and Orsino, who create a ‘love triangle’ between them. Implicitly, there is homoerotic subtext here: Olivia is in love with a woman, despite believing her to be a man, and Orsino often comments on Cesario’s beauty, which implies that he is attracted to Viola even before her male disguise is removed. However, even subsequent to the revealing of Viola’s true identity, Orsino’s declares his love to Viola implying that he enjoys lengthening the pretence of Vio...